Tag Archives: around

#589: Foo Fighters – I’ll Stick Around

Recovering from the emotional exhaustion caused by bandmate Kurt Cobain’s death in 1994, Dave Grohl decided to go into the studio and record some songs that he had written and kept on the down low whilst still performing with Nirvana. It took him about a week to do so in October of the same year, recording all the instrumental parts himself (bar one guitar track) and singing every word from the heart.

The debut album by Foo Fighters has always been my favourite of the band’s….. it’s the most raw and possibly impulsive that Dave Grohl has been in the entirety of the group’s active years. He’s admitted that a lot of the lyrics don’t make sense, and his vocals are double-tracked and lathered with effects in some places because he was insecure about his vocal abilities. But that all adds to its charm.

‘I’ll Stick Around’ was the second single released from the album but was the first Foo Fighters track to get the music video treatment (as can be seen above), allowing everyone to see the drummer from Nirvana’s new band. In it, he, Pat Smear (guitar), Nate Mendel (bass) and William Goldsmith (drums) are confronted by a massive 3D HIV virus. The track itself is meant to be a ferocious scathing attack on Cobain’s widow Courtney Love, who Grohl hadn’t felt the greatest of ‘love’ for up to that point. In fact the HIV virus in the video was initially conceived to be a ‘bloated, charred, inflated girl representing Courtney’ before management got in the way.

The track is a powerful one. From its pummeling opening drum roll, it hardly lets up. Even in the “calmer” verses, there’s a sinister tone to the surrounding guitar and menacing groove before it all builds up into the raucous refrains. I can barely make out what Grohl is singing in those verses, though the message of the track is really summed up in its two most clear lines: “I don’t owe you anything” and “I’ll stick around, and learn that all that came from it”. The latter arriving in the song’s cathartic last minute and repeated to oblivion before it comes to a dramatic close. It’s a great tune.

My iPod #301: Super Furry Animals – (Drawing) Rings Around the World

 I’ve never listened to the “Rings Around the World” album; I should get to doing that sometime soon. I started listening to Super Furry Animals’ discography a few weeks ago, starting with “Fuzzy Logic” and then “Radiator“. Their albums seem to be the only ones from a band where all of them have been acclaimed by critics and stuff, so I wanted to see if they were actually that good. Those first two are. “Guerrilla” too. I’ll carry on listening to the others later.

“(Drawing) Rings Around the World” is the title track from Super Furry Animals’ 2001 album, the Welsh group’s first one on a major label. I’ve known this one for many years now. I saw the video on the television one time, and then completely forgot how the song actually sounded because I never saw it again until a few years later. It’s a cool one. The introduction builds up from a lone synthesizer, which is then gradually accompanied by the guitars, drums and eventually lead singer Gruff Rhys about communication and rings of TVs and satellites around the Earth.

Two minutes of the song is a coda which may be repetitive for some; I enjoy just ’cause the melody’s brilliant. Reminds me of that “Rockin’ All Over the World” song. Don’t really like Status Quo though.

My iPod #201: Feeder – Come Back Around

 

Today has been such a bore; I haven’t done anything of any use at all. I am thinking that this has been the case for many other people out there.

We all get so excited at Winter awaiting Christmas Day. Children get excited and start making the lists for Father Christmas, decorations are put up, food is prepared. The day comes, the food is eaten and the presents are received and we all sit around watching our favourite soaps and films on the TV. Then it is all over, and then follows…. Boxing Day erghh. Boxing Day is the absolute worst. Just because the intense build-up of enjoyment disappears. Christmas is gone. Bargains are going on in plenty of shops. Now we wait another 364 days to do it all over again. It is going to take a while to come back around. (I think that should be a suitable indication to start talking about the song).

“Come Back Around” was the first single from the Welsh band Feeder’s fourth album “Comfort in Sound”, released in 2002. Their drummer Jon Lee had sadly died earlier that year, and the album is an expression of lead singer and main songwriter Grant Nicholas’ feelings on the loss of his friend.

The track is one of determination and self-perseverance. About losing oneself in a moment of desperation, but still remembering to snap back into reality. At least that’s what I get from the verses anyway. The chorus is Grant’s call out to Jon, a constant reminder that he misses him and will never forget the times they shared. It is very sad and yet musically, it is very uplifting.

It reached #14 in the UK.

In the video, Nicholas jumps while holding his guitar before the finial choruses. Freeze it when that happens and you have the album cover for “The Singles”. You can also pause it when he sings “burning away” at Taka, the bassist, is bowing down with his instrument. Then you have the image on the back of the liner notes.

That’s a magnificent album cover.

My iPod #159: The Offspring – (Can’t Get My) Head Around You

 

There’s not much I can say about “Head Around You”. I remember trying to watch the video on Windows Media Player from the band’s official website circa 2004. It was in terrible quality, which made the multi-camera concept much worse.

It’s a short but sharp song – only two and a bit minutes long – but it always feels a lot longer when I listen to it. I don’t know what it is about it that makes me feel that way. It’s probably the riff, it virtually plays throughout the whole thing bar two times. It is a simple punk rock song, that’s what it is.

I do also like the wah-wah effect during the instrumental break, that gets a special mention.

The song was released as the second single from the band’s 2003 album “Splinter“.

Jamie.