Tag Archives: electro-shock blues

#821: Eels – The Medication Is Wearing Off

Ah, this is a sad song. Listening to it the first time you might think it’s not too emotional, but knowing the context of it all adds some weight to it. Mark Oliver Everett, commonly known as ‘E’ and the main man behind the music of Eels, found himself to be the only surviving member of his family when both his sister and mother passed away within a short amount of time of one another. Him coming to terms with their loss became the main theme of the Electro-Shock Blues album, released in ’98, and ‘The Medication Is Wearing Off’ is the penultimate track.

The song sees E staring at this watch that he’s been given as a present by either his mother of sister (not quite sure which one) that’s still working and ticking away the seconds while both of his dearest relatives are no longer living. I feel that the song’s a blunt depiction of a person who really feels like they have nothing left. Going through the motions, walking down the street and looking through emails, but wondering what’s the point of it all when you feel so alone. You know that scene in The Simpsons where Homer’s mother leaves him again, and he sits on his car and stares at the night sky while the credits roll? This song is that scene.

The music’s so calming too. That glockenspiel that introduces it and those woodwinds that follow… Makes the whole track sound like a lullaby. Those programmed drums that keep the tempo are never intrusive and the bass is so warm. It’s not necessarily uplifting, though you can’t help but feel a bit good when listening to it. But then you see the lyrics and you think, “Oh”. It’s a conflicting thing. Obviously, you feel however you want to feel when you hear it.

#712: Eels – Last Stop: This Town

Mark Oliver Everett, known as ‘E’ by the majority of people, lost both his mother and sister in tragic circumstances leaving him as the sole living member of his family. Their passing were separated by only a short amount of time, and the sudden drastic change in E’s life became the subject of Eels’ second album Electro-Shock Blues.

‘Last Stop: This Town’ is one of the many songs from the album that are about his sister. In it, Everett makes up the wishful situation where his sister’s spirit appears to him and they fly over the city together for one last time before she leaves him for the final time. I think that’s also what is depicted on the album’s front cover. It’s a saddening matter at hand but still optimistic and beautiful in a way. The track though is up there as one of the record’s most upbeat songs. Co-written by Michael Simpson, known for being one half of the producing Dust Brothers duo, ‘Last Stop’ incorporates harpsichords, keyboarded choir backing vocals, and fat ‘GET DOWN’ DJ scratches that appear during the choruses. It’s definitely designed to be an alternative hit of some kind, with plenty of catchy hooks and great melodies to boot.

Though heartbreaking in its lyrics, the music remains very cheerful in its delivery. I can only suggest its the audio equivalent of making the best out of a bad situation. If that makes any sense.

My iPod #449: Eels – Going to Your Funeral Part I

Going to Your Funeral Part I is the second track on Electro-Shock Blues, the second album by the alternative band Eels. Recorded during a period in which several friends and members of frontman E’s family passed away, the album is regarded to be the band’s best work because of the brutal honesty and sincerity within each of the sixteen tracks on it.

Preceding this song is “Elizabeth on the Bathroom Floor“, a lullaby-like track with lyrics taken from E’s sister’s personal journal before she unfortunately ended her own life some time after. “Going to Your Funeral Part I” depicts the scene bluntly stated in the title after the tragic event. You’d think that coming right after it, it would only concern the funeral of his sister and that’s what we’re made to believe for the first and second verses, but it is only until the final verse which has E almost screaming into a megaphone about remembering an old friend he used to hang out with behind their old school.

Beginning with an ominous drone that pans from left to right and quickly fades out, the track then gets to a crawling start carried by an unsettling groove led by an intense but very slack bass line that oozes from one note to the other. E comes in with a light falsetto vocal after, but over the dark bass line and overall atmosphere still isn’t able to to make the track less dissonant than it already is. The style changes during the choruses where cute xylophones and backwards slide guitars enter the mix; those only appear for a short time before returning to the grungy sound again.

Only five minutes into the album, the listener is already provided with two tracks that sound the complete opposite to one another. Though the first hints at the unsettling feel with light music and heavy lyrics, “Going to Your Funeral Part I” really hits it home.

If you want to know why it’s specifically labelled as “Part I”, here is “Part II”.