Daily Archives: March 17, 2022

#930: They Might Be Giants – No One Knows My Plan

They Might Be Giants’ 1994 album John Henry was the first where Johns Linnell and Flansburgh were accompanied by a live band rather than the drum machines and synth-instruments that had been their go-to method up to that point. Upon the album’s arrival, fans were greeted with guitar-prominent instrumentals, an actual bass guitar and live drums, and brass. There’s a lot of horns on this album. Today’s track, ‘No One Knows My Plan’, is one of those tracks to feature them. Brass can sometimes be one of those instrumental groups where, if heard too much in one sitting, they can be a bit overbearing. But you’ve got to appreciate the instrumental melody of the trumpet that triumphantly opens this song. Once you do that, it’s plain sailing from there.

The track arrives at the album’s midpoint, acting as something of an opener to its second half. With its conga-esque rhythms and ascending/descending scale riffs, it helps pick up the momentum after the contemplative turn the preceding song takes. In ‘No One Knows…’, the narrator is planning an escape from a prison cell, and the track is practically the tale of the narrator’s thoughts, feelings and experiences they’ve had while trying to fulfil this act. They tried to escape before, but have since realised that they’ve had to change their tactics. They’re always scheming, but they’ll never tell anyone the full angle. All this described under a skipping drum pattern, a horn group that undergo the role that a rhythm guitar would usually cover, and with a reference to Plato’s Allegory of the Cave put in for good measure.

This one’s been a favourite of mine for the longest time. Not just from John Henry, but out of the whole TMBG catalogue. The melody’s so infectious. Once you’ve got that in your head, it’s hard to get rid of it. I’ll go ahead and admit that the album in particular isn’t one of my favourites by They, but it’s not without its highlights. ‘No One Knows…’ is for sure one of them. Back in the day, someone at the Cartoon Network offices must have liked the track too. It was used as the intro music to Cartoon Planet for a while.