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My iPod #438: Radiohead – Go to Sleep. (Little Man being Erased.)

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“Go to Sleep.” was the second single to be released from the album Hail to the Thief, Radiohead’s sixth album released in 2003. The record marked a return to the guitar oriented music the band were known for, after taking a few years down the electronic/experimental route with “Kid A” and “Amnesiac“. Though it gets a bit of flack for not being as cohesive as other Radiohead albums, and because its almost-hour-length is a bit too much for some to handle. Thom Yorke had the same feeling; he posted an alternate tracklist showing what the album may have been had the band taken more time on it. Good to see that today’s track made it on there.

The song has many twists and turns to it. It starts off with an acoustic guitar driven riff playing at a 10/4 time signature that after being accompanied by Thom Yorke’s wailing vocals for a while is joined by Phil Selway’s drums and delicate electric guitar touches via Jonny Greenwood. The track then takes another turn when tom-tom drums dominate the mix as Yorke starts singing about the possibilities of the loonies and the monster taking over and Greenwood’s guitar becomes more distorted and frantic, eventually producing random noises and glitched out sounds as the song fades out.

It’s one of the songs from the album that I’ve known for the longest; I watched the video on the television way before I ever bought the album. It will always be a favourite track of mine from it.

My iPod #88: The Beatles – Being for the Benefit of Mr. Kite!

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John Lennon bought a poster one day in 1967, from an antiques shop whilst filming the video for “Strawberry Fields Forever” with the other three guys. This is a picture of the poster. This is a picture of John standing next to the poster which is the real deal and not edited by Photoshop at all. It actually isn’t.

To put it simply, everything in the song is from the poster. The horse’s name wasn’t Henry though. It was actually “Zanthus”. I don’t think “Zanthus the horse dances the waltz” would have been as good of a lyric though. Mind you, if they had used that lyric it wouldn’t have been banned on the BBC for supposed “drug references”. Silly BBC.

If you own the vinyl version of “Sgt. Pepper’s Lonely Hearts Club Band”, this song closes the first side of the album. To emphasise the circus theme of the song, their renowned producer George Martin asked the engineer to chop up recordings of various faiground organs and calliope music, throw them in the air and reassemble them at random. These are the noises used for the instrumental break, and also during the outro of the song. It took five days for the band to make this, and is regarded to be one of the more complex songs on the album.

It’s used in this epic mix on the LOVE album from 2006 too.

Until tomorrow.

Jamie.

Kings of Leon – “Supersoaker”

Alright! So Kings of Leon are back, and this is their new single “Supersoaker”. There’s the audio-video right up there.

It premiered yesterday on Zane Lowe’s radio show on BBC Radio 1. I missed the first time it played.

But then it played again later….. and I was quite pleased! Only a few posts ago was I talking about how I didn’t like the new sound that they were going for now and how I was dissappointed that they had sold out or whatever. But this song is like a mix of that sound and their “Aha Shake Heartbreak” material. Reminds me of “Taper Jean Girl” in particular. This is what I wanted. They’ve gone back to where they once belonged. You can hear their roots in the song. The only recent song I can think of when they have done this is “Back Down South”, and that’s not even a bad song. I find myself singing that from time to time. Stick to your roots, KOL.

It’s a thumping four-on-the-floor western rocker with Caleb’s crooning vocals over the relentless guitars and jumpy bassline in the verses and everything. Yeah… I can dig this. This is a good first single.

Their new album “Mechanical Bull” is released in September.

Bye!