Monthly Archives: February 2015

My iPod #434: Blur – Globe Alone

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“Globe Alone” is the twelfth track on Blur’s fourth album “The Great Escape” in 1995. I like that album; I think it’s okay. But there are plenty who wouldn’t put it at the top of their favourite Blur album list due to the ‘faux-grandiosity’ or ‘pomposity’ some sensed in the lyrics and music. Brass is used in a lot of tracks too. Though being recorded at the height of the band’s success during the Britpop ‘movement’ during the mid-90s may have had something to do with it. But it’s on “Globe Alone” where, apart from the presence of a synthesizer and an organ in some parts, the guitar, bass, and drums take full control of the song’s momentum.

The lyrics in this case detail the life of a person who is only interested in the latest trends and what he sees on television adverts which is all well and good, but the music they are set against makes the second-shortest song on the album one of the craziest ones on there to listen to. Graham Coxon provides a wild performance with a roaring delivery during the choruses with vigorous string bends and messy guitar lines, Damon Albarn yells out every lyric from the high chest with barely any breaks, Dave Rowntree pulls off some of his best drumming in the track with a constant thrashing of the high-hat and several quickfire drum rolls, and Alex James ties it all together with a smooth bassline.

Blur changed their style for a more guitar-oriented aesthetic on their next album in 1997, and it is “Globe Alone”, which tends to be overlooked by, that could be seen as the precursor of that evolution. One of the most enjoyable to listen to from “The Great Escape”.

My iPod #433: Dananananaykroyd – Glee Cells Trade

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“Glee Cells Trade” is the penultimate song on ex-Scottish indie ‘fight pop’ band Dananananaykroyd’s second and final album “There Is a Way“. It comes after one of the cathartic tracks the band ever recorded, and before their grand finale of “Make a Fist” so it does the essential thing of relieving some of the tension of what you’ve just listened to, as well as settling you in for what is to come.

The track features co-lead vocalists John Baillie Jnr and Calum Gunn’s alternating their lines during the verses with tremendous ferocity before singing in unison for the emphatic choruses amongst guitar phrases which stop and start regularly and a springy bass which likes to fill in the gaps with a lick here and there. At two minutes and thirty-seven seconds it is the shortest track on the album, though it is one of the most easy-going ones on there however ear-piercing the singing tends to be sometimes. There’s something assuring about it when the two guys belt out the lines “You can’t set the way/A new baby’s meant to play” during the chorus, which also seem a bit prophetic seeing as the band would split up only a few months after the album’s release.

Admittedly it was one on the album that took me a while to get into; but, as you can see, I eventually did. And I’m glad.

My iPod #432: The Beatles – Glass Onion

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My introduction to “Glass Onion” wasn’t via listening to The Beatles self-titled album (or The White Album) from 1968, but through The Beatles’ official mash-up album “LOVE“. Mind you the version on that album only contains John Lennon singing “Oh yeah”, “Nothing is real”, and the last verse before the creepy string outro mixed with a lot of elements from other Beatles songs. But I still thought it was alright. It made me want to listen to the whole track. So I did.

“Glass Onion” is a track written by John Lennon in which he makes several references to other Beatles songs in order to freak out the conspiracists and general strange people who thought there was more to The Beatles than the four members were actually letting on. The song references range from “There’s a Place” from their 1963 debut to “https://www.youtube.com/embed/v2i1WhHXyBY“>The Fool on the Hill” from 1967’s “Magical Mystery Tour” – the latter getting its own musical nod when Paul plays the recorder near the end of the song. Ringo Starr actually plays on this track too; he does not appear on “Back in the U.S.S.R.” or “Dear Prudence” has he had temporarily left the band when times were rough. So whether the track starting off with the jarring drum fill was meant to signal his entrance or just a coincidence is up for questioning. The vocals and rhythm section come to an abrupt end and give way to the aforementioned scaling strings section that brings the song to an ominous end, fading out (and sounds like it begins to slow down weirdly in the last few seconds) before the clanging pianos of “Ob-La-Di, Ob-La-Da” begin.

And so there you have it. Probably the most meta track The Beatles ever made. And one of their most darker sounding ones too.

My iPod #431: The Darkness – Givin’ Up

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“Givin’ Up” is the sixth track from The Darkness’ first album “Permission to Land“. Despite its cheery, upbeat, 70s karaoke night feel to it, the song is about lead singer/guitarist Justin Hawkins’ (former?) heroin addiction. The drug abuse continued until he was forced to quit the band years later in 2006. He makes the effects of the drug clear in the pre-chorus: “Well, I’ve ruined nearly all of my veins/Sticking that fucking shit into my arms” and there is definitely something tragic about the whole thing. Hawkins wants to stop the addiction but when it comes to the stuff entering his stuff he gives up giving a fuck about it and carries on doing it anyway. Quite sad. But you can’t tell just because of how damn happy the track sounds.

When I was sitting on my mum’s bed listening to “Permission to Land” on my Playstation 2 at the young age of eight, none of this came to mind when I was singing along to it. Did I know what ‘shit’ he was referring to when looking through the liner notes? Of course not. All I knew was that the song sounded good. Still does today. Even if age as made me realise how very serious the song actually is.

Another notable thing that I didn’t really realise until listening to the album years later, this track flows perfectly into “Stuck in a Rut”. Both have the same tempo, and the snare drum which starts that song seems the two tracks together very well. Production at its finest right there.

My iPod #430: George Harrison – Give Me Love (Give Me Peace on Earth)

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The first time I heard “Give Me Love (Give Me Peace on Earth)”, or at least bits and pieces of it, was in the song “I’m Just Sitting Here”. That track is from the mash-up album “Everyday Chemistry” which was created by some person who tried to pass it off as an actual album that somehow made it to Earth from a parallel universe where The Beatles didn’t split up. No joke. But the actual product isn’t bad. “I’m Just Sitting Here” is a mix of “Watching the Wheels” by John Lennon with the slide guitars and George Harrison vocal, “Ooooooh my lord” and another Ringo tune. It starts at 29:40 in the link above.

But just those little parts made me want to hear the whole track. Decision well made. “Give Me Love (Give Me Peace on Earth)” starts off what was Harrison’s fourth album (or second if you don’t count the experimental ones before it) with a sole acoustic guitar which then makes way for Harrison’s trademark slide guitar work. After a verse or two of George’s pleas for the Lord to give him love/peace on Earth, the track fully gets under way when the backing piano, and rhythm section come in together adding a bustling groove to the music.

A good song with a positive message, pleasant and lovely track to listen to, made for some easy listening.