Tag Archives: everything is

#1254: Nine Black Alps – Southern Cross

Nine Black Alps’ Everything Is is an album that I don’t think is known by a great number of people. But those of us who know recognise it’s really a very good one. Released in 2005 in the midst of the whole post-punk revival thing where bands like Bloc Party and The Futureheads were thriving, just to name a couple, the heaviness and angst Nine Black Alps presented in their music and throughout Everything Is immediately made critics mention Nirvana in their reviews. That might be an obvious comparison to some people. I’ve never really been able to see it. Maybe I’m just kidding myself. I’ve come to think the band were too different to the happening scene of the time, so the only way people would get prospective listeners to become interested would be to stick ‘Nirvana’ in their pieces and see where it went from there.

Whatever conclusions you draw for the album are all yours to keep. You can share them too, I wouldn’t mind. I’m pretty confident in my thoughts on it. On this site, you’ll see I’ve written about every other track from Everything Is. After this, there’s only one more left and that’s the full house. And again, people who know this album will know what song it is. But the focus today is on the album’s final track, ‘Southern Cross’. When I heard it the first time, I thought it wouldn’t have worked if it was anywhere else in the sequencing. I would have only been 12 years old at the time, but in the 12-year-old way I picked up on the sense of closure that’s brought about by the music and the lyrical sentiment. The song duration also mirrors that of album opener ‘Get Your Guns’, which is most likely a big coincidental happening, but I take interest in little things like that.

‘Southern Cross’ seems to be about the disappointment in being let down by “friends” and being taken advantage of. The struggle the song’s narrator feels in trying to take things on by themselves and ultimately failing leaves them in a state of helplessness, the song’s main refrain being a pained cry of “So what do I do?” A bit of a downer, sure. But it’s somewhat overridden by the emphatic guitars and general performance of the band, framed around the ascending/descending guitar riff that begins the song and also appears in between the first chorus and second verse. I dig how the bass guitar appears to be the loudest instrument you can hear during those riffy parts, cuts through the mix like a knife. And when you expect the melody to follow the route it has taken in the previous choruses, singer Sam Forrest raises it unexpectedly for the last one. With a firm crash, the song ends and the guitars ring out for a good 20 seconds, feeding back into a void of silence. It’s a great way to end a great album.

#1205: Nine Black Alps – Shot Down

2005’s the year I came to know Nine Black Alps. It’s a story I’ve told before, last time in the post for ‘Not Everyone’. But the summary is, couple videos appeared on MTV2, I wasn’t into them. ‘Not Everyone’ appeared on the radar. I really got into that. And then at Christmas, I got FIFA 06 and Burnout Revenge as presents. The band were on the soundtracks for both games. ‘Cosmopolitan’ on the former and today’s song, ‘Shot Down’, on the latter. Someone at EA Sports must have been a fan. And because of countless hours of playing both games on my part, singing along to either tune in the process, I eventually became one too. Still got my physical copy of Everything Is sitting on a shelf. One of my favourite albums, and I don’t think anyone knows about it.

To a ten-year-old, there’s not much more fun you can think of than crashing cars without having to consider the consequences. And that was essentially what Burnout Revenge was all about. The soundtrack was killer. You had the ‘Red Flag’ demo by Billy Talent which was always better than the final version. OK Go’s ‘Do What You Want’. ‘Helicopter’ by Bloc Party, which funnily enough was in FIFA 06 as well. I could go on. It was stacked. So many great hits. And it always felt so cathartic when you crashed into a car on a specific downbeat or emphatic moment in a tune. Oh, what a thrill. Those were the days, man. Getting choked up just thinking about it now. If ‘Shot Down’ appeared during a race or whatever, it never got a skip. It was another track that added to the pent-up energy the game already provided. I came to later find out that the song as it was in the soundtrack was censored by EA, with the mention of guns and killing sons being slightly altered. It’s funny to hear the EA version now. My mind was made up. I had to get the Nine Black Alps album that all these songs were on. And I did, wanna say a few months later.

‘Shot Down’ is the eighth track on Everything Is. The record up to that point is a whole heavy but melodic affair, bar for the one serene acoustic moment, and ‘Shot Down’ carries on the same feel. Some people listening to the track for the first time may get a sense of rhythmic displacement. Feeling like singer Sam Forrest begins singing too early or something. Explanation is, during the intro, the guitars are struck on the upbeat rather than the down. Knowing this, I can still lose the timing sometimes. Usual guitarist David Jones and then bassist Martin Cohen switched roles on this tune for whatever reason, but the results are still A1. References in the song regarding laying low, saving oneself, hiding guns and killing sons (like I said earlier) reinforce a feeling I’ve always had that the LP had a concept about living during wartime. There’s lots of other references of the like scattered in other songs on there too. So I’ve always thought ‘Shot Down’ is more or less part of that story. What that story is, I’m not sure. I could maybe tweet Sam Forrest about it one day. But I feel there’s a thread there. The music video for it, above, was also the first one the band ever made. So that’s a nice note.

