Daily Archives: April 16, 2022

#945: Big Thief – Not

When Adrianne Lenker was touring for her solo 2018 album, Abysskiss, ‘Not’ was a track that she would bring out from time-to-time during some of her performances. It seemed to be the one that stuck out the most out of the newer material she would play, which got the inevitable question rolling: “When are we gonna hear a studio version of this?” Well, it wouldn’t be on the next Big Thief album. But there was great excitement when another album by the band was announced for release not to soon afterwards, coming as a surprise to everyone, and included ‘Not’ in the tracklist with a runtime of six minutes and seven seconds.

So what is ‘Not’ about? Well, it’s about the things that “it” is not. What “it” is exactly isn’t revealed in the song. But one thing’s for sure, “it” is definitely not any of the things that Lenker lists throughout. Lyrically, the song is genuinely one of a kind. Never heard a track that took an angle quite like this one. But I think what grabs everyone the most is the tight band performance and just its intensity overall. The song’s already in a minor key which sets things off with an uneasy feeling, like something’s amiss and not quite right. The feeling simmers with Lenker on guitar on the left, Max Oleartchik and James Krivchenia on bass and drums respectively, during the first verse, then Buck Meek enters on the right midway though with these eerie sustaining notes that add to the creepiness of it all. Backing vocals come in for the choruses to add some progression before everything returns to the form of the first verse.

Things take a more ominous turn about two minutes in when the guitars drop out of the mix leaving just the vocals and the rhythm section before they exploding back in again alongside a growl from a Lenker. Her vocals grow more impassioned, transitioning from yells to full-blown screams before the track takes another turn and dedicates itself to a ripping guitar solo from Lenker that lasts for almost half the track. It has to end at some point, but even when it does reach that conclusion it doesn’t sound like the band were ready to stop. At live performances the track can go on for more than eight minutes just because people appreciate the solo so much. Though it has to be said that it’s a hell of a way to cap off one of Big Thief’s strongest moments put on tape. I think I might prefer other Big Thief songs to this one. But I’m very sure that for a while when Two Hands had been digested and discussed, it was quietly agreed that ‘Not’ was the band’s best song by a mile or two.