Tag Archives: behind

#1358: Nick Drake – Things Behind the Sun

It always comes back to Pink Moon. There have been a few “last songs from an album” posts around recently. After this, there’s only one more to come from Pink Moon. Any fan of it will be able to correctly guess what song that post will be for. But for now, this one’s for ‘Things Behind the Sun’. The track is the longest one on Nick Drake’s third and final studio album, positioned right in the middle of it, acting more as the closing number for the LP’s first half before you’d flip the vinyl around and listen to the second. Even back when I first heard the track in late, late 2012, it did feel like I was listening to what was meant to be considered the record’s most poignant moment. This and the preceding instrumental, ‘Horn’, together make up a one-two punch of poignancy. They both sounded so much sadder than anything else than the numbers that came before. But then again, I think ‘Horn’ acts as more of the tone setter, the moment of quiet reflection before the storm of ‘Things…’ begins soon after.

Not like ‘Things…’ is this wild, raucous rock number or anything. It’s just as acoustic as everything else the album delivers. It’s a storm in terms of the tone… there’s something uneasy, disquieting about it. It’s probably the minor key it’s in for the verses. That would do it. ‘Things Behind the Sun’ sees Drake detail his disillusionment with his musical endeavours. He goes out to perform, but he doesn’t trust the people who go and watch him. And as he goes about his way, observing people on his idle travels, he sees how they act and concludes that there’s no point in trying to win their hearts with his music – the likelihood is they won’t listen anyway. It seems to me that this is a track – another being ‘Harvest Breed’ – where he more or less implies that he won’t be around for much longer, or at least has thought about the end of his life, but doesn’t want to “name the day” on which it happens or reveal that he’s tried to end it before. So until then, where the more sprightly, happier chord progressions come in, he’ll take his time, find delight in the dark humour he appreciates that makes other people frown and generally keep to himself with his head down while he carries on feeling depressed. He’s comfortable in his state of dejection. It’s all very bittersweet.

And just like almost everything other song on Pink Moon. the track is provided to you solely by Nick Drake with his weary vocal and fingerpicked acoustic guitar. Goes to show how much you can do with so little. One thing I’ve always liked about this tune is how rhythmic Drake’s playing style is. He sort of skips around from one chord to the next throughout, playing a root note or two in between. It really shows during the guitar break halfway through when he jumps higher and higher with the progression before dipping back downwards again and repeating the process again. I’ve always thought this and ‘Which Will’ – which if you didn’t guess, will be the next song – both had a rhythm that could have been infused into a hip-hop track of some kind easily, which I guess would be sacrilege to some for weird reasons, but it’s just how I feel. Then Kendrick Lamar used a re-recorded sample of ‘Things…’ in one of his own songs – unreleased, mind you – and my point was proven. But overall, it’s disheartening to listen Drake’s track and hear how let down he was by the fact – and it was a fact at the time – that his music wasn’t going anywhere, not making him the big star that he wanted to be and that people told him he could be. It happened eventually, people love his music now. If only he’d stuck around.

My iPod #87: Nine Black Alps – Behind Your Eyes

Hmmm….. so Nine Black Alps. I briefly touched upon them on a previous post – one that was quite rushed, seeing as I had forgotten to do a post on it in the ‘A’ series.

I always go on about my favourite bands on here. There’s They Might Be Giants, and Billy Talent too. Well, Nine Black Alps are another. Let me tell you why.

Why, I must have been ten years old or something when I first saw their video for “Unsatisfied” on MTV2. I always changed the channel when it came on, because the introduction sounded so depressing….. and the lead singer never smiled or anything. He just looked bored all the time. I didn’t wanna watch that. They then released “Just Friends” as a single, and that was a song I didn’t care for much either. For me, it was a much better song but it’s 2 and a bit minutes long, and it goes by quickly. Nope. Nine Black Alps weren’t the band for me

That was until the advert for their album “Everything Is” started airing on the television. It showed a few seconds of the two music videos for the songs I already mentioned. But it was the one for “Not Everyone” which really caught my attention. That’s for another blog. Then their songs started showing up on every EA Sports releases. First, “Cosmopolitan” was part of the EA Trax in FIFA 06, and then another of their songs, “Shot Down” appeared on Burnout Revenge.

Long story short, I got the album as a present for my eleventh birthday. It’s one of my favourites. “Behind Your Eyes” is a song from there.

“Behind Your Eyes” is one of the two acoustic songs on “Everything Is”. It comes after five songs full to the brim with hard-hitting riffs, loud guitars and various lyrics about dying, obtaining weapons and other morbid subjects. The album as a whole has quite a war-like concept to it. I’m not sure whether it’s a concept album or not. It could be.

Anyway, “Behind Your Eyes” introduces a sense of hope. A light, not quite at the end of the tunnel, but one  that shines for a few minutes until it flickers out. But you still manage to find a way through the darkness. That is until the light goes and then everything is dark again. I say that because as soon as “Behind Your Eyes” finishes, it’s back to the guitars and dark lyrics.

Yeah, it’s a pretty song amongst the madness.

Until tomorrow.

Jamie.

My iPod #86: The Who – Behind Blue Eyes


Hi everyone. I’m feeling good. Each day just seems to go into the next so quickly, I don’t know where the time is going.

This is the third song from this album that I’ve done a blog on, and I’ve only got five songs from Who’s Next on my iPod. Oh, well.

For those of you who don’t know, “Who’s Next” is only a compilation of songs that were supposed to be used for a much bigger project that Pete Townshend had worked on. After they had finished “Tommy”, Townshend began work on a rock-opera called “Lifehouse”. However, when he explained the concept to his friends and the other band members they just didn’t get what was going on. They couldn’t handle it.

“Behind Blue Eyes” is sung from the perspective of the villain of the story, Jumbo. It was intended to be his ‘theme song’, but of course “Lifehouse” never happened. “Who’s Next” is still considered to be the band’s best album, even though it wasn’t intended to be made. That’s quite funny. You can listen to the album’s intended tracklist, thanks to this playlist on YouTube.

“Behind Blue Eyes” is the penultimate song – before “Won’t Get Fooled Again”. It starts off with Roger singing alone over Pete’s guitar, John later joins in with the bass and vocal harmonies are introduced. The song then changes into a full rock out when Keith and the electric guitars come in. Keith’s drumming is brilliant on this, listen to them here. The song then ends with a reprise of the first sections. With three cymbal crashes on the last three words, the song fades to a close.

It’s quite of a downer. But then the last track begins, and for the next nine minutes you’ll feel great.

Until tomorrow.

Jamie.