Tag Archives: capture/release

#1295: The Rakes – Strasbourg

Whoa, whoa, whoa. I haven’t written about The Rakes in a long, long time. One of my earliest posts for this series was for a song by the band. I give a brief bit of context on how I came to know the group in the two sentences that make up the second paragraph. And then I also give links to three other songs of theirs that I knew I would never be writing about. Had to leave you good readers waiting with a suspense lasting 12-and-a-bit years. But the moment has come. And no better way to mark the arrival than with an album opener. ‘Strasbourg’ is the first song on the band’s 2005 debut album Capture/Release. I, however, came to know the track through different circumstances. If you had a peek at one of the tags below, you may have already figured those circumstances out. And if not, it was because of FIFA 06. The song was on the soundtrack.

‘Strasbourg’ is a fiery, punky number, suitable to get any album off to an energetic start. First you hear some feedback, then the guitar gets going. The drums join in, followed by the bass. And then singer Alan Donohoe enters the frame after this calculated layer-by-layer introduction of instruments. The track details the trials and tribulations of a couple trying to flee 1980s Germany, when the Berlin Wall was still up and all of that business, for the French city of Strasbourg which is located pretty much on the border. I think the main highlight of the track is how it suddenly switches up a gear r two in energy and vigour during the choruses, in which Donohoe wails out “We’ll meet in Strasbourg” alongside backing vocals from guitarist Matthew Swinnerton. It’s like hell breaks loose for those moments before sanity’s regained for the more “conservative” verses. Great dynamic going on there.

And yeah, this track is another one of those sprinkled throughout this ongoing list that I was introduced to and grew accustomed to because of its inclusion on a video game’s playlist. Specifically one by EA Sports. ‘Strasbourg’ wasn’t the first song by The Rakes I’d ever heard. By the time of FIFA 06’s release, I’m sure I would have seen the music video for ’22 Grand Job’ on MTV2 multiple times. That’s one that’ll get its own post one day. So I definitely knew who The Rakes were. Just so happened that someone in the EA headquarters caught wind of the band and thought they were cool enough to add to the game. I do remember 10-year-old me attempting to sing along to this tune many a time. And I think I got nearly all the lyrics down, even the German ones. But again, like a lot of songs on FIFA, the track had gone through the censorship wringer. Alcohol references and obvious curses were either muted or replaced with cut-out phrases from other parts of the song, and the ending comes to an even more awkward sudden end than it does already on the album. This ‘clean’ version is below.

My iPod #26: The Rakes – All Too Human

Hello everybody.

The Rakes were an indie band that broke up in 2009 after the release of their album ‘Klang’.

Again I was introduced to them by MTV2. I’ve said many a time that MTV2 was a great channel to watch back in 2005-2006. Without it I definitely wouldn’t be as ecelectic as I am in my musical tastes, if I do say so myself.

The Rakes released their debut album ‘Capture/Release’ in August 2005, and originally this song wasn’t on it. It was only when they released it as a standalone single the following year, that the band decided to re-release the album with ‘All Too Human’ listed as the final track.

The video premiered on MTV2 as part of its ‘New Releases’. I haven’t actually watched it in a long time, so I can’t really remember what’s happens. From its thumbnail, I can see that it’s black and white.

The song itself is very good in my own bias opinion. The narrator has been in a relationship that is failing in front of his eyes, and he’s now pining with self-pity. He knows that she would be fine without him, but knowing this makes him feel even worse.

However morose and depressing that sounds, the key and the melody has a very light tone. The ending of the song  uses vocals from all members of the band chanting ‘Human, All Too Human’, providing a satisfying conclusion to the song and the album.

‘Capture/Release’ received quite a bit of praise on its release, so if you’re into Arctic Monkeys, The Futureheads, Bloc Party – bands like that, you might like the album.

Want to listen to more songs by them? Here are three.

Until next time.

Jamie.