I was watching music television one day. I think the channel was The Amp -which was a really good music channel; I don’t know why it got removed – and I watched the video for it.
But you know how it goes. Time moves on, and songs get older and older until they eventually fade away and are hardly ever played again. I never forgot about the song though. I wasn’t able to watch the video again until sometime in 2010. I downloaded the song, and I can have it on repeat whenever I want.
It’s got that “Rush of Blood” Coldplay type vibe. Apparently it influenced Chris Martin to write songs with Coldplay for “X&Y”, so obviously it must be good.
The song was released as the band’s second single from their debut album “Wilderness Is Paradise Now”. Their debut was also their last as the band then split in 2007. People may also know this band for “Gone Up in Flames”, a song in FIFA 07 and the theme song for “The Inbetweeners”.
Until tomorrow.
Jamie.
P.S. I created a Twitter account, so if you want to follow me please do @JamieKManteaw.
The end of the ‘A’ section that is. It’s been a good two months.
When I first came onto Blogger, I didn’t have anything in mind that I wanted to get off my chest. The first thing I had was just talking about things that were interesting to me, or events in my life that I had regrets about or whatever.
When I changed my mind and decided to focus on ‘My iPod’, I never thought I would be able to continuously talk about a song and why it meant so much to me for fifty-six days straight, and yet here I am about to post about another one.
I have exams. Those are very important, so I probably won’t be posting on here as regularly. Maybe something will pop up here and there, but for the moment ‘My iPod’ won’t be back until June.
And so, the song today is ‘Awaiting on You All’ by George Harrison, another one from his triple album, ‘All Things Must Pass’, in 1970.
Beatles fans will know that out of the four, George was the most religious. Or at least the one who most believed that there was an almighty, higher power who cared for the world and the people who inhabit it.
Any of you guys who also own ‘All Things Must Pass’ will definitely know the song, ‘My Sweet Lord‘. That song was George’s first single as a solo artist, and topped the music charts worldwide upon release in 1970. It got to number one in the UK again after his death in 2001.
‘My Sweet Lord’ is a very religious song, for obvious reasons. But for those who haven’t heard it, Harrison incorporates the use of the “Hare Krishna” mantra and chants of hallelujahs which build up as a countermelody whilst Harrison sings, building an epic climax which eventually fades out. With Phil Spector’s ‘Wall of Sound’ production technique, there is this gigantic albeit very echoey atmosphere.
‘Awaiting on You All’ is quite religious too, and if ‘My Sweet Lord’ is the music that plays on the organ in church when the service is starting, everyone is sitting down and the pastor or whoever is up on the stage announcing what will take place, then the former is when the first hymn starts and everybody is up on the feet, yelling rejoice to the heavens, bellowing the lungs to the skies above and break dancing in the middle of the aisle. Maybe I’m thinking of The Blues Brothers, but that’s what it reminds me of.
‘Awaiting’ has more of a political message to it than My Sweet Lord. Harrison desires to experience spirituality directly whilst rejecting organised religion as well as political and intellectal substitutes. That is basically what it says on the song’s article on Wikipedia. He criticises the Pope, and includes jibes at John Lennon and Yoko Ono about their week in bed.
“THE LORD IS AWAITING ON YOU ALL TO AWAKEN AND SEE. BY CHANTING THE NAMES… OF THE LORD…. YOU WILL BE FREE!”
HALLELUJAH, TESTIFY!
Come on, that sounds like something a guy would say in church, am I right? Or am I right?
Oh well. That’s the end for now. You won’t be hearing from me for some time. Got work to do.
‘My iPod’ will be back in June! When the ‘B’ series begins!
All You Need Is Blood! Get it? It’s almost like that Beatles song.
Test Icicles certainly weren’t the band who sounded like they were influenced by The Beatles. Again, they were a band, but unfortunately the music that made was not the music that they were particularly interested in. They formed in 2004, and later split two years later in 2006.
The album this track was released on ‘For Screening Purposes Only’, was released to positive praise on Halloween 2005. Test Icicles were the next biggest thing in dance-punk indie rock terms. Considered to be ‘bigger than The Beatles’ by NME and ‘all cobra’ by Pitchfork Media, the album indeed is very eccentric and filled to the brim with bursting energy, backed up with crazy guitars and a booming, yet pre-recorded, rhythm section.
My sister went through a period around 2005/06 when she started borrowing various albums from her friends. She borrowed this one.
Test Icicles had three main vocalists who all brought their own sound to the table. The main vocalist on this song is Devonte Hynes, though you may know him better as Lightspeed Champion. In fact, Hynes only sings this song and the mindfuck that is ‘Catch It!‘ Sam Mehran sings part of the chorus and pre-chorus too.
