You ask Soundgarden fans what their favourite album is and it’s a guarantee that the answer provided will mostly be between Superunknown or Badmotorfinger. At least that’s the feeling I get when I visit the subreddit for the band and see threads that usually praise the two. Down on the Upside is more for me, but that’s getting away from the point. I’ve listened to Badmotorfinger just the once, was a while back, I have to revisit it one day. But from what I remember, it was heavy. Heavy, heavy stuff. Stuff to properly thrash and headbang to in comparison to those other two aforementioned albums. And it all begins with ‘Rusty Cage’, a song that’s come to be one of the band’s most popular and the song that brings this ‘R’ series to an end.
‘Rusty Cage’ has been one of my favourites for a while now. Couldn’t even say how long for. I want to say since 2011/2012? Would have to get on the old, old computer to check. Though it was sometime before I got listening to Badmotorfinger, so I was well-acquainted with the track when listening to the full album. It was through watching its music video (above) on either MTV2 or MTV Classic, when that was a channel for a small bit, that I came to know it. Chris Cornell was all grimacing into the camera while lip-syncing the words, and the guitar riffage just never seemed to end. The song’s motion is continuously on the move. It’s like that X-Men scene where Vinnie Jones is Juggernaut and he’s running through the walls without feeling any effect whatsoever. It’s the musical equivalent. But then with a minute and a half left, it suddenly changes direction and trudges to an end through the grimy, nasty breakdown.
Think what the song’s message comes down to is a basic cry for freedom. Its narrator’s been put through the wringer too many times by someone. When they release themselves from this other person’s unforgiving grip, the narrator makes it clear that all hell is going to break loose. We’ll rule the day that their freedom comes. The big implication of the lyrics though is that this day is far, far away in the future. Very unlikely it’s going to happen any time soon. The wish of breaking free is just a dream. It’s a situation left unresolved, which I guess is why the band choose to end it in the unresolved manner it does. Helps to reinforce that lingering sense of yearning and all. Times like these when I think about Chris Cornell and his passing. He’s missed immensely. Too sad.
So that’s it for the R’s. I’ll be back again. Next time with the S’s, which, along with the T’s will probably take me two years to complete. There’s a lot of songs that begin with those two letters, you know.