Unfortunately, this’ll be the last track from The Moon & Antarctica that I cover in this long-running series. There are many more that I could cover if I would, but they all precede the letter ‘P’. If you really wanted to know, they would be ‘Gravity Rides Everything’,‘A Different City’, ‘The Cold Part’, and ‘Alone Down There’. Some of you may argue that there should be at least a few clear contenders that should be coming up. But boo you, this is my list. ‘Perfect Disguise’ isn’t the worst note to leave on, anyway.
After the album’s three opening tracks raise the overall momentum to an all-time high – ‘Dark Center of the Universe’ is quite the intense number in particular – ‘Perfect Disguise’ comes in to slow things down and let the listener relax for just a few moments. Its introduction’s a slow build, starting with Isaac Brock’s lone guitar and followed by Eric Judy on bass and Jeremiah Green on drums. Judy’s bassline interweaves with the guitar, harmonising on instances while also maintaining its own melodic path. The three-piece’s performance here on its own is so relaxing, but is also added upon with a wailing guitar and banjo. Some twitchy synthesizers pan around the place during the verses. A great piece of music to just sink into a bed to.
Now, despite the alleviating music, the track’s lyrics concern a narrator’s realization that someone has been using them, or putting them down to in order to look better in comparison when in front of other people, and has chosen to not put up with their antics anymore. The narrator sarcastically wishes this other good luck in whatever these actions will lead them towards. And that’s really all there is to say. The harmonies throughout, which are singing ‘Broke my back’ but what I first thought were just some wordless vocals, repeat as the guitars fade out and alongside some glitch/spooky bleeps and bloops that transition into the next track. By itself, a bit of an erratic, sudden way to end things. When hearing it in the context of the album, though? Totally different experience. I reckon the track’s placement on there might give it a bit of an interlude-type track stigma, but to me it’s always been a highlight of mine for the relatuvely short time I’ve known it.