Category Archives: Music

#736: Radiohead – Life in a Glasshouse

Continuing their run of awesome album closers, ‘Life in a Glasshouse’ is the last track on Radiohead’s album Amnesiac and, in a way, put an ominous end to their remarkable reinvention era of 2000/2001 when they wowed critics and confused listeners with the aforementioned album and Kid A eight months earlier. Obviously Radiohead always reinvent themselves in some way, but in this period people really questioned what the band were trying to do with this new anti-rock route they were going with.

‘Glasshouse’ is probably the group’s most unique track. There is no other song in Radiohead’s discography that is like it at all. And that’s not me trying to say that it differs in just a minor area from their other material. The track is this sad-sounding, jazzy funeral dirge complete with clarinets, trumpets and a huge big band section. I seem to remember lying in bed, half-asleep, listening to Amnesiac for the first time in late 2012. Though I thought the rest of the album was alright (an opinion I still hold today, it’s probably one of my least favourite Radiohead albums) this track stood out to me as a highlight while also bringing a downer to whatever dream I was having. The track itself is inspired by an incident where a wife of a famous actor covered her windows with newspapers to prevent paparazzi and the tabloids from getting any proper photos of her. But Thom Yorke’s delivery on ‘someone’s listening in’, especially at the end, is very creepy. Makes me feel like I’m being watched. We are all being watched in some way.

Because the jazzy instrumental was provided by a specific band, led by musician Humphrey Lyttelton who passed away in 2008, the band have never performed the song live. Except for that one time that they did in 2001. Below is Lyttleton’s band and Radiohead on Later with Jools Holland performing the track.

#735: Billy Talent – Lies

From the age of ten to about seventeen, Billy Talent was my favourite band. It’s a long story that I could go into. I may have already done so in a previous post of a song by them. I’ll probably save it when I get to ‘River Below’ because that’s the first song I ever heard by them. I’ll gush all about them then. To put it short though, every time Billy Talent put out a new album I thought they could do no wrong. Dead Silence was the last new album of theirs I’ve listened to in full, I’ve never had the urge to listen to Afraid of Heights. I think my interest has obviously dwindled a bit. It’s their first two albums, though, that I can still play in full today and still feel the same way I did when I was younger when listening to them.

‘Lies’ is the fifth track on Billy Talent’s first album and is probably the hookiest one on there, with a very memorable and repetitive chorus that is also mimicked by Ian D’Sa’s guitar playing. The one aspect of Billy Talent that impressed even when I was ten was how D’Sa was able to use his guitar in a way that sounded like there were two guitarists playing at the same time and that is on show here, as he plays the song’s main riff while also keeping rhythm on the lower pitched strings.

Since I was ten years old when I heard this song for the first time, I’ve been singing along to it for all these years without really taking into consideration what it’s about. The melody of the chorus is so earwormy, it’s like one of those teasing ‘you can’t catch me’ taunts that schoolchildren sing. Not as annoying though. A quick look through the lyrics will more or less show that the track is about how lies can be disguised and come in all shapes and sizes, how they are essentially a part of life, and how they can come back to bite when someone finds that liar out. I don’t know what other Billy Talent fans think of this song. I’m not sure if the group have ever had the will to perform it in recent years. I think it’s a great album cut though. I feel like it could have been a clear single for a lot of other bands, but that would have been the easy route for this lot.

#734: They Might Be Giants – Letterbox

One of my favourites from They Might Be Giants’ album Flood from 1990, ‘Letterbox’ sees John Flansburgh and John Linnell sing in unison with a rapid pace amidst a backdrop of a warm synth bass and quick acoustic guitar strums in a waltz time. It’s one of the shorter songs on the record, coming in at a minute and 25 seconds, but still filled with the many things that make a Giants song great. It’s all about those melodies, man.

It’s been about nine years that I’ve had Flood in my iTunes library now, and the songs I enjoy most from it I could serenade you with as easily as I could recite the alphabet. Though this one starts with a little difficulty. Flansburgh and Linnell are able to cram a large number of syllables into a matter of seconds with each line during the verses, delivered to you like a musical tongue twister. The two known to be quite reluctant/secretive when it comes truly revealing what some particular songs of theirs are about. Not a lot is known about this one. I definitely couldn’t tell you. But it sounds fantastic to the ear.

Not only do the two Johns sing in unison; they also switch things up by providing harmonies to one another. Linnell sings a falsetto harmony in the left channel during the second verse and then sings the bridge by himself, before Flansburgh comes in with an emphatic higher harmony during the final verse at which things come to a thudding stop. I sometimes wish this song was longer; it really doesn’t need to be. It does its job.

#733: be your own PET – Let’s Get Sandy (Big Problem)

The video for ‘Let’s Get Sandy’ by be your own PET appeared on MTV2 one day when I was eleven. Before I had enough time to digest what was going on, the song was suddenly over. This track is only 58 seconds long which blew my mind at the time. I didn’t think you were even able to have songs that last for that short amount of time. But alas, there it was. And it turned out to be a single as well. That music video may have been shown once or twice afterwards, at least that the amount of times I saw it again, and then it disappeared from rotation. It is above though, and sees the band members and random people in strange costumes playing a game of hide and seek in the woods.

‘Sandy’ is a ball of energy. Quite the cliché thing to say but if there was a song that saying applies to, it’s this one. 264 beats per minutes is what I’ve gathered from my calculation. That’s fast stuff. And something to look out for is drummer Jamin Orall’s performance on the kit; he’s thrashing away on the cymbals and snare like his life depends on it. It’s not told what the ‘big problem’ as listed in the title is, but singer Jemina Pearl tells us that she didn’t want to make ‘it’ one. And then afterwards goes on about not being let into the ‘news, film, and park’ and breaking a twelve year old’s arms in two places. It’s a bunch of nonsense really, but I still like it to this day.

#732: The Rutles – Let’s Be Natural

Another great Beatles parody courtesy of musician, comedian, actor and all round nice man Neil Innes as part of the Rutles All You Need Is Cash film project from 1978. Innes sadly and quite suddenly passed away last December, but his work under the guise of Ron Nasty lives on. I got to know the music of the Rutles more or less around the same time I was on my Beatles tip of 2009/10. Unlike other parody acts that can make a proper half-assed effort in portraying their sources, Neil Innes and The Rutles were always very respectful in their mimicry while also maintaining humour and making great music in general.

‘Let’s Be Natural’ closes out the soundtrack album that accompanied the Rutles film and was released on both the original LP in 1978, and the 1990 CD reissue which included seven more songs not found on the vinyl release. It’s a clear nod to the Beatles song ‘Dear Prudence’, even taking that track’s bassline for its own during the choruses. There’s a bit from ‘If I Fell’ in there too. Innes sings with John Lennon’s trademark nasal tone among some relaxing arpeggiated chords and ‘aaah’ backing harmonies. Man, it’s a very soothing track. But I guess you could ask why you would want to listen to this if you could listen to The Beatles at any time. Probably because if you got to a place where you got tired of listening to them, this would be the closest you would get to their type of music without it actually being by them. Plus all four Beatles approved their music. Paul McCartney less so, apparently. The point still stands.

So I hope you enjoy it. The song’s message is all in the title. R.I.P. Neil Innes.