Tag Archives: dookie

#1072: Green Day – Pulling Teeth

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Green Day’s ‘Pulling Teeth’ gets a bit of an unfair deal. The sixth track on the band’s massive breakthrough major-label debut Dookie from 1994, it’s sandwiched by two of the trio’s most well-known and well-beloved songs (singles, too) in ‘Welcome to Paradise’ and ‘Basket Case’. Kinda sticks out like a sore thumb in its placement too, marking a sudden change in pace compared to the other songs that surround it on the album’s first half. But with all that being said, I’d still much rather listen to ‘Pulling Teeth’ rather than those other two. Would explain why there isn’t a ‘Basket Case’ post on here, nor will there be one for ‘Paradise’ either. I’ve just heard both too many times, you know? Sort of lost their power after a while.

The lyrics don’t leave much to the imagination. What you see/hear is what you get. And what that is is the account of a narrator who’s been physically abused by their girlfriend and is having a bit of an internal crisis about the whole situation. Inspired by a real-life incident where bassist Mike Dirnt broke both his elbows during a playful pillow-fight with an ex-girlfriend, the track takes things to the next level where this injury is caused on purpose leaving the narrator to deal with something of a bit of an existential crisis as they ponder on whether this relationship is really worth continuing with all the pain that’s bound to happen.

And despite the somewhat heavy subject matter, the track’s general tone is one of a relaxed kind that’s established from the very start with those dream-like, hazy guitar chords. They only alternate between two chords, but just the sound of them have this entrancing quality which I can’t pin down a cause to. Billie Joe Armstrong and Mike Dirnt pretty much harmonize throughout the whole track on lead vocals, and I can’t think of another Green Day song where this occurs. From what I know, it’s usually Mike Dirnt coming up with harmonies here and there. But for an entire track? Surely, this must be the only one. I’ve seen comments that commend it for its Beatles-like quality, which I guess I can see. Not sure about similarities to the Beatles myself. I hear an almost surf-rock influence in there, but I don’t know of any bands to base this opinion on. Whatever’s going on here, I’m all for it. Everyone will go for the big hits from Dookie, but from the majority of other posts I’ve done for the album on here, you can see I’m for the deeper cuts. And with that, you’ll never see Dookie here again. More Green Day though, for sure.

#762: Green Day – Longview

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‘Longview’ by Green Day has been in my music library for a long time now. The band were probably one of the first that I had a proper phase for when I actually found out about music and started learning new things about it. That was around the time of that American Idiot was released… so that would have made me a nine year old. Kinda crazy. When I was on Green Day’s website back then and trying to listen to more of their stuff, the video for ‘Longview’ was up on there. And this wasn’t when videos would just show up and start playing automatically. Windows Media Player had to open up, and if your connection wasn’t good – a lot of the time would just be spent waiting for the video to stop buffering so it would play fluidly. The way I put it doesn’t make it sound too different from how videos work today. In 2004, it really was. Don’t mean to make this sound like a whole ‘back in my day’ thing. Just gotta state the facts sometimes.

So by repeated watches of the video and listens of the song as a result, ‘Longview’ ingrained itself into my head and the imagery of feathers raining down on Billie Joe Armstrong as he sits still on his sofa enters my thoughts on rare occasions. The track still gives me the same rush it did all those years ago, particularly when those roaring guitars enter during the choruses. And overall it’s just a song that’s filled with great melodies from the famous bassline Mike Dirnt created while high on LSD to the Billie Joe’s wearisome vocal delivery in the verses. The song is about being bored, jacking off and getting high until the days are no longer fun. And you’ll think well that’s a bit juvenile. Sure… but it sounds great.

‘Longview’ was released as the first single from the band’s breakthrough album Dookie. I own a physical copy of that album. Have done since 2005. Something I hold dear. And it’s got Ernie from Sesame Street on the back. Apparently lots of copies exist which don’t have him on there because the record label were afraid of getting sued. The main reason I wanted to get the album was because I had read on a Green Day fansite that another song called ‘Chump’ comes before ‘Longview’ and it transitions into it seamlessly on the album. That transition is a highlight for many a Green Day fan.

