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#581: They Might Be Giants – I Should Be Allowed to Think

Happy new year everybody! 21 days in…. I’m sorry, but I’m now officially a working man. I just haven’t had the time to get back into this. Well, there have been weekends obviously…. but I just haven’t had the inspiration and energy to write. 10am-6pm is a long day, I tell you! I’ll try and get back to the once a week thing on here. Emphasis on ‘try’. Though it will more than likely be a sporadic post here and there.

And so the first track of 2018 is one by They Might Be Giants, who coincidentally just released their 20th(!) album entitled I Like Fun on Friday. Haven’t heard the whole thing yet apart from its title track and ‘I Left My Body‘. I probably should. I leave you a link to its iTunes page where you can buy it for a reasonable price.

‘I Should Be Allowed to Think’ is on the band’s fifth album John Henry, released way back in 1994. Their longest album by a mile, almost an hour in length, it was the first where they performed as a full band with bass guitar and percussion backing John Linnell and John Flansburgh. Thinking on it, I personally see it as their way of showing that they were still able to provide their usual versatility and unique style of songwriting even without their drum machines and backing tapes of the past.

Like many other of the group’s songs, it’s told from a viewpoint which you can look at in two ways… You can listen to the narrator and take their points at face value… or they’re lying and something else is up. Knowing They Might Be Giants, it’s usually the latter. This narrator in particular feels injustice from seeing these rubbish bands advertised anywhere, and sees this as reason to say whatever they want and have their ideas heard by anybody – no matter how stupid they may be. They feel as if there’s this big conspiracy against them, when really they’re probably just thinking about it a bit too much.

This is a great song, another mainly penned by John Linnell though Flansburgh sings in the bridge. I do find myself humming along to its bass line when hearing it, particularly the second half of the chorus. Fair play to Tony Maimone, who plays the bass a fair few of the songs on John Henry. It’s a standard rock song I would say, although it’s not really because it’s They Might Be Giants. There’s always something a bit different when it comes to them. In a good way.

‘I Should Be Allowed’ was recorded on the band’s home equipment and could be listened to on the phone through their Dial-a-Song service before the song was officially released. Thanks to the Internet, that demo version can be heard all the time. It is below.

My iPod #425: Manic Street Preachers – The Girl Who Wanted to Be God

“The Girl Who Wanted to Be God” is a track from Manic Street Preachers’ album “Everything Must Go“, released in 1996. This album was their first after the disappearance of lyricist and rhythm guitarist Richey Edwards (which happened twenty years ago yesterday, if you didn’t know) though some tracks on it included lyrics that Edwards had left over – today’s track is one of them, though Nicky Wire did contribute lyrics too. I’ve personally never looked into the lyrics much though the title is also the name of a poem by the late Sylvia Plath, whose work Edwards was known to study. Take from that what you will.

Admittedly the part of the track that got me straight away were the sensational strings that give the track this elating feeling of freedom. After seconds of a choppy guitar and a meddling rhythm section that start the track off, the strings suddenly appear to play the chorus melody and I’m launched into the air and find myself soaring through the sky, faster than the speed of sound. And then James Dean Bradfield reinforces that feeling by belting out the title phrase which makes up the song’s chorus. The verses are good; they have a good melody to them. But that chorus…. some days it will pop in my head, and I can be repeating it for minutes on end.

If I were lucky enough to be a member of Manic Street Preachers in 1996, I would definitely have wanted this to be a single. Could you imagine thousands of people singing back that chorus to you at concerts? Man. Better than “Kevin Carter“, I think. Though however glorious the strings and wailing guitar may be, it still reminds me of music that should be in the background of a flight advert or the theme music to a soap opera. I really don’t know why, I just get that vibe from it.

My iPod #77: Kings of Leon – Be Somebody

Ah. The only one I really like from “Only by the Night”.

I am, admittedly, a Kings of Leon fan who prefers their music prior to “Only by the Night”. Sure, “Sex on Fire” and “Use Somebody” were major successes for them – and that’s great. I just like it when they weren’t aiming for this big, stadium filling sound that they seem to have been going for since the album’s release in 2008. Ever since they cut their hair, which I first noticed in the video for “Charmer”, things just started going downhill for me. I’m just saying. Don’t hate me.

“Be Somebody” is the highlight from the album for me. That’s only because the two songs I’ve mentioned above are repeated endlessly on the TV or radio. I can’t get no satisfaction when I hearing them sung by contestants on the X Factor, or Britain’s Got Talent, or other inane Saturday night ITV programmes that are on.

It sounds like a song that could have been on “Because of the Times”, I don’t get a sense of “Ooh, look at us we’re this huge band now and you should listen to us” vibe that I get from other songs on the album. It’s a haunting song, emphasised by the descending riff in the verses and the shrieking guitar in the breaks between the verses until you are suddenly lifted by an uplifting sounding chorus, where Caleb reaches the top of his lungs singing how he’s going to be somebody.

To summarise, for me it’s the only good song on the album. I’ll stick to their tunes from when their hair was long.

Until tomorrow.

Jamie.

P.S. Congratulations to Andy Murray, who became the first Briton to win Wimbledon in 77 years. He’s still Scottish.

My iPod #76: Fatman Scoop ft. The Crooklyn Clan – Be Faithful

Oh, man. One of the biggest of 2003 right here guys.

This song was the most contagious thing ever. I was only eight years old, but this song played almost every day. It got to number one in the UK and stayed there for two weeks.

You can’t sit still to this song. As soon as the intro starts, the bass drop kicks in and “Scoop” starts yelling “OH, OH, OH, OH, OH, OH, OH”. That’s it. You’re done. You’re already jumping around the room and shouting along with him.

This is probably one of the most random songs I have on my iPod. I think it just brings back memories of when I was in primary school. It also played for about 30 seconds at my recent prom, so that was cool too.

As for Fatman Scoop, he’s featured on a few songs here and there since the hit. But the success for him as a solo artist never reached the highs as it did for him with this track. He did release another song entitled “It Takes Scoop”, which was a top ten entry in the UK. But I don’t think anyone would think that is quite as memorable as “Be Faithful”.

I’m sorry Fatman, but this is one for the ‘one-hit wonder’ chart countdowns on television.

I LOVE IT THOUGH, IT’S SO HYPE.

Until tomorrow.

Jamie.

My iPod #75: Morning Runner – Be All You Want Me to Be


This is the first song I heard by Morning Runner.

I was watching music television one day. I think the channel was The Amp -which was a really good music channel; I don’t know why it got removed – and I watched the video for it.

But you know how it goes. Time moves on, and songs get older and older until they eventually fade away and are hardly ever played again. I never forgot about the song though. I wasn’t able to watch the video again until sometime in 2010. I downloaded the song, and I can have it on repeat whenever I want.

It’s got that “Rush of Blood” Coldplay type vibe. Apparently it influenced Chris Martin to write songs with Coldplay for “X&Y”, so obviously it must be good.

The song was released as the band’s second single from their debut album “Wilderness Is Paradise Now”. Their debut was also their last as the band then split in 2007. People may also know this band for “Gone Up in Flames”, a song in FIFA 07 and the theme song for “The Inbetweeners”.

Until tomorrow.

Jamie.

P.S. I created a Twitter account, so if you want to follow me please do @JamieKManteaw.

Bye, bye.