#1230: Bloc Party – So Here We Are

I was around when Bloc Party’s Silent Alarm was the brand-new debut album released by the band….. 20 years ago. It creeps up on you, doesn’t it. It wasn’t like I was following the group’s every move, ’cause I was nine at the time and was probably thinking about cartoons and football more than anything else. But I knew of the band as I’d seen the video for ‘Helicopter’ on MTV2, months before the album was out. But as 2005 went on, it was difficult to go onto MTV again, or any other alternative music television channel for that matter, and not see Bloc Party in some sort of capacity.

Every site and streaming platform will tell you that the album was released on the 2nd February 2005, but at least in the UK it came out on Valentine’s Day. ‘So Here We Are’, released alongside ‘Positive Tension’ as a double A-side single, was the first track to be unveiled in the proper run up to Silent Alarm, two weeks before. And it’s a song that I completely missed initially. I remember seeing ‘Banquet’ and ‘The Pioneers’ on a much more frequent basis at that time. I’ve a feeling ‘Two More Years’ was even out as a single before I knew about ‘So Here We Are”s existence. But its video came on TV one day, I was thinking if it was a new song. It definitely wasn’t. But I ended up liking it all the same.

Even if this song were to be an instrumental piece, its effect would be just as strong. The twinkling arpeggiated guitar intro, which extends into the verses and beyond, between Kele Okereke and Russell Lissack is enough to put anyone into a kind of meditative trance. But what I’ve always found to be the highlight of it, along with many other Silent Alarm numbers, is drummer Matt Tong’s performance. Among the serene guitars comes this bustling source of rhythm that adds a huge rush of energy to the track. The drums sound like a loop of a sample or something, they’re done that well. The song has no chorus – made up more of one long verse and the coda – all of which concern how people feel after taking ectasy. And it’s during the coda that Okereke sings about having that MDMA-induced epiphany over a glorious solo. It’s beautiful stuff.

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