It may be a despicable thing to say. But for me, when it comes to Nick Drake’s three-album discography, there’s Pink Moon, and then there’s the other two. I feel some shame just typing that. I’ve grown so use to the desolate and stark atmosphere of Pink Moon that when I hearFive Leaves Left or Bryter Layter, the fullness of the instrumentation seems a bit unfamiliar to me. Those are both very fine albums in their own ways, and I’ve been trying to appreciate them more as time has gone on. In fact, wasn’t relatively long ago that I truly understood how good today’s track was.
‘Northern Sky’ is the penultimate track on Bryter Layter. Might not just be me, but I get a lot of imagery from this track. Clear skies of purple and deep blue at dusk on a chilly winter evening. Oddly specific, but that’s what I see. The album cover may play into it a bit too. But mainly it’s those visions are caused by the soft resonance of those celeste keys and the soothing Hammond organ which are present throughout, provided by former Velvet Underground member and all-round fine musician John Cale. Initially turned off by the instrumental choices, Drake grew to like the arrangement and anticipated it to be his big commercial breakthrough. That didn’t happen. Record label antics.
The lack of widespread recognition of his work dampened Drake’s hopes, and he became more and more emotionally withdrawn and distant as a result. He was known to be quite the shy person anyway, so it makes a song like ‘Northern Sky’ all the more profound and affecting. It’s a love song, something of a rarity in his work, and it captures all the feelings that usually come along in that situation of being with someone. The courage, the wonder and happiness, the underlying uncertainty, numerous others, but most of all the appreciation. It might be one of the best love songs out there. And with that, the sadness seeps in when thinking on how everything ended for Drake. He just wanted his music to be heard. If he could have hung on that bit longer, he would have arrived at a point where he would see his material be adored by millions. Too tragic. But we’re all listening now.
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