“Heart Throb” is from be your own PET’s second album Get Awkward, released two years after the band had been on the radar for a while and unveiled their debut album to the masses. The second album exhibited a slicker production and precise style to the band’s music, but the change did not take away from their ecstatic performances and juvenile subject matter.
The third track “Heart Throb” is a fast-paced, in your face slammer about a girl who, despite having a boyfriend already, can’t help but get weak in the knees when she catches another boy – possibly the ‘heart throb’ the song is titled after – looking back at her when she tries to catch his glance. She has major feels for the guy, but realises that it’s probably for the best that nothing could happen between them, because she already has someone who will take of her.
It is an exciting listen. Over just after two minutes, but a balls-to-the-wall performance nevertheless.
“Heart in a Cage” was the second single released from First Impressions of Earth, the third album by rock band The Strokes released on New Year’s Eve 2005, or New Year’s Day 2006 depending on where you lived.
It’s good to be able to recall the memories of a certain time when an album was about to be released and there was a certain hype around it. First Impressions was the comeback of the band who symbolised the return of indie rock in the 21st century, and whilst “Juicebox” was somewhat the wild ride – to put it lightly – with its action-flick sounding bassline and controversial music video, “Heart in a Cage” was the straight comedown with its black and white video and depressing subject matter.
But the official video came out a few months later, and features the band members performing the track around various locations in New York City. Most notably, Julian Casablancas mimes to the track whilst lying on the ground and avoiding being trampled on at the same time. You can’t help but feel sorry for the guy as he sings about feeling abandoned, unmotivated, and restricted. He’s not allowed to feel free. His heart beats in its cage.
“Heart Attack” is the penultimate track on the album All Killer No Filler, Sum 41’s debut album from the Spring of 2001. The opening string plucks fade in as the ending of “All She’s Got” is in the process of fading out, but it isn’t long before the bass and some light strikes of the ride cymbal are brought to the forefront of the mix and essentially mark the start of the track.
The song is an ode to laziness and sleeping in; if there is nothing new to experience upon getting out of bed in the morning then what is the point of getting up at all? That is the point Deryck Whibley makes throughout, softly singing in the quiet verses before the gearing up and letting loose in the loud and defiant choruses, disregarding the importance of his alarm or any communication with the outside world.
Musically, it’s typical pop-punk stuff. Power chords everywhere. But it does play with the time signature at one point, and the track contains a notable performance on the bass by Jason ‘Cone’ McCaslin. Always hum along to it.
It really has nothing to do with a heart attack for first time listeners, that’s the joke. Somehow though the title still manages to fit.
500 posts. That’s crazy. I never thought this would be something I’d still have the energy and commitment to carry on two years later, and yet here we are. I’m proud. Thanks to anyone who has liked, given a comment, or simply checked the blog out. You are part of the reason I choose to do this. A big part nonetheless.
And so the band that has the privilege of having the half-thousand song that I am going to discuss is Brakes. Or BrakesBrakesBrakes, if you are situated in the USA. “Heard About Your Band” is a song from the Brighton band’s debut album Give Blood, released ten years ago in July. The album was recorded in a mere eight days in January 2005, and most of the tracks on there were recorded live and in one take. There are some cuts where the band will finish one track, and you’ll proceed to hear them tuning their guitars and sorting themselves out before going straight into the next one. Many of the songs are under 3 minutes. The shortest is seven seconds. And with a wealthy amount of sixteen tracks, Give Blood doesn’t even reach half an hour in duration. It’s very efficient. It is a belter.
“Heard About Your Band” is the fourth track in, and is about singer Eamon Hamilton’s experience of listening to this guy incessantly rabbiting on his band, and his stories of meeting all these female icons like Karen O of Yeah Yeah Yeahs and ‘the girl’ from Sleater-Kinney. Of course, Hamilton is sarcastic throughout his lyricism; he clearly doesn’t give a shit about what this person has to say, but his vocal performance with his gravely yelps and frantic ad-libs make him sound like he’s so excited about the whole ordeal. In the end, he dismisses with a pissed-off sounding “Whatever, dude” and the track comes to a close a minute and ten seconds in.
A great thing about the album is that the tracks don’t go on longer than they should do. All the good parts are crammed into maybe 1-2 minutes, which makes for some enjoyable listening. “Heard About Your Band” is no different.
That’s 500 done. Here’s to the next 500. Keep on reading.
“Uh, yeah” are the first ‘words’ we hear uttered by Kanye West on his second album Late Registration, after being ‘woken’ up by the pissed off teacher in the preceding opening skit. And after repeating those words three more times against a booming bass drum, Kanye proceeds to go straight into the first verse in which (and for the rest of the song) he raps about the blunt realities and truths of life alongside a dainty piano sample taken from ballad “Someone That I Used to Love” by Natalie Cole.
I don’t whether to feel happy or sad when listening to this. The soft and smooth instrumentation, from the sweet synthesizers and swooning keyboards are a huge contrast from the confident, joyous curb-stomper opener of “We Don’t Care” – a song released only under two years before. And the falsetto provided by Adam Levine in the choruses doesn’t help but pull on your heartstrings that bit more.
Probably one of the quietest and heartwarming productions Kanye has committed to tape, it is such a pleasant way to get an album such as Late Registration started. Then “Touch the Sky” starts, and then it all seems like it’s back to normal.
