Monthly Archives: May 2021

#835: They Might Be Giants – Metal Detector

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Here’s ‘Metal Detector’. Another song by They Might Be Giants, so soon after the last one. It’s found on their 1996 album Factory Showroom, their last on the Elektra label before they left and have sort of been an independent band ever since. I like Factory Showroom. I’ve always thought it was kind of a reaction to John Henry. That album’s almost an hour long and there’s a lot of horns and brass on it. I feel like Showroom put more of a focus on the band, and they dialled back the run time from 57 minutes to an easygoing 42. Only 13 songs on there too, which was peanuts compared to the number of songs They had on albums prior.

What I like most about ‘Metal Detector’ is that it’s essentially a song of choruses. There are only about two verses, even one and a half if you think about it. The rest is chorus, pre-chorus, kinda bridge over and over again. And it works, I don’t know what to tell you. The approach makes the song all the more memorable to me. It’s an easy one to sing along to, and the overall tone to its makes it seem like there’s some sort of mystery behind it. But it’s just a song about having a good time with a metal detector and going to the beach to find things under the sand. The group always have a knack for writing great songs about the most menial tasks. Or passionate hobbies, whichever way you want to look at it.

According to This Might Be a Wiki, this is quite a popular one among TMBG fans. It’s their 37th best song. The band haven’t ever played it live that much though. My guess would be that maybe the repetitive nature of the song just isn’t to the band’s liking, though that’s just a shot in the dark. Could have been a single for me. It’s nothing to think about too much.

#834: Teenage Fanclub – Metal Baby

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Looking at my laptop’s folders, it appears that I downloaded Teenage Fanclub’s 1991 album Bandwagonesque in 2014, which seems so strange to me. I remember it being one of those albums that I got switched on to from that first listen. The first half has hit after hit. ‘The Concept’, ‘December’, ‘What You Do to Me’, ‘Star Sign’… all 10/10’s. The first two I wish I could have written about, but you can just hear them for yourselves. The latter will have their posts some day. But today’s song, ‘Metal Baby’, starts off the album’s second half, carrying on the run of good tunes.

The track is about a girl who is into her metal music, has the track’s narrator around her little finger and eventually leaves him to be a groupie with a metal band. A simple song of love and loss, I suppose. But it’s delivered with such an ease that makes it comfortable to listen to. All these interesting chords and progressions. Guitarist Norman Blake sings well over it, accompanied by some nice harmonies too. The band have made it clear that one of their biggest influences was Alex Chilton and his work with Big Star from the 70s, and you can clearly hear that here if you’re familiar with that stuff. I guess if you want to be cynical about it, it’s one track of Fanclub where they really where that influence on their sleeve. But man if they don’t do it well.

One thing I’ve noticed which you don’t have to really care about but what I thought was interesting, is that ‘Metal Baby’ kind of mirrors ‘The Concept’ in a way. Musically, that is. If you sing the ‘I didn’t want to hurt you’ chorus from the latter with the ‘I’m not the sort of person’ chorus/bridge from the former, you’ll notice how similar they are. They are in different keys, so you’d have to adjust for that. I don’t know, thought that was worth saying. But happy listening, you can’t go wrong listening to their other albums too.

#833: They Might Be Giants – The Mesopotamians

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I’ve gone on about They Might Be Giants being a great band on here many a time. You don’t have to hear that again. I guess I’ll say, to stray away from the praise, that the album The Else is maybe one of my least favourites of theirs. Weren’t expecting that were you? Any TMBG fans reading who really like The Else, don’t want to grind ya gears. There are just a lot of songs on there that I don’t feel very strongly about. The ones that I do though, I have a great love for and written about. Except ‘Feign Amnesia’, I started liking that one a bit too late to make a post about it. But today’s post is dedicated to the album’s closer, ‘The Mesopotamians’.

