Looking back on the previous two songs I’ve written about from I Should Coco, I make a note on how I got the album for a birthday and how initially I thought it was stellar on the first listen, but as time’s gone on there are a few moments are there which are a bit of its time. In a way, I’ve done the same again here. But I guess that means I’ve just run out of different things to say about the album. I think it’s many people’s favourite by Supergrass, released in the midst of Britpop and giving us the summer jam of ‘Alright’. I wouldn’t say it’s mine, but that’s not to say ’cause it’s bad. You won’t go wrong with any Supergrass record you choose to listen to. Usually I think they were the best Britpop band all this time.
‘She’s So Loose’ is the ninth song on Coco. Very, very sure I liked this one on that first run-through on the album however many years ago. The track consists of mainly choruses, three in total, respectively preceded by two short verses and the final instrumental break. Those choruses appear to describe a sexual encounter between two people, in ways that you don’t really have to thoroughly examine to understand, but also not in a way that’s graphic or distasteful. More like a, “this happened, then this, overall, a good time was had” kind of way. Very matter-of-fact. And the activity is celebrated via the rousing melody the track’s title is sung with as the chorus’s last line.
I’ve always thought of this as an example of a perfect three-minute pop number, you know. There’s nothing too complicated to get your head around, though the guitar chord choices in here aren’t the usual G-D-E (or whatever) types of progressions. The changes throughout add a little mystique to the whole affair. And I’m very much a fan of Gaz Coombes’s vocals on there too. Delivered with a youthful exuberance that you can only when you’re in your teens and feeling good making an album. And that little reverb production trick that lingers after the “awaaaaay” in the verses is a minor thing that I appreciate. All in all, the song’s a short introduction, a little verse, a bigger chorus, repeat, and throw a breakdown in there for good measure. Easy to singalong to and very memorable as a result. I don’t have much else to say about it, to be honest. I’ve never found much reason to dislike it.