Daily Archives: January 12, 2026

#1352: Radiohead – There there. (The Boney King of Nowhere.)

Now, I got Hail to the Thief in about 2010, I think for my fifteenth birthday. But I’d been knowing of the album’s existence since at least 2004. ‘Myxomatosis’ was the first Radiohead song I ever heard. A good little story, that one. You can read it if you want. But when it comes to ‘There there.’, things become a little more unclear. I’d definitely heard the song before I got the physical CD, but I can’t remember that one time when the song truly clicked. I have a vague memory of listening to it on the old, old family Windows XP computer and getting into it. I have another of watching its music video somewhere and getting into it. Which event came first, I can’t recall, I’m sorry. I have clearer memories of singing it in the shower alongside ‘Paranoid Android’ in my teenage days, seeing if I could get myself cleaned before I finished both songs. The track’s just always been around at this point, and I’m thankful ’cause I’ve got a deep appreciation for it.

Thinking about it, it would make sense that I saw the music video first before going ahead and probably pirating it to listen to on the computer. To sum it up bluntly and needlessly crudely, Thom Yorke fucks around in a forest and finds out. It’s better if you watch the thing. It’s one of those rare, rare occasions of a music video (that I’ve come across in my days) where the visual goes so well with the music that the combination of the two creates this overall heightened experience. But the song by itself is pretty great too. Starts off all ominous with those tom-toms and rim clicks and Colin Greenwood’s bass guitar. The feedback of Yorke’s guitar kicks into gear before he properly starts playing. “In pitch dark, I go walking in your landscape / Broken branches trip me as I speak”. Strong beginning lines to a track, for sure. Vivid and evocative from the jump. But it’s all about that A major chord that introduces the chorus where I always get hit with that warm feeling, and then Yorke hits you with “Just ’cause you feel it doesn’t mean it’s there.” Ain’t that the truth, usually? Such a universal sentiment delivered so earnestly. If the track isn’t an instant like for you at that point, it never will be.

The song continues to chug along. The second verse and chorus come round, now with added backing vocals both sung by Yorke – I think – in the left and right channels. Meant to represent that symbolism of an angel and devil on your shoulder, I’ve always felt, which I think is reinforced by that “Someone on your shoulder” line. Thom Yorke wails the song’s title, marking the point where the music takes a turn. Jonny Greenwood’s guitar comes in on the left-hand side, the energy ramps up, Thom Yorke turns into a tree, and you’re left wondering how you got to this point from where it all initially started. It’s not unusual for a Radiohead song to begin in one direction before seamlessly changing to another. But with ‘There there.’, you get a very notable example. There’s a reason the crowd goes wild when those tom-tom stands are propped up in front of Ed O’Brien and Jonny Greenwood at their live shows. They know shit’s about to go down.