Tag Archives: boy

#990: Simon & Garfunkel – The Only Living Boy in New York

Upon going through Simon & Garfunkel’s Bridge over Troubled Water album in about 2012/13, there were two clear highlights, at least to me, that stuck out on that first listen. Those were ‘Keep the Customer Satisfied’ and today’s song ‘The Only Living Boy in New York’. Sure, the title track is right there. But it’s never been one that I’ve wilfully gone out of my way to listen to. Probably ever. The rest of the album tracks all have their moments. But it’s always been those two for me. And since I’ve written the post about ‘Customer’, well, I better start going on about this one.

‘…Living Boy…’ was written by Paul Simon during a time when singing partner Art Garfunkel took an acting role and had to travel to Mexico for a lengthy period in order to shoot his scenes. Simon, overcome with these feelings of loneliness, transferred all of this emotion the best way he could into song. He wishes his partner the best of luck and wishes him well; he addresses him as ‘Tom’, which is what Garfunkel would go under when the pair performed as ‘Tom and Jerry’ in their early years. He gets some delight from the mundane things like checking out the weather report for the latest news. Still, the separation doesn’t stop Simon from feeling like the only person existing in the big city of New York. There’s a subtle hint of conflict too, as it seems Simon knows that this acting bit is something that Art is really into. He pleas to him that if he wants to follow through with it, then he should just tell him instead of making excuses. It’s a bit of a turbulent affair, and it would all end when the act broke up and went their separate ways some time after the album’s release.

However the lyrics are interpreted, it doesn’t get in the way of how comforting a listen this track always is. Simon takes the lead vocal here, double-tracked and maybe singing really close to the microphone. I don’t know what it is, maybe he’s using a certain type of mic, maybe it’s an effect, but whatever is used gives his vocal a real close and intimate feel. Like he’s singing you to sleep or something. It’s a gentle delivery with a fine melody with a backdrop of acoustic guitars and a skipping bassline. The whole track delivers for the most part, but then comes that glorious moment when those glorious harmonies from the two singers enter the frame, brought in effect by performing those vocals in an echo chamber and multi-tracking it around eight times. They’re heavenly moments, like lights at the end of the tunnel. It’s at these parts where I guess Garfunkel appears in front of Simon after everything’s happened, telling him to not worry because “Here I am.” Maybe that’s looking too deep. All in all, like a few other songs on Trouble Water, ‘…Living Boy…’ is another personal look into what made those two guys tick.

#829: Deerhunter – Memory Boy

My first Deerhunter song on here too. Two first timers in two consecutive posts. It gets crazy around here. Deerhunter was another band I discovered when I was in my first year of uni and trying to find new music to listen to. Particularly through Pitchfork. I also think I was just downloading any good album I could find so I could plays songs from there on the radio show I used to host on the uni’s radio station. But anyway, Deerhunter are cool. I think I enjoy a lot of the individual songs than their full albums… but 2010’s Halcyon Digest is the one of theirs that I can play through from front to back with no problem at all.

Today’s song, ‘Memory Boy’, is taken from that record. It’s a cheery tune about parental abandonment that lasts for just over two minutes. The song’s narrator remembers being a young boy and seeing his father leave with the television. The dad comes back to see him every day in October and play carrying the smell of weed on him. The the narrative flips around to the father’s perspective as he’s unable to recognise his son the more he gets older. A sad situation, right? But with that cheery guitar melody on the right and that blaring major-chord harmonica in the middle, it’s hard to tell.

Now, I know I said this was the first Deerhunter song that here. You’d think that would imply that there would be more to come. In the process of writing this, I’ve realised it could be the last one too. At least for a while, anything could change. All of the songs I really enjoy by them are before the letter ‘M’. But I’ll state them here just because they deserve a shout out. ‘Don’t Cry’, ‘Basement Scene’, ‘Coronado’ – all from Halcyon Digest, all great in my eyes. You should probably listen to that album all the way through though. ‘Agoraphobia’ is a wonderful song. I’d also recommend ‘Back to the Middle’ and ‘Backspace Century’. Some good ones to get accustomed to. Thank you for your time.

My iPod #469: Fall Out Boy – Grand Theft Autumn/Where Is Your Boy

I haven’t listened to this song in a long time. Doesn’t feel the same as it did when I was younger. Maybe because I’ve heard it too many times. The bite it used to have isn’t as sharp anymore. I can still write about it though, even if my heart won’t be into it so much.

So “Grand Theft Autumn/Where Is Your Boy” was Fall Out Boy’s second ever single, released in 2003 on the group’s first album Take This to Your Grave. It may as well just be called “Where Is Your Boy” because that’s the main line of the chorus. Not sure what the “Grand Theft Autumn” part means. Possibly the song was recorded during the season, or it’s inspired by the rapid guitar introduction. Whatever it is….. it just sounds good for some reason, even if it doesn’t relate to anything in the song.

A lot of people will know the track. For those of you who don’t, it’s about wanting to be in a relationship where you feel you would treat the girl better than the guy she’s already with. It is also possibly the poppiest-punk track the band have done to this day. Not that that’s bad. Its relatable subject matter in the lyrics matched with its upbeat tempo and nice melodies make it very accessible. Probably why it’s one of the band’s most popular songs. Just sounds a bit dated to me, I’m just saying.

My iPod #255: Paul & Linda McCartney – Dear Boy

“Dear Boy” is the fourth track on Paul McCartney’s second solo album (credited to both he and wife-at-the-time Linda) Ram, released all the way back in 1971.

Paul believed he was very lucky to have Linda as his wife, and wrote this song as a tribute to her. It is also an address to her former husband; they married years earlier in 1962 before divorcing in 1965. McCartney ‘tells’ him that he was a silly man to let Linda go, and that he will never find another one like her.

Although most of it is in a minor key, the dramatic, layered backing vocals and airy rhythm make things a little lighter. You can probably imagine the smugness he had when writing and singing this: “I hope you never know, dear boy, how much you missed/And even when you fall in love, dear boy, it won’t be half as good as this”.

Burn.

My iPod #128: Mystery Jets – The Boy Who Ran Away

“The Boy Who Ran Away” was Mystery Jets’ third official single in 2006. Their first album “Making Dens” was out, and they were played a minority of the time on MTV2. Most of their airtime came in the NME Chart, before NME up and went to go and have their own channel.

At first, “The Boy Who Ran Away” wasn’t to my liking. I would always skip the channel everytime the video came on. I take that back – it’s not that it wasn’t to my liking, it was just that I barely gave it a chance.

I did like their other songs though. “Alas Agnes” was a good one, as was “You Can’t Fool Me Dennis” which weirded me out because the lead singer looked very similar to a friend I had in primary school. “The Boy Who Ran Away” must be alright then, shouldn’t it?

Well, yes it is. I wouldn’t be wasting my time on writing about a song I didn’t like. The majority of people in the UK liked the song too; it reached #23 over here and remains to be the band’s highest charting single.

The song tells a story about… a boy who runs away. From home apparently. But he ends up in a rubbish place, and goes home back to his parents even though he knows they don’t like him. Pretty miserable. It’s an upbeat song, so you probably wouldn’t realise the tragedy.

Look out for the ‘lo-lo-lo’ bridge singalong too. That’s catchy as hell.

Until tomorrow.

Jamie.