#627: Green Day – In the End

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Sorry for the wait for any of you eagerly anticipating a post from here. I was at Lovebox Festival on Friday and Saturday. Have been gradually recovering since. I’m almost there.

‘In the End’ is the third track in that four-short-song-suite (as only I like to refer to it) that appears towards the end of Green Day’s 1994 breakthrough album Dookie. Preceded by ‘Coming Clean‘ and ‘Emenius Sleepus‘, ‘In the End’ concerns Billie Joe Armstrong’s feelings when his mother started dating a man who he wasn’t very fond of, as you can see in the song’s lyrics. It seems that he’s disappointed by his mum’s choice in choosing this person as opposed to practically anyone else and tells her straight that if this new boyfriend lets her down, he hopes he won’t be there to pick up the pieces.

I never properly appreciated the song until it was playable on Green Day: Rock Band. Next year that game turns 10 years old and I would be surprised if anyone remembers it. I reckon it’s quite easy to play on the guitar as its mostly based on two power chords with a bit of variation during the choruses but Mike Dirnt and Tré Cool are bossing it on the rhythm section, particularly on the instrumental section that separates the second chorus from the final one. It’s not very long so there’s not much to say about it; it is thoroughly enjoyable nonetheless.

My iPod #321: Green Day – Emenius Sleepus

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This is “Ememius Sleepus”, a song by Green Day on their classic album “Dookie“. It’s one that has lyrics written by the band’s bassist Mike Dirnt, and according to their Rock Band contains some of the most difficult drumming in a Green Day song. Being part of those four under-two-minute tracks near the end of the album, the track may be overlooked and underestimated by some. I actually really like this song. I don’t even have “Basket Case” on my iPod, that’s how highly I regard this track.

The track is from the point of view of a person who sees a childhood friend after a period of not seeing them. They have changed…. for the worst. The narrator is disgusted by this, and wants to go home. I haven’t experienced this as of yet, but I get the feeling that when I’m much older I definitely will. In the end, the narrator ponders on whether anyone tried to help the friend, but forgets about it and decides to actually go home.

So, like every other song on “Dookie”, there is probably only four/five chords on this song. All very typical on punk albums like “Dookie”. I think all the magic is in the rhythm section. Tré Cool goes ape on the drums as per usual as you can see in that Rock Band video above (even though doesn’t really represent real drums), and Dirnt plays his trademark bass lines where he plays on the low strings before skipping to a higher one for a brief second before returning to the low ones again. His playing during the bridge section is quite nice too.

It is a short track, that is very true. But I wouldn’t have it any other way. It’s just as important as all the other thirteen (fourteen?) tracks that accompany it on the album.

My iPod #150: Green Day – Burnout

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With two hits of the hi-hat and two quick rolls on the snare, “Dookie” explodes into life with its opener “Burnout”. The album was Green Day’s major label debut and the first words ‘I declare I don’t care no more’, however grammatically incorrect it may be, resonated with many a bummed out teenager of the nineties.

“Dookie” has been in my possession since Christmas 2005 but I never really appreciated it. I’d really only wanted it to hear the transition of “Chump” into “Longview” because I’d read on fan sites that the band liked to do that technique where songs seam into one another. I already owned “International Superhits!”, the band’s singles compilation, so why would I need to hear any more of their other stuff?

That was a bad mistake. In fact, it wasn’t until 2010 when I sat down and listened to “Dookie” the whole way through. The album’s inclusion on “Green Day: Rock Band” excited everyone, and it made me appreciate the instrumentation even more. I knew Tré Cool was a brilliant drummer, but I didn’t know he could do all those fills and rolls, and at such a pace as well. Overall, the songs were quite short but were satisfying in terms of their melodies, structure and quality.

“Dookie” is a fantastic album. Is it my favourite….? It’s up there. This song is one of the reasons why.

Also, next year celebrates the 20th anniversary of the album’s original release, so look out for any Green Day gigs near you. That might just start playing the whole thing in full!

Get Tré to sing “All by Myself”, people.

Jamie.