I don’t know what this song is about to be honest. You would have to listen to it for yourself to try and get something, but you don’t have to understand a song to enjoy it.
Look out for the backwards rap at the end of the song, also done by Sam Mehran.
If you want to know how the rap sounds like forwards, click here. That’s my video 😀
The song ends. Then, out of nowhere, a bass riff starts. Reminds you of Jaws doesn’t it? It hypnotises you, sets you in a real mysterious, foreboding mood. It leads right into the next song. That’s for another post.
So I’ve spent almost a month bleeding my heart out into these blogs, hoping that you like them and share them and whatever. It’s been quite fun.
If you are regularly viewing these posts and taking an interest in what I say, then I thank you very much. It would be silly to say that I expected more than 100 views a day. But that is what I thought I would be getting. The blog with the highest views is my third one, and that only has about 30.
I should probably understand that it takes a slow process to become popular. This isn’t like YouTube where you can just upload one thing and then suddenly get millions of views. I believe that blog sites are much more respectable, and certainly more peaceful. I would be happy with one sensible comment than with a tirade of those which don’t make any sense or annoy me to no end.
So, about the song. ‘All Us Authors’ is the second track of the band Danananananaykroyd’s second album, ‘There Is a Way’. That album was their last. Released in June 2011, they split up a few months after in November.
I was like a deer caught in headlights when it came to ‘There Is a Way’. I think it was the day after I had finished my last exam for my GCSEs. A year of highs and hard work, I could forget everything that I had revised. I could stay in bed for ages, and not worry about anything until August. It was a good time to be alive.
I woke up about seven in the morning to tune into Channel 4 and watch the daily music programme ‘Freshly Squeezed’. That show’s not on anymore and understandably so, it got incredibly dull and I doubt that anyone really watched it at that time of day after The Hoobs had just finished.
Anyway, it was then that the show played the band’s new single, ‘Muscle Memory’, which led me to think “Shit! They have a new album, no way. Huh! I have to download it.”
I was already a fan of the band after listening to their debut “Hey Everyone!”. I’ll probably go into more depth on that in another post.
So, I downloaded it and listened to it the whole way through. Initially, this song was one that stuck in my mind. Maybe it was because of the unorthodox time signature in the verses, (10/4 I think), and the chorus, “Just when you got comfy”, which is firstly sung in the song, and then repeatedly yelled at the ending. It’s the second shortest song on the album, and for me was the first that sounded like a song that could have been released on their first album.
I can remember listening to the album and thinking that the band sounded much more fuller. Originally, the band made use of two drumkits in the songs on their first album, but the co-lead singer (who played one of those drums) broke his arm in two places during a gig and had to retire from that post. Also, they had a female bassist who left during the years between the two releases and was eventually replaced. The ‘fuller sound’ might have also been a result of their use of producer Ross Robinson, who has worked with bands ranging from The Cure to Korn.
‘There Is a Way’ is one of my favourite albums, and it’s a shame that the band split when they did. I feel that they could have achieved so much more, with just one more release! Ohhhhhh. People say the third album’s always the best right? Or third time’s a charm? Whatever. It’s just so energetic, the only time that there is time for a rest is in a minute long recording of a street after the song ‘Time Capsule’. That will also come in another blog. That’s won’t be on here anytime soon.
The Rakes were an indie band that broke up in 2009 after the release of their album ‘Klang’.
Again I was introduced to them by MTV2. I’ve said many a time that MTV2 was a great channel to watch back in 2005-2006. Without it I definitely wouldn’t be as ecelectic as I am in my musical tastes, if I do say so myself.
The Rakes released their debut album ‘Capture/Release’ in August 2005, and originally this song wasn’t on it. It was only when they released it as a standalone single the following year, that the band decided to re-release the album with ‘All Too Human’ listed as the final track.
The video premiered on MTV2 as part of its ‘New Releases’. I haven’t actually watched it in a long time, so I can’t really remember what’s happens. From its thumbnail, I can see that it’s black and white.
The song itself is very good in my own bias opinion. The narrator has been in a relationship that is failing in front of his eyes, and he’s now pining with self-pity. He knows that she would be fine without him, but knowing this makes him feel even worse.
However morose and depressing that sounds, the key and the melody has a very light tone. The ending of the song uses vocals from all members of the band chanting ‘Human, All Too Human’, providing a satisfying conclusion to the song and the album.
‘Capture/Release’ received quite a bit of praise on its release, so if you’re into Arctic Monkeys, The Futureheads, Bloc Party – bands like that, you might like the album.
The Music in My Ears 