Tag Archives: dancing

#593: Ween – I’m Dancing in the Show Tonight

Ween members Gene Ween and Dean Ween both agree that their 1997 album The Mollusk is the best project the band put to tape. I agree with them on most days; for me it is always a close race between it and Quebec. I do hold the The Mollusk in high regard for sentimental reasons too; it was the first full album by Ween that I ever listened to about five years ago.  At the time I felt that I was in a bit of a lull, listening to the same artists over and over, so I decided to look for an album that I hadn’t heard before. ‘Ocean Man’ had been in my iTunes library for some time too, I downloaded it after hearing it in the ending credits of the OG SpongeBob movie, so it only made sense to hear all the other songs around it.

‘I’m Dancing in the Show Tonight’ is the first track on The Mollusk. For a lot of reasons, it shouldn’t work. No band should get away with opening any album with a kitschy, vaudeville show tune. That’s what ‘I’m Dancing in the Show Tonight’ is. But it’s executed so well that it never gets annoying. For the sub-2 minutes it lasts for it builds and builds. Starting off with a piano and the vocals, it steadily progresses as percussion and horns are thrown in and by the end it’s a huge singalong with a fake but emphatic string section. It may confuse some first time listeners, but there’s no time to really think because then the title track suddenly starts like nothing never happened. It’s a brave move. I really enjoy it, I think it’s great.

The track is basically a rip of the Christmas song ‘Are My Ears on Straight?’, sung by Gayla Peevey in 1953, with a few lyrical differences. The band full out admit this on the album’s liner notes though they have yet to be punished for it. Not that I want them to, don’t be silly.

My iPod #238: Test Icicles – Dancing on Pegs

 

Near the end of Test Icicles first and only album “For Screening Purposes Only” comes “Dancing on Pegs”, a track written by guitarist Rory Atwell.

Can’t say much about the song… It has no deep meaning to me, or in general. I just think it’s really cool. Atwell once claimed it is about a relationship, but you wouldn’t really tell from the gory imagery made by the lyrics. Chopping someone down at the knee and bloody raw hands aren’t really the things I would come up with if I was taken. It’s sinister in tone, but quite hilarious too.

It’s a very noisy track. Not like there’s a whole mesh of instruments smashed together so the lyrics are incomprehensible or anything. Everything’s a bit distorted, some cool riffs occur during the verses and it’s delivered at a very quick rate.

Listen to it if you’re interested.