Tag Archives: abbey road

#1187: The Beatles – She Came in Through the Bathroom Window

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Well, this track comes as a bit of a weird one to talk about. It’s The Beatles. ‘She Came in Through the Bathroom Window’ is from Abbey Road. Everyone likes that album. When I think about it, it’s not the one I return to when I want to hear a Beatles album in full. That would probably go to Revolver or Rubber Soul or something. But I won’t argue that it has some of the band’s best songs on there. ‘She Came in…’ is a part of the medley that makes up the majority of Abbey Road‘s second half, kinda closing out its first part, and was performed in one take alongside ‘Polythene Pam’ whose closing solo segues right into the introduction.

For the longest time I looked at the medley with a bit of a side-eye. Blasphemous to say, I know. This was the masterstroke that marked the ending of the Beatles’ recording career. But seeing as it was made up of tunes that John Lennon and Paul McCartney had in the can going back to 1968, the album was released in Autumn 1969, I used to see it as the guys sort of scraping the bottom of the barrel for material and shmushing them together. Although I appreciate it a lot more these days, I do usually have that feeling lurking in the back of my mind. As a result, I like some of the parts more than the whole. And I can’t say that I have a deep, deep connection with this particular tune other than I found myself singing it to myself whenever I was out shopping or in the shower. If I was singing it in those situations, that probably means I’ve liked it somewhere along the line.

‘She Came in…’ was inspired by a real-life incident where a fan broke into Paul McCartney’s London home, literally through the bathroom window while he was out. The parts about being ‘protected by a silver spoon’ and sucking her thumb ‘by the banks of her own lagoon’ I have no idea about. Only McCartney could tell you if he asked him. But being a grandmaster of melody that he is, he makes the whole two minutes the song goes on for sound rather good. I guess he just let his imagination run wild about this particular person, wondering what she does as a job and what her aspirations may be. It’s all a bit up in the air, this one, regarding the lyrics. But regarding the harmonies, the backing vocals, Harrison’s guitar licks, the sort of half-time tempo McCartney’s bass takes for the second verse. That’s all good, good stuff. One of my highlights out of the so-called ‘Long One’.

My iPod #516: The Beatles – Here Comes the Sun

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Skiving from a tedious Apple meeting on a sunny day in April, George decided to chill at good friend Eric Clapton’s house. The joy of being there and not at work inspired him to pick up an acoustic guitar and write “Here Comes the Sun”, a song that would become one of his, and the group’s, most beloved songs. Only he, Paul, and Ringo play on the song as John was in the hospital recovering from a motorcycle accident, but every Beatles fan will know that not all of them were needed to make sweet music.

As the listener ponders on what they’ve heard during the abrupt ending to “I Want You (She’s So Heavy)“, George’s acoustic guitar peeks into the soundscape like a beam of light amidst the darkness and begins to deliver the song’s delightful introductory riff before being further joined by a soothing Moog synthesizer and orchestra when Harrison starts his vocal take. It is not long after that that Paul and Ringo give the track its driving rhythm and provide a solid backbone to the track’s cheerfulness and optimism. Filled to the brim with sweet melodies provided by almost instrument bar drums, “Here Comes the Sun” is a perfect example of a three-minute wonder. A great pop rock song if ever there was one.

It took much longer than it should have, but it was during the making of Abbey Road that John Lennon and Paul McCartney finally realised that George Harrison was not as below them in terms of songwriting as they had regarded him to be during the years they were together. At long last. The damage had already been done by that point, though it was fitting that on their last recorded material, George really showed what he was about.

My iPod #324: The Beatles – The End

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It all came down to this in 1969. This was The Beatles’ last song ever. Well, it was meant to be. “Let It Be” was released a few months later after “Abbey Road“, and even on the latter album itself “The End” is followed up by “Her Majesty“. But even then, the track was recorded with the full understanding between the four guys that this would be the last thing they would do together. How did they decide to it? In one of the most epic ways possible. And all in two minutes too.

If you have “Abbey Road”, you know that the second half of it is the famous medley where all the songs run into each other. So not only are you treated to that, a musical movement beautifully put together with orchestra and guitars everywhere, but this is the climax of it all. The big finale. With a drum solo by Ringo Starr (the first and only one he ever did with the group) symbolising his recognition 0f being the steady, solid drummer and the rotating guitar solos by Paul, George and John which seem to go on and on and on until a piano plays, the four members sing ‘that’ line and the finishes on a rising chord progression.

Now you may read that and think “Well, that doesn’t sound that good. What’s all that about?” And I know I can’t do it enough justice in writing. You do have to hear it to be convinced. Actually listen to ‘The Abbey Road Medley”. Search it up on YouTube. You will not be disappointed.

My iPod #203: The Beatles – Come Together

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When I come to a Beatles song, I always approach it quite apprehensively. What could I possibly say about their songs that hasn’t been said on Wikipedia, on the countless fan sites dedicated to the band, or even YouTube comments where the person copy and paste everything and try to post it as their own original facts?

I can’t. That is my answer. All I can tell you is that this track is one of the most grooviest, laid-back and badass tracks to ever exist through time. Also a contender for one of the best tracks to start an album.

“Come Together” is the opener for The Beatles’ “last” album “Abbey Road“. Every time I see that famous album cover, that track always pops into my head. I think the track just sums up everything when your eyes witness it. The four guys all in time… in unison. Never missing a beat right up to the end.

I was walking to my friend’s house in my suit earlier this year when it was prom day, and I felt so cool listening to this song on my iPod. I have never experienced such a feeling since.

One theory about the song, written by John Lennon, is that each of the four verses describe the members of the group in their own abstract and surreal way. Another theory is that all the verses are about John himself. Lennon, apparently, stated that it was inspired by American politics.

I’ll carry on believing that it’s the first option, because to write those verses and then back it up with such tight instrumentation – with each member being at their best too – it’s almost as if they are saying “Yep, we’re good baby we know it”. Even though they weren’t getting along so well at the time. But still. Listen to it.