Another song of They that only John Flansburgh and John Linnell could write. Gonna go on a limb and say that it’s mainly written by Linnell. He sings the lead vocal on here. This may be the only song in existence that even touches upon ancient Mesopotamian mythology. I did learn a bit about a Mesopotamian tale with Gilgamesh in my first year of university. But I’ve forgotten about that, and I’ll continue to pretend that Mesopotamia was led by the four characters as described in the Giants song. Within the track, Mesopotamia is described as this barren place that is ruled by the heroes of Sargon, Hammurabi, Ashiburnipal and Gilgamesh as they go around the place as a travelling band. They drive around in their van and play shows to no one, but they etch their lyrics into the ground with hope that anybody in the far-distant future stumbles upon them. There’s a reference to the whole Beatles ‘Paul Is Dead’ conspiracy theory in there too.

It’s a cheery number. It’s not a track that shouts ‘album closer’ to me. I saw the tracklist, saw it was the last song on the album, and when it ended I was still surprised that nothing came afterwards. There’s not that sense of finality to it. But that doesn’t stop the track itself from being an enjoyable one. It’s a playful take on these ancient figures from years and years ago which I assume are meant to be taken seriously. Nothing bad about that.

#832: Alkaline Trio – Mercy Me

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This’ll be the one and only Alkaline Trio track you’ll find on this whole thing. I’ve got no problem with them; I’ve never taken the time to listen to more of the band’s music. Maybe there’ll be another song on here one day. For now though, this is it. I can kinda remember seeing the video for ‘Time to Waste‘ back in 2005. Actually, it was played quite a bit on MTV2. And I thought that was a cool song. Then the video for ‘Mercy Me’ started showing some time later, and I thought it was much better.

Taking it in as the ten-year-old I was at the time, I liked that the track was less heavy and had what I thought was more of an accessible melody to the voice. There’s a nursery rhyme, child-song like quality to it that makes it very easy to remember. I think the lyrics concern being bored with life and loneliness, which makes it one of those downer songs with an upbeat rhythm and tempo. Those types of songs always get to me, especially when they’re done well. This one is no exception. It may also be about life on the road. I don’t really know, I’m just guessing here.

The bass player takes the lead vocal for part of the chorus, and I think I remember reading that this was something of a big deal around the time. Maybe it was the first one he had done apart from doing backing vocals. He does have a good voice for the music, I have to say. I also think that my mum liked this one too just for a while, but that’s neither here nor there. Just because I’ve linked to all the singles so far from Crimson, I’ll throw in a shout-out to ‘Burn’ which was the album’s last single. Didn’t get into that as much. But someone out there will feel different.

#831: The Dismemberment Plan – Memory Machine

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A common theme that I realised runs through The Dismemberment Plan’s 1999 album Emergency and I is that in every song, the verses never sound quite right. Upon first listen, there’s always an odd not being played or the rhythm’s always changing and coming down on the offbeat. They’re never played very normally. Then the choruses come in and your floored by how melodic and memorable they are. The hooks on this album are really unbelievably good, especially those in the more rocking, frantic numbers. ‘Memory Machine’ is one of my favourites on there.

I remember listening to the track for the first time hearing how the bass stops and starts with the erratic drum pattern in the back, and trying to make out what was happening. Travis Morrison mumbling these words underneath this rhythm section, then it’s suddenly a few seconds of just noise before he actually gets into the first verse. There’s a lot of anxious energy built up in those opening moments. But when that first chorus hit, all the lights seemed to switch on. From then on, it was somewhat easy listening. ‘A Life of Possibilities’ had left me intrigued, but it was ‘Machine’ that properly made me excited for how the rest of the album would turn out.

The song’s about wishing to be immortal while having all of our bad memories removed from our systems so we won’t be overwhelmed by them. Basically about being turned into robots, because if we’re our lives are being made easier by the innovations in technology, then why can’t we be machines ourselves? Travis Morrison brings up some good points in this song. But I also think he depicts the horror it would be if we were all turned into robots, the way he’s screaming the very first part of the song to the listener at the end. It’s a track that’ll make you think, but also leave you feeling very pumped up when it’s over.