And continuing talk about They Might Be Giants songs that leave me wanting more, today’s song is ‘Spiraling Shape’, the ninth song on the band’s Factory Showroom album from 1996. The track is almost four minutes longer than ‘Spine’. But when it reaches its end where everything cuts to sudden silence, I usually think “I could listen to that one again.” And I usually do. When I first came round to listen to Factory Showroom, in about 2010 or something, ‘Spiraling Shape’ appeared to be one that fans considered to be their best according to the Song Ratings list on the the band’s fan-run Wikipedia site. In the top 20, I want to say, even back then. I won’t say it was an immediate hit on the first listen. I was probably being a dumb hater. Usually was at 15. But then it was those listens that followed that got me thinking, “Yep. This song is a good one.” Something along those lines.
Another TMBG number written by John Linnell, the track is about a little thing known as a ‘fad’ – an intense and widely shared enthusiasm for something, especially one that is short-lived; a craze. Thank you, Google, for that definition. And in the case of the song, this enthusiasm is for the titular subject. People see this spiraling shape, immediately stop what they’re doing and are drawn in to this hypnotising presence that looms before them, like lambs to the slaughter. Perspectives from the people who haven’t yet experienced the shape but have heard what others have said about it, those who did but were left disillusioned by it, and those who know they could even come to harm by being allured by it are told. And the melodies utliised throughout are oh-so sweet. “The spiraling shape will make you go insaaaaaane”, Linnell sings. “Everyone wants to see that groovy thiiiiiiiing”, Flansburgh replies. There are some pitched-up Linnell harmonies that show up to in the midst of it all. You’ve gotta love it. I know I do.
The song actually has origins as early as 1992. In that year, They Might Be Giants made a demo for the song ‘Rocket Ship’. Quite the groovy number about travelling in a rocket ship that may or may not crash during its journey. Linnell switches up his vocal during the verses to make it sound more unusual than normal. But then suddenly out of nowhere, the chorus that would end up being used in ‘Spiraling Shape’ starts playing seemingly out of nowhere. Two somewhat disparate sections brought together to make a whole. Linnell recognised the greatness he had achieved with this section, reserving it for use at a later date. The parts making up the verses were never used again. Maybe they will be one day. It’s looking more likely that they won’t. But just goes to show that if a complete song doesn’t seem to work, as long as there’s one memorable part within it, you can always recycle it to make it its own thing some time in the future.