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My iPod #213: Blur – Country Sad Ballad Man

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I’m back in uni! Yaaaaaaaaaay.

The three weeks back at home were good, well they were okay. It was nice being with the family but it did get very dull within a few days. Home just doesn’t compare to university. I am sorry, sis.

“Country Sad Ballad Man” is the third track from Blur’s self-titled album from 1997. Blur decided that they were done with the whole ‘Britpop’ scene by this time, and instead wanted to make some standard indie rock, Pavement influenced material instead of the character narratives that Damon Albarn had written for the last three albums.

I listened to “Blur” the whole way through during the late summer last year. I was lying in bed and was starting to fall asleep but I do remember hearing this tune. Coming after “Beetlebum” and “Song 2”, the first and second singles which I knew inside and out, “Country Sad” was the first that left me in the place where I had no idea what was going to come next.

It takes quite some time to start. A steady, ticking drum beat along with an mouth harp start things off sluggishly, and then the deep bass and almost mono-aural guitar comes in. It all sounds very enclosed and compact. Damon alternates his pitch going from high to sounding weary and tired, whilst singing about self-pity and isolating himself from society. Entertaining stuff.

Weary and tired is very much the atmosphere that “Country Sad” achieves; that is until Graham suddenly brings in the guitars for the last minute or so which raises spirits for a bit but in the end, this song is not one to listen to if you want to make yourself feel better about something.

If you’re disappointed with my ‘thesis’ on the song, here are some funny arrangements that you can change title too:

“Country Bad Salad Man”
“Country Mad Ballad-San”
“Country Mad Salad Ban”

………Those aren’t funny.

My iPod #82: Blur – Beetlebum

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Beetlebum. What you done. She’s a guuuuuuuuuuuuuuuuuuuuuuun. Now what you done. Beetlebum.

I can’t remember how I came to like this song. Blur have been around for a long time, so it’s pretty hard to pick out an exact time. It may just have been playing on MTV2, on one of the chart shows that the channel sometimes showed. I can remember being concerned about the censored Coca-Cola can, and the censored cigarette in Alex James’ hand, and then going online to see if there was an uncensored version. There isn’t one. It’s not censored for a particular reason, it’s just for effect.

It’s good listening to the song by itself, but with the video it just seems so much cooler. Damon… stares deep into your soul. Some weird kaleidoscope effects occur. He starts making out with the microphone later on, and for the last minute or so the camera starts flying around the surrounding area. It’s trippy, possibly a way of depicting the effects of drug taking. Which is what the song is about. You can see it on Wikipedia. It has references too, so it’s obviously true. Obviously.

The song is the opener from their self titled album released in 1997. It was also released as the first single, and reached number one for a week until it was knocked off the top spot by LL Cool J. That’s not too bad. Whatever LL Cool J’s song was, it’s probably better than anything in the chart today.

Until tomorrow.

Jamie.