Tag Archives: danny brown

#1138: Danny Brown ft. Petite Noir – Rolling Stone

Thinking about it now, Danny Brown’s Atrocity Exhibition was the hip-hop album I’d been waiting for my entire life up until its release in September 2016. I remember the time well. I’d just started what was to be my final year of university, and Brown surprise-released it three days earlier than what it was officially announced to be. Set up Spotify, ‘Downward Spiral’ started, and when the song’s first chorus hit, I knew I was in for something very, very special. Unfortunately, there’s only one more song from Atrocity… that I’ll be able to speak about on here. But if the album had been released four years sooner, you’d see a larger representation of it on the site.

The album is one grim, disturbing look into Brown’s hedonistic lifestyle, one that he repeatedly states to the listener could lead to the end of him and leaves him feeling numb inside despite the pleasures of sex and drugs that come along with it. ‘Rolling Stone’, the third track, is one of the gems that provides another window into the rapper’s thought on the matter. Brown knows that he’s going down this road of self-destruction and only indulges in more excess to aim in easing the pain, which only makes things worse. It’s a lonely life to live, is what the song is trying to tell you. Alongside Danny Brown is Petite Noir on the choruses and the outro, who also produced the track having contacted Brown on Twitter and initiated a back-and-forth of ideas between the two.

That keyboard(?) melody the song starts with (and appears throughout) is too catchy. There are a lot of times when I’m just nodding to the groove and singing along to it rather than listening to the lyrics. There’s that moment where a ghostly vocal comes in singing the melody during Brown’s second verse, almost drowning his voice out in the process, which makes me think it’s meant to symbolise much more darker than its appealing tone would suggest. Danny Brown has the beat in his pocket, spitting out his lines with the trademark barking yelp of his. Funny to think that this song might not have happened at all had Brown not been awake at four in the morning and been checking his DMs.

#769: Danny Brown – Lost

‘Lost’ by Danny Brown has a bit of an unfair position in the tracklist of Atrocity Exhibition, sandwiched between ‘Really Doe’ – the posse cut featuring Kendrick Lamar, Ab-Soul, and Earl Sweatshirt – and ‘Ain’t It Funny’ which is one of the most insane hip-hop tracks put to tape. Because of this, ‘Lost’ can seem almost like an interlude; it’s just short of two and a half minutes in length and there aren’t so many production tricks that will wow you immediately on first listen. But it’s those extra listens that reveal how substantial the track is.

What grabbed my attention the first few times was the instrumental loop that keeps the track flowing. Taking a few seconds from Lena Lim’s ‘Flame of Love (戀之火)’, producer Playa Haze creates a strange, skipping backdrop of a stuttering vocal and a wandering horn melody that adds to the spooky vibe. Reminds me of RZA’s production on 36 Chambers which isn’t a bad thing. Danny Brown comes in with no restraint, comparing himself to Stanley Kubrick and a pimp within the first few opening lines of his first verse.

This track, keeping in the same tone with every other song on the album, details Danny’s descent into his downward spiral, but also looks at things in a more confident and optimistic manner(?). Before Brown was a rapper he made and sold cocaine to get his racks up, and now that he is famous he has all the money he needs to buy a whole lot of it. Despite the rampant drug use, he still never managed to get too far gone and kept his head in the game to get success. I think that’s a lesson that’s worth learning. I guess Brown was fond of the track, and so made a music video for it as you can see above. It’s more disturbing than what I envision when listening to the song. Make of it what you will.

#747: Paul White ft. Danny Brown – Lion’s Den

Just when I thought Danny Brown had given everything he could with Atrocity Exhibition in the autumn of 2016, it came as a surprise when, a few months later, two new songs that were worked on during the sessions for that album were announced to be released on a new (but short) EP. Paul White produced the majority of Atrocity Exhibition providing the psychedelic, spaced out, and generally trippy backdrops to many of the songs that made the album such an enthralling one to listen to. That record itself is bordering on a collaboration project. Man, I love that album so much.

So the Accelerator EP (credited with White as the main artist featuring Brown) accompanied with its title track and today’s song, ‘Lion’s Den’. They both are in the same vein of the tracks that appeared on Exhibition, echoing the main themes that arise on the album. Danny Brown yelps in that signature voice about his struggles with addiction and his personal spiral out of control amidst White’s out there production. ‘Accelerator’, the title track which I wish I could talk more about but won’t because this isn’t its post, is absolutely bonkers and deserves a listen. ‘Lion’s Den’ is the calmer and somewhat more sane number on the EP compared to the loony approach in ‘Accelerator’.

I can’t find anywhere on the Internet that lists the original source of the sample that is used throughout ‘Lion’s Den’ – in the rare occasion that someone reads this comment and direct me to a place that does – but it ultimately makes the track sound very pretty. I thought it was a Japanese sample. Some say it’s French. I’m not sure. I thought there was some sort of Eastern Asian tone to it. I’m probably wrong. I’m digressing. Ultimately, the track sees Danny Brown looking back on the man he has become, growing up in Detroit where a lot of bad shit goes down, overcoming those who told him he would never make it as a rapper, but majorly seeing that his debauchery and hedonistic lifestyle could catch up to him at any moment. This was him in a dark place. Glad that he seems to have gotten through that though.

My iPod #526: Freddie Gibbs & Madlib ft. Danny Brown – High

Piñata, the collaborative album by rapper Freddie Gibbs and music producer Madlib, was released in March last year. All you want from a hip hop album are clever, detailed and meaningful lyrics delivered via a charasmatic voice and beats, good sounds and clear production to give those lyrics a rhythm to flow with. Piñata did not fail in providing those. It was one of my favourite hip hop albums of 2014. Gibbs’ lyricism essentially about his and the gangsta life matched with Madlibs’ soulful samples make up an hour’s worth of captivating music. Very good, check it out.

“High” is the fifth track on there and, if you didn’t assume already, is about getting high off cannabis. Gibbs tells us that the activity is one of his favourites; while his brother and sister were finishing college, he would be smoking the stuff in his house and now that he’s famous everyone wants to smoke with him when they didn’t give a damn about him before. Sex with groupies at shows can’t even be done without a bit of it either. Whatever the occasion, Gibbs gets high. Gibbs had featured on Danny Brown’s album Old released a few months earlier and here Brown returns the favour, though you can tell that he was in a completely different studio while recording his verse.

The instrumental bangs too. Madlib did well.