#946: Nine Black Alps – Not Everyone

Back in 2005, Nine Black Alps released their debut album Everything Is. Now, I can remember being alive at that time, seeing songs like ‘Unsatisfied’ and ‘Just Friends’ being played on MTV2. I thought both tracks were all right, didn’t grab me too much. But I distinctly remember an advert promoting Everything Is showing up on TV, and a little clip of a music video by the band that I hadn’t seen before was used in it. That small clip turned out to be from the video for ‘Not Everyone’, and I liked it so much that I went to search for the full video. Luckily, the band had it on their official website. This is back when YouTube wasn’t existing. And when I found it, I repeatedly watched it on Windows Media Player, even if my old computer’s poor Internet connection meant that I had to suffer through long moments of buffering.

All these years of listening to it, I don’t think I fully know what it’s about. I don’t think there are any widely available interviews out there that could help me in telling you either. What I’m sure of though is that it doesn’t hold the most positive of sentiments. What drew me in initially was the riff during the intro. Once I got into that, there wasn’t much going back as it repeats itself through the song’s verses. Beyond the riff, I really appreciated how the instruments sort of played with one another. Like during the pre-choruses when the guitars drop out to let an emphatic strike of the tom-tom ring out. Or how during the verses, one guitar’s feedback will be blaring in one ear while the other guitar plays a riff in the other. Everything section has a smooth transition into the next, from intro to verse to pre-chorus to chorus and the same again, but it turns out that the track is heavy and quite intense, which makes it all the more awesome.

If it wasn’t for this track, I don’t think I would have became as big a fan of Nine Black Alps as I ended up becoming. ‘Not Everyone’ was great, that was clear. The two songs I mentioned in the first paragraph were up in the air. But then it turned out that Nine Black Alps would be in the soundtrack of almost every game by EA that was released later in the year. I’m exaggerating of course. But ‘Cosmopolitan’ appeared in FIFA 06, and ‘Shot Down’ in Burnout Revenge. It only made sense that I got the album, based on how many good times those games and songs brought into my life. Good decision too, ’cause Everything Is is a personal 10/10 of mine. Doesn’t feel like it’s aged at all.

#682: Nine Black Alps – Just Friends

‘Just Friends’ is the ninth song on Nine Black Alps’ debut album Everything Is. It was released as a single. I sort of remember the time it’s video was doing the rounds on MTV2, recalling how upbeat and light-hearted it was in comparison to ‘Unsatisfied’.

Turns out I’ve been mishearing this song’s lyrics for all this time, and as a result my initial interpretation of it has been thrown out the window. Originally I thought it was about two people breaking up and becoming ‘just friends’. It’s actually the opposite. What I thought was “now, in the long, we’re just friends” in the chorus is really “now we’re no longer just friends”. It’s about being heavily invested in a relationship and stepping up to the plate to make things work, but it’s all delivered in a very cynical, “meh, I don’t really care” attitude in the lyrics.

The track is two minutes and 15 seconds long, starting off strongly right from the start with a drum roll and its main riff, just as the cymbals from the preceding track on the album are beginning to fade out. It’s a song with high energy, great melodies throughout via the guitars and Sam Forrest’s vocal take. It’s another gem from a fantastic album that I’m grateful I actually own to this day.

#641: Nine Black Alps – Ironside

‘Ironside’ opens the second half of Nine Black Alps’ 2005 album Everything Is. Coming right after the acoustic track ‘Behind Your Eyes’, it’s a bit of a smack in the face and something just to say ‘right, back to what we were doing for the first five numbers’.

This album is a 10/10 for me. It really hasn’t lost its effect on me after thirteen years of owning it and listening to it. I’ve seen in places that people feel that the band where the Nirvana influence on their sleeves. I don’t get that. Nirvana has never come to mind when I’ve listen through. I’m sure there is a band from the past they sound like. And even if they do, there’s nothing wrong with that. Nine Black Alps do their own thing very well, and I don’t think they ever got better than their first record. I don’t have much to say about the song itself which is why I’m rambling on a bit. I think it may be about self-harming and having a bleak outlook on life in general. It’s a real rocker though. Quite intense.