Category Archives: Music

#654: The Beatles – It’s Only Love

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‘It’s Only Love’ was written by John Lennon sometime during 1965 and ended up on the Beatles’ first album to be released that year – Help!. He went on to claim that he thoroughly disliked this song calling it ‘lousy’ and particularly taking umbrage with its ‘abysmal’ lyrics. Lennon said he hated a lot of Beatles songs during his lifetime…. though it can be agreed that he definitely wrote a better set of lyrics than those on display here.

“I get high when I see you go by, my oh my, when you sigh my my inside just flies, butterflies” are the words of the first verse. Laughable to those who take lyricism very seriously. But I don’t think ‘It’s Only Love’ is supposed to be a totally serious song. That’s probably what saves it from being disgraceful in the end. Plus Lennon delivers them with such a wilting energy to them that they pale in comparison when that fantastic chorus comes in.

There’s not much to say here. It’s a short, mainly acoustic number that lasts for just under two minutes. Due to the retro mixing of the 60s, it’s quite hard to pick out what each instrument is doing. The emphasis is on George Harrison’s descending guitar riff at the beginning and end of the track. So, to recap, Lennon’s vocal performance and that guitar are the best parts of it all. I still like this song quite a bit though. Not the best track on the album but it does the job.

#653: Klaxons – It’s Not Over Yet

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Klaxons were a big thing in UK music in 2007. They, alongside other British acts like Late of the Pier, New Young Pony Club and Hadouken!, were part of the ‘new rave’ craze that died quite quickly before it gained major traction. In those few years though Klaxons were seen as the major representatives of that movement. At least by the NME which a twelve-year-old me was really into at the time. A lot of those groups do sound dated today… even Klaxons themselves. But this cover of Grace’s dance hit from 1995 I could listen to a lot of the time without being reminded of my first year in secondary school.

‘It’s Not Over Yet’ appears on Klaxons’ debut album Myths of the Near Future and was released as the penultimate single from it in 2007. The group stay quite true to the original 90s cut. The vocal melody stays the same, the chord changes and all that jazz. They change one note out of the main four note synthesizer refrain though. Really, the main thing they change is the arrangement – giving the track a rockier edge with some heavy drumming and thick bass.

Is it the greatest cover ever? Probably not. But they succeed in taking what was great about the original whilst still making it their own thing. That’s what all the best covers do. And I like it. Hence why this post exists.

#652: They Might Be Giants – It’s Not My Birthday

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‘It’s Not My Birthday’ is a well-loved song among the most dedicated of TMBG fans. Originally released as a B-Side on the ‘They’ll Need a Crane’ single in 1989 – it was given wider circulation in 1991, placed as the seventh track on the band’s compilation Miscellaneous T.

I heard it for the first time….. think in early 2011 when I was studying for my GCSEs. I had been a major follower of They for years up until then, but it was around that time that I actually got to listening to their albums in full. Those were good times…. But anyway – got around to listening to Miscellaneous T and although these were all B-Sides they nevertheless had the same authentic quality of any track that made it onto their ‘official’ albums. Some would say this track in particular should have been on Lincoln. That’s just the way things go sometimes, I guess.

It’s less than two minutes in duration but is packed with so much that you at least feel satisfied when it’s over. There’s a briskness to it, led by a bouncy rhythm and general upbeat vibe in the music. However, it’s another one of the group’s that has an looming hint of sadness to it. Mainly in the lyrics. I’ve always had that feeling towards it though I’ve never known why. They’re quite hard to fully interpret. But I think it’s about a person who is just going through life without any real purpose and is just waiting for an end with each day. Though that’s just me.

#651: Ween – It’s Gonna Be (Alright)

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Though Ween have mostly considered to be this joke band who don’t take their music seriously because of the humour they incorporate into their material (which they’re not and they do), there has always been a song on each of their albums (except La Cucaracha probably) that can unexpectedly surprise you with its sincerity. There are a couple I can think of when it comes to The Mollusk; ‘It’s Gonna Be (Alright)’ is one of them.

This track has always been one of my favourites from the album since I heard it back in 2013. Following ‘The Blarney Stone’, an explicit number in the form of a sea shanty, ‘Alright’ slows things right down to darken the mood with its wavey guitar arpeggios and echoing percussion. It’s another devastating track in Ween’s discography concerning the end of a relationship. For anyone who doesn’t know, Gene Ween – lead singer and co-songwriter in the band – has a big heart; when it gets broken he can get really sad. He wrote songs like ‘Birthday Boy’, ‘Baby Bitch’, and ‘I Don’t Want It’ detailing some of the misery he’s been through. However, ‘Alright’ is one of those tracks where although the relationship is no more, there’s still hope that things can still be good between the two of them.

Things get weird again as they follow this with ‘The Golden Eel’ on the album, pretty much about what it says in the title, so it’s almost like the band just drops this serious track to just say ‘everything’s not as well as it seems here but forget about it here’s the silly stuff again’. But that’s all what adds to the charm… of Ween.

#650: …And You Will Know Us by the Trail of Dead – It Was There That I Saw You

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‘It Was There That I Saw You’, the (almost) opener of Trail of Dead’s 2002 album Source Tags & Codes still gets me pumped today. I listened to the full album for the first time about five years ago and ended up pleasantly surprised by the entire thing. There’s this grand mystical vibe that the music and lyrics give out throughout which some may find pretentious but I found bearable at least.

But ‘I Was There’ starts it all off with this calming introduction that suddenly explodes into a ball of energy with crashing drums and exhilarating guitar work. It is during this moment that singer Conrad Keely comes into frame singing about the time he became enamoured by someone (I’ll assume a lady) and had some great times with her before eventually losing touch. He is left wondering what he has been up to in the time that have been apart.

It’s endearing stuff. But then the fast music suddenly stops and transitions into this slow breakdown – with a melody taken from the preceding track ‘Invocation’ – that builds and builds in intensity, repeating that melody endlessly before transitioning back into the fast music you were hearing almost two minutes ago. Ahhh… it feels so good when that happens. You can experience it too!

It’s a dynamic track that pulls and pushes and takes a few turns here and there. It’s an exciting listen. It’s a great album, I say.