Category Archives: Music

#674: Enter Shikari – Jonny Sniper

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‘Jonny Sniper’ was the last single to be released from Enter Shikari’s Take to the Skies album in 2007. At that time I was twelve and just about finishing my first year in secondary school. I thought the band were cool and, again, their videos were a usual feature on MTV2. And that’s how I got to know this track right here.

After all these years I never realised that the song has a strong environmental theme to it. It’s really obvious when you read/see them. I’ve always enjoyed it mainly because of its somewhat uplifting tone and the vocals between Rou Reynolds and bassist Chris Batten. Looking at the album’s Wiki page, it is classed as post-hardcore and trance(?). And there are a lot of post-hardcore elements in this track. Those double-bass pedal drums and the chugging guitars in the mix add to it. But generally ‘Sniper’ is one of the more poppier (I guess) sounding songs on here. And I don’t think that’s any detriment to the group’s usual style. It’s cool that they can mix their harder material with the almost light-hearted matter too.

I don’t really follow the group so much anymore. Time goes on and music tastes change or whatever. I’m taken to a time when I was a jumped up teenager who had more energy for things. I’ll check out a new song if it’s out. Skies and Common Dreads are in my library to this day though and won’t leave any time soon.

#673: Wolfmother – Joker & the Thief

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I haven’t listened to any new Wolfmother material in years. Not saying I was the biggest fan of the group in the first place. But when two original members left and the new album then was going to be called Cosmic Egg, that’s where it lost me. The albums they’ve made since the self-titled debut may well be quite for all I know, but probably wouldn’t hit as hard as that first record.

‘Joker & the Thief’ is a track from that album. It was also released as a single, the last one – at least in the UK – if I remember right. Its video (above), featuring the cast of Jackass due to its inclusion in Jackass Number Two, was played regularly on MTV2. That’s pretty much how I got to know it. But it was another hit in a long run of great singles from the band that urged me to get the whole album.

After seeing/hearing it so many times on television, it’s quite difficult to get down into the nitty-gritty of what makes the song good. It’s just a great hard rock song. A bit Led Zeppelin-like in the way they take a character and describe them in a way that makes them seem far out and cosmic. I also like that there’s no bass guitar in the track, instead being replaced by a keyboard that works equally as well. It’s quite different to what you’re normally used to.

#672: The Kinks – Johnny Thunder

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The Kinks Are the Village Green Preservation Society was released on the same day as the White Album, if you didn’t know. In comparison to that, Village Green barely sold any numbers and fell on deaf ears. Apart from those of critics who loved it. Apparently songs about nostalgia for younger days and British pasttimes weren’t hip in the political times of ’68. Maybe if it was released in ’67 things could have been different. More than fifty years on it’s recognised as The Kinks’ arguable magnum opus. I can’t say I like any Kinks album better than it.

‘Johnny Thunder’ is the fourth song on Village Green and, in Ray Davies’ words, is a song about rebellion and a lad Davies idolised when he was a child. The lyrics paint a pretty good picture of what Johnny’s about. He’s just a guy who gets by, going his own path in life no matter how badly the people of the town look upon it. Obviously, this person made a great impression in Ray Davies’ eyes. He writes a very uplifting song in tribute to Johnny, one that’s optimistic in tone and strident in its rhythm. It’s also packed with fantastic melodies from the verses to the chorus to its bassline and little guitar fills throughout.

So there you go. Make of it what you will. It’s worth your while listening to the whole album. You can’t go wrong.

#671: Stephen Malkmus and the Jicks – Jo Jo’s Jacket

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Another one from Stephen Malkmus’ debut solo album, ‘Jo Jo’s Jacket’ was released as that record’s second single in 2001. It is not about anything in particular. Its title has nothing to do what appears in the verses. The closest thing relating to Malkmus that I think ‘Jo Jo’ could be is The Jicks’ bass guitarist Joanna Bolme, and even then it doesn’t make things any clearer. Though if there’s anything Stephen Malkmus is known for, it’s somehow making a coherent lyric out of the most random things.

It starts off as a song from the perspective of actor Yul Brynner, known for his shaved head and starring in the film Westworld in 1973, who provides the spoken word introduction taken from an old interview. It then switches to a kind of stream-of-conciousness type lyric in the second verse which may or may not be a slight dig at Moby. And then, sandwiching these verses, is a joyful wordless chorus that glides along with the track’s tempo and general breezy atmosphere.

Whatever the subject matter may concern, it really doesn’t matter in the long run, the song’s infectious groove and melody can’t be denied. It’s one of the straighter rockers on Stephen Malkmus but, compared to say ‘Discretion Grove’ which I think is okay but never really loved, it gets my foot tapping every time those first power chords hit.

#670: Radiohead – Jigsaw Falling into Place

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I got In Rainbows as a gift just because of this song. Either Christmas or a birthday, I can’t remember – either way it doesn’t matter much. The album had been out for a few months though. Unfortunately I was 12 at the time and didn’t have much patience for listening through albums. So when I say I got the album because of this song, I mean I basically didn’t pay attention to every other track that was on there. Not the brightest decision. Took a few more years after to realise that I had a great album just sitting on the shelf in my house.

‘Jigsaw Falling into Place’ was the first single from In Rainbows, the first time that I remember some kind of hype for the arrival of a Radiohead album. The strangely hypnotic video (seen above) was on MTV2 all the time, repeated constantly at various times throughout the day, and it was through watching that that its words and music were slowly ingrained into my memory. Back then, I thought it was a fantastic song. Even moreso at this time after closer listening with headphones.

The song, from what I gather, is about getting drunk, flirting and dancing on a night out but described in the quite abstract and surreal way that Thom Yorke usually does in his lyrics. The song subtly builds in intensity from the very start. The woozy ‘err/ahhh’ backing vocals and busy bassline. The general groove is on point and never provides a moment to breathe Electric guitars eventually join in. And then the moment that every Radiohead fan notes, Yorke’s sudden jump in octave when the beat goes round and round. Each element included in the four minutes ‘Jigsaw’ lasts for work perfectly in tandem. A part in particular that I’ve noticed nearing the end is where some acoustic guitar strums pan from the left channel to the right channel the backing vocals close everything out. Radiohead fans love this track. I don’t think it’s too bad myself. Just a shame they rarely perform it live.