Anyone hear any fuss being made about “Up All Night“? Nah, me neither. I ask because it’s ten years old this year. “Up All Night” being Razorlight’s first album released in 2004. I like “Up All Night”, it’s a pleasant listen. Most tracks play into one another, I like it when an album does that. Too bad Johnny Borrell became quite unbearable in the following years. It is the best Razorlight album, no doubt about that.
The album includes “Don’t Go Back to Dalston”, a minor key track apparently addressed to Pete Doherty, then a member of The Libertines, to go a bit easy on the drugs. There are two halves to this song. The first half being distinctive verses and choruses, and the other being a long coda with the refrain “Come back, come back, come back” repeated numerous times. That half is longer than the first.
Borrell said the song was barely written, he just envisaged it in his mind after waking up from a hangover. It kinda shows. Still good though.
Today has been such a bore; I haven’t done anything of any use at all. I am thinking that this has been the case for many other people out there.
We all get so excited at Winter awaiting Christmas Day. Children get excited and start making the lists for Father Christmas, decorations are put up, food is prepared. The day comes, the food is eaten and the presents are received and we all sit around watching our favourite soaps and films on the TV. Then it is all over, and then follows…. Boxing Day erghh. Boxing Day is the absolute worst. Just because the intense build-up of enjoyment disappears. Christmas is gone. Bargains are going on in plenty of shops. Now we wait another 364 days to do it all over again. It is going to take a while to come back around. (I think that should be a suitable indication to start talking about the song).
“Come Back Around” was the first single from the Welsh band Feeder’s fourth album “Comfort in Sound”, released in 2002. Their drummer Jon Lee had sadly died earlier that year, and the album is an expression of lead singer and main songwriter Grant Nicholas’ feelings on the loss of his friend.
The track is one of determination and self-perseverance. About losing oneself in a moment of desperation, but still remembering to snap back into reality. At least that’s what I get from the verses anyway. The chorus is Grant’s call out to Jon, a constant reminder that he misses him and will never forget the times they shared. It is very sad and yet musically, it is very uplifting.
It reached #14 in the UK.
In the video, Nicholas jumps while holding his guitar before the finial choruses. Freeze it when that happens and you have the album cover for “The Singles”. You can also pause it when he sings “burning away” at Taka, the bassist, is bowing down with his instrument. Then you have the image on the back of the liner notes.
Yesterday I went out with friends to watch “Man of Steel”, the new Superman movie. I was out for a long time, I couldn’t put out my post and for that, I apologise to the small number of people who actually view this blog.
To be honest the film wasn’t that good; I don’t see what all the fuss is about.
Today, I bring a special two-in-one post. Only to make up for yesterday though, don’t be expecting anything more.
“Ram” is the second album released by Paul McCartney after The Beatles split in 1970. However, it was credited to both he and his wife Linda, and therefore doesn’t really count as a solo album.
“Ram” is one of the happiest albums I’ve listened to. Whereas “McCartney”, his first album, was more of a collection of old songs he had written whilst he was still in The Beatles, “Ram” on the other hand gave off a sense of freedom and also a sense of closure. Paul had ‘found his love awake and waiting to be’ and was ready to take things head on.
“The Back Seat of My Car” is the final track on the album, and probably the most emotional. Love is a theme that runs throughout, but this is when it reaches its peak.
The story in the song is pretty simple. The couple have dreams of getting away ‘along the highway’ to ‘Mexico City’ but prefer making out in the back seat of a car unbeknownst to the girl’s father who is always nagging at them. Awww. How romantic is that?
Sure, the story is short and sweet. The actual composition is beautifully performed, with calming and soothing vocals by Paul and slight changes in tempo here and there culminating in an audience participation section and a rocking outro make it perfect for the album closer.
Also, the song contains what is probably the best vocal delivered by McCartney. Ever.
I can’t describe it very well, just listen to it; you’ll get what I mean.
John Lennon thought this was one out of several songs on the album on “Ram” that was aimed at him and Yoko, it isn’t, but you can hear his thoughts about it if you search for it on YouTube.
Big Boi – Back Up Plan
Put that bitch in smash mode.
Ooh, another closing track from an album.
“Sir Lucious Left Foot: The Son of Chico Dusty” was Big Boi’s debut in 2010. I wrote a bit about it in my previous Big Boi post, but all you need to know is that it was released and a lot of people liked it.
It has a completely opposite message compared to Paul McCartney. This time around, Big Boi’s been cheated on or dumped or whatever, and the relationship has ended. But what does he do? He only picks himself up, dusts himself off and moves on to a new one. That being his ‘back up plan’.
That is pretty much all I can say about the song. Big Boi basically tells the story of the relationship in the song, so again listen to it. It’s a confident closer, I enjoy it. What could go wrong?
I hope that makes up for everything.Until tomorrow.
Today’s song is another one by those four guys from Liverpool. I don’t have access to my computer at the moment so I hastily type this up using my iPod Touch.
“Back in the U.S.S.R” is the opening track to the band’s double album “The Beatles” – also known as “The White Album” due to the album’s front cover. I prefer to call it “The Beatles” though because… that’s the name of the album.
1968 is known as the year when the members of the band started to get a bit annoyed with one another. You probably wouldn’t think that listening to this classic though. Upon first listen you might think, “Yeah, I can dig this! Paul sounds like he’s having a good time, they are all whooping and stuff in the middle. Ah, those guys.”
IT’S ALL LIES. Tension was building amongst the group, and for a number of different reasons. George felt under appreciated, as did Ringo and John had brought along a force that would totally break the harmony between the four for the rest of their years together.
For anyone who didn’t know, Ringo doesn’t play on this track. It is actually Paul on the drums. I’m sorry to break it to you if he’s your favourite or whatever.
In regards to “The Beatles”, it was a matter of ‘back to basics’ for the band. Their last full release was “Sgt. Pepper” which is known for its wide variety instrumentation and the colourful front cover and whatnot, and so after travelling to India for ‘spiritual enlightenment’ the band were ready to keep things simple.
“Back in the U.S.S.R.” is a great opener, I can’t imagine it anywhere else on an album. It’s got that sense of urgency and pace and gets you hyped up for what is to come.
The Music in My Ears 
