Tag Archives: diamond hoo ha

#1120: Supergrass – The Return of…

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It’s been a long while since I’ve written about a song from Supergrass’s Diamond Hoo Ha. In fact, the two songs I wrote about from that album, I don’t even like that much anymore. Been that way for a while. Supergrass are one of my favourite bands, hands-down, no question, though I have to say that the record – their final release before initially splitting up – is my least favourite of theirs. The songs aren’t bad, but they pale in comparison to almost everything the band provided in the years before. There’s something about its production that’s always never felt right to me. To a lesser extent, it just reminds me that we’ll never get another full-length release by the band again.

All right, so I may have said the songs “pale” just a few sentences ago. But there is one that shines amongst them. The track is ‘The Return of…’, the sixth song on there, closing out Hoo Ha’s first half, and I’ll state sincerely that it may be one of the best in Supergrass’s entire catalogue. This was my third most-played song on Spotify last year. I don’t know why the realization of its greatness happened so many years on, because I owned a physical copy of the album from its year of release. Sixteen years ago. Its “return of inspiration” chorus was one that had remained in my head for some time. But it may have only been a couple of years ago where I was sitting down, listened to the whole song with some good headphones, and thought, “Wow. This song is actually really good. What the hell?”

A production trick I do appreciate on here is how particular elements of the track are separated into the two channels. In the left ear, you have the drums and the rhythm guitar. In the right, you have the lead guitar playing the main riff. In the middle is Gaz Coombes’s vocals, the bass guitar and keyboards. So with whichever earbud/headphone you’re listening to the track with, you can get two separate experiences. That’s cool. In terms of mood and lyrics, the track’s a cheery, optimistic number. The narrator here is a nothing-can-get-me-down type of person, who’s never phased by unpleasant news in the papers or on the TV, by the unpleasant people they encounter, or even when they sustain an injury caused by falling down the stairs. An enchanting, dreamy chorus ties the verses altogether and it features a screeching saxophone solo in the brought-down instrumental break, which goes all crazy once Coombes starts singing again. It’s all fantastic. I should have known this for at least 15 years. But better late than never.

My iPod #421: Supergrass – Ghost of a Friend

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Sadly Diamond Hoo Ha, Supergrass’ sixth album released in 2008, turned out to be their last as the group’s four members from Oxford went their separate ways two years later. Although to me it doesn’t rank up there as one of Supergrass’ best albums, Diamond Hoo Ha still provides many moments of melodic joy and rocking tunes.

From what I can recall, the album was available to listen to on NME’s website before it was physically released and one of the songs I remember listening to around the time was “Ghost of a Friend”. I liked it then, and it remains a favourable track of mine from Diamond. Apart from being a straight up memorable song, what also made it stick in my head was the observation that it was sung, not by Gaz Coombes or Mick Quinn, but by the band’s drummer Danny Goffey making it the only track (I am sure of this) in the band’s discography where this occurs.

Although the song has a brisk and peppy quality to its sound – Gaz provides some backing vocals as does vocalist Jodie Rose – it is quite a sad one thinking about it now. It concerns a narrator who is visited by the…. ghost of a friend who takes him away from the ‘fools’ and ‘clowns’ that are dragging him down. Eventually it comes to the point where the ghost has to leave again, but the narrator upon seeing the ghost feels much happier than he did before. A bit emotional.

But this all shouldn’t come to mind when actually listening to the song. I also feel much happier after hearing it. In fact, to me it had the potential of being a single. It was not meant to be. But it is an underrated gem amongst the many others Supergrass already have.

My iPod #65: Supergrass – Bad Blood

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When I was thirteen in 2008, Supergrass was the band that I enjoyed listening to the most.

I got “In It for the Money” and their self-titled album as presents for my eleventh birthday, listened to them and didn’t think much of them. The songs just passed me by, you know? Except for “Richard III”, which was the only reason I got the former in the first place.

Using the free music-video service that was available on my TV provider (Virgin Media ftw) I watched all of their videos from “Mansize Rooster” to “St. Petersburg” and realised that the band’s music was one of the most enjoyable and exciting to listen to.

So it was no surprise that I was really excited and could not wait for the release of their then-new album “Diamond Hoo Ha”. Although I was quite disappointed in the first song that they promoted from it, the almost title-track “Diamond Hoo Ha Man“, it was “Bad Blood” that really got the heart pumping and the blood circulating.

The video played a big part in that feeling. You can watch the making of the video by clicking on this sentence. The weird camera shifting gave me a real sense of adrenaline, almost like being on a rollercoaster.

The song itself is a one of the highlights from the album. It’s a great release of energy after the first track. With quiter, chugging verses accompanied by a rip-roaring chorus, the song is one of the best from the Supergrass catalogue of the twenty-first century.

It’s a shame that this song didn’t do so well commercially, and “Diamond Hoo Ha” turned out to be the band’s final album after the members split in 2010. *sniff sniff*

Oh well, the music remains and the good times roll on.

Until tomorrow.

Jamie.