Category Archives: Music

My iPod #265: Manic Street Preachers – A Design for Life

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Noted for being the first track the band worked on after guitarist Richey Edwards’ unexpected disappearance, “A Design for Life” was the first single released from Manic Street Preachers’ fourth album “Everything Must Go”.

I watched its video a long time ago having no idea who the band was and still left in wonder of the thing. That James Dean Bradfield is an astonishing singer. The vocals on this track are delivered with pure passion and power, and both the pre-chorus and chorus themselves are nothing short of shiver-inducing with those dramatic string arrangements. I will go on to say that it’s not my favourite MSP song. But my god you can’t say that it isn’t epic. Finding out that it was the first song the band released after a time when the band members weren’t sure if they were even going to continue makes it that bit more special too.

My iPod #264: Green Day – Desensitized

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The hours have rushed by, haven’t they?

I am now back from my venture to Liverpool for the weekend, and it is time for the first of two posts.

First up is “Desensitized”, a song by Green Day which was recorded whilst the band were working on “Nimrod“. Apparently, they didn’t feel as if it was the best to come out of those sessions. It wasn’t released on the album, but as a B-side on the “Good Riddance (Time of Your Life)” single. However, Australians and the Japanese are fortunate to have it on their versions of the album. It later got released on the bands B-side compilation “Shenanigans” which came out in 2002.

I’d never listened to “Shenanigans” before and one day decided….. that I should. Out of the fourteen tracks on there, I only really like four of them including this one. It isn’t amazing. You can tell why they didn’t make it onto their albums they were recorded for. “Desensitized” had the potential more than most of the others.

Mike Dirnt, the band’s bassist, completely beats the crap out of a lot of things with a baseball bat for the first twenty seconds or so. I don’t really understand why, but the sounds of various items breaking upon the bat’s impact segues into the song’s main riff – one that alternates between G and C (I believe) starting and stopping to allow Billie Joe to fill the silences with the vocals. That’s just the verses though. Listen to the song, if you like it then you’re welcome.

My iPod #263: Animal Collective – Derek

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A very early post today. I will soon be off to visit my friend at his uni for his birthday so in order to prevent myself from having to do three entries when I come back on Sunday, here is “Derek” – the last track from Animal Collective’s 2007 album “Strawberry Jam“.

I recently listened to “Strawberry Jam”, about a week ago or so. The only other album I had listened to in full was, what is probably considered to be their best, “Merriweather Post Pavilion”. That album sounded like it was recorded in another universe, and considering ‘Best Ever Albums’ had “Jam” rated as their second best I thought I might as well give it a listen. First to see how it sounded, and to figure out whether it was as good.

I can conclude that I do like “Strawberry Jam”. I’ll have to listen to it again because it normally takes me more than one to really get into any album. But “Peacebone” and “Derek” were ones that left a mark.

“Derek” did because of its time signature changes and innocent melody further accentuated with Panda Bear’s lyric where he ‘talks’ to his child about Derek, the old dog he used to own. He realises that he didn’t take care of him that well, and is not prepared to make the same mistake again now that he was a parent. He is ready to take on this great responsibility. A sudden clap begins the triumphant ending where Panda lets his child know that he/she can always count on him when the time comes along with a rampant stomping beat a bit similar to “We Will Rock You”.

A very heartwarming way to finish an album.

My iPod #262: Babyshambles – Delivery

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“Delivery” was the first single from “Shotter’s Nation“, the second album by Pete Doherty’s post-Libertines band Babyshambles.

The song was important enough that its music video premiered on Channel 4 at a ridiculous time when a lot of people were bound to be asleep including myself. So I didn’t see it until the next day, when it was repeated many times on MTV2.

Being the first new piece of material the band had released since “The Blinding EP”, and their first new song I’d heard since the slow and pretty tame track “Love You But You’re Green“, “Delivery” did not disappoint.

Alongside a riff that sounds like an early Kinks track is an earnest lyric from Doherty. He’s not feeling great – forlorn and frozen beneath the summer, in his words – and so to relieve the strain he writes this song – the delivery – that comes from the bottom of his heart. I guess this was his way of stating what he was really going through while everyone was going on about his drug abuse and legal problems. All very sad. I like it.

My iPod #261: The Offspring – Defy You

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“Defy You” is a track The Offspring recorded for the movie “Orange County“* in 2001. The song was released after the band had released their most album “Conspiracy of One” the previous year, and so it was only available on its single release until 2005 when it appeared as the twelfth track on the band’s greatest hits compilation. It is also their last single featuring original drummer Ron Welty, who coincidentally is focused on a lot in the song’s video.

The track differs a lot in attitude compared to the band’s other singles. I had heard “Original Prankster”, “Hit That”, “Job” and obviously “Pretty Fly” which, when you look at the lyrics for those particular examples, are quite funny songs which aren’t really meant to be thought upon that much. But “Defy You’s” message of never giving up and standing up for what you believe was something that I did not expect and struck me when I first saw it on the TV. This was a serious Offspring single I was listening to.

I like their ‘jokey’ singles, but “Defy You” is one that does not pull any punches. There are no “uh-huh, uh-huhs” or references to popular culture – only a heavy performance and a great vocal by Dexter Holland. It is possibly the coolest track the band have ever done.