Tag Archives: factory showroom

#1261: They Might Be Giants – Spiraling Shape

And continuing talk about They Might Be Giants songs that leave me wanting more, today’s song is ‘Spiraling Shape’, the ninth song on the band’s Factory Showroom album from 1996. The track is almost four minutes longer than ‘Spine’. But when it reaches its end where everything cuts to sudden silence, I usually think “I could listen to that one again.” And I usually do. When I first came round to listen to Factory Showroom, in about 2010 or something, ‘Spiraling Shape’ appeared to be one that fans considered to be their best according to the Song Ratings list on the the band’s fan-run Wikipedia site. In the top 20, I want to say, even back then. I won’t say it was an immediate hit on the first listen. I was probably being a dumb hater. Usually was at 15. But then it was those listens that followed that got me thinking, “Yep. This song is a good one.” Something along those lines.

Another TMBG number written by John Linnell, the track is about a little thing known as a ‘fad’ – an intense and widely shared enthusiasm for something, especially one that is short-lived; a craze. Thank you, Google, for that definition. And in the case of the song, this enthusiasm is for the titular subject. People see this spiraling shape, immediately stop what they’re doing and are drawn in to this hypnotising presence that looms before them, like lambs to the slaughter. Perspectives from the people who haven’t yet experienced the shape but have heard what others have said about it, those who did but were left disillusioned by it, and those who know they could even come to harm by being allured by it are told. And the melodies utliised throughout are oh-so sweet. “The spiraling shape will make you go insaaaaaane”, Linnell sings. “Everyone wants to see that groovy thiiiiiiiing”, Flansburgh replies. There are some pitched-up Linnell harmonies that show up to in the midst of it all. You’ve gotta love it. I know I do.

The song actually has origins as early as 1992. In that year, They Might Be Giants made a demo for the song ‘Rocket Ship’. Quite the groovy number about travelling in a rocket ship that may or may not crash during its journey. Linnell switches up his vocal during the verses to make it sound more unusual than normal. But then suddenly out of nowhere, the chorus that would end up being used in ‘Spiraling Shape’ starts playing seemingly out of nowhere. Two somewhat disparate sections brought together to make a whole. Linnell recognised the greatness he had achieved with this section, reserving it for use at a later date. The parts making up the verses were never used again. Maybe they will be one day. It’s looking more likely that they won’t. But just goes to show that if a complete song doesn’t seem to work, as long as there’s one memorable part within it, you can always recycle it to make it its own thing some time in the future.

#835: They Might Be Giants – Metal Detector

Here’s ‘Metal Detector’. Another song by They Might Be Giants, so soon after the last one. It’s found on their 1996 album Factory Showroom, their last on the Elektra label before they left and have sort of been an independent band ever since. I like Factory Showroom. I’ve always thought it was kind of a reaction to John Henry. That album’s almost an hour long and there’s a lot of horns and brass on it. I feel like Showroom put more of a focus on the band, and they dialled back the run time from 57 minutes to an easygoing 42. Only 13 songs on there too, which was peanuts compared to the number of songs They had on albums prior.

What I like most about ‘Metal Detector’ is that it’s essentially a song of choruses. There are only about two verses, even one and a half if you think about it. The rest is chorus, pre-chorus, kinda bridge over and over again. And it works, I don’t know what to tell you. The approach makes the song all the more memorable to me. It’s an easy one to sing along to, and the overall tone to its makes it seem like there’s some sort of mystery behind it. But it’s just a song about having a good time with a metal detector and going to the beach to find things under the sand. The group always have a knack for writing great songs about the most menial tasks. Or passionate hobbies, whichever way you want to look at it.

According to This Might Be a Wiki, this is quite a popular one among TMBG fans. It’s their 37th best song. The band haven’t ever played it live that much though. My guess would be that maybe the repetitive nature of the song just isn’t to the band’s liking, though that’s just a shot in the dark. Could have been a single for me. It’s nothing to think about too much.

My iPod #562: They Might Be Giants – I Can Hear You

I can’t vividly describe the first time I heard ‘I Can Hear You’. There was no situation I found myself in life where the song was playing on the radio and felt a wave of emotion. It just happened when I listened to Factory Showroom in full in 2010 or so. I can’t remember how I felt about the song on that first listen, though revisits to it revealed another noteworthy gem of the group’s within their illustrious discography.

The performance of ‘I Can Hear You’ was recorded at the Edison Historic Site in New Jersey on wax cylinder alongside three other songs on 27th April 1996, explaining the low audio quality of the track. Its thin sound also makes it quite hard to decipher what instruments are being played on it. All these years I never thought there was a bass being played in it, yet close listening made it much clearer. It also has quite a simple yet punchy rhythm to it which makes it that much enjoyable to hear.

The lyrics are sets of dialogue from other low-quality transmissions that you may come across in daily life, whether it be from a passenger in a plane calling a close friend from the sky to those intercom towers you order your food from at a fast-food drive-through. There’s a sad feeling I get from this song, I can’t explain it. There’s something about the sound of it and its cyclical nature – the ‘chorus’ at the beginning of the song comes back around at the end – that sometimes gets to me. It’s far from being one of the band’s best songs. Though I enjoy it a lot. Good tune.

The band replicated the recording process of the song as part of a Millennium special of Jon Stewart’s Daily Show in 1999. This version is just as good, if not probably better, given some string flourishes that enhance its effect.

My iPod #346: They Might Be Giants – Exquisite Dead Guy

“Exquisite Dead Guy” is a weird song. It’s weirdly mysterious and dramatic at the same time even though not a lot happens in it. The only overdubs present are those on Linnell’s voice, and apart from that there some cellos, a bass and drums for most of its duration. As a result the track sounds a bit empty, always feeling like something additional needs to be added. But I like it like that. Maybe that’s what attracted me to it.

There are some thories about the ‘exquisite dead guy’ in question being Jesus Christ, and the ascending ‘ba-da-ba’ vocal line is meant to represent Morse code. Those things go way over my head. The song is one ‘of admiration of a departed hero‘, so that’s what I’ll go ahead and see it as.

It’s quite the unconventional track. If the aforementioned ‘ba-da-ba’ scat vocals are the chorus, then those make up the majority of the two minutes the song lasts for. And when those stop Linnell, in a low register, sings about seeing this dead man wherever he goes. Things become surprisingly introspective during the middle part, but the song then returns to repeat the vocal line twice more before coming to an abrupt end.

On a side note, the ‘E’ section finishes tomorrow. Time has flown. What song is next? Wait and see.

My iPod #90: They Might Be Giants – The Bells Are Ringing

 

Hey everyone.

Again, I didn’t have time to make a post yesterday. Well I did, but I was too tired. I went paintballing you see. ‘Twas my first time too. I knew it would be painful, and it was my first experience of being shot at with something. It wasn’t too bad. It was much better than I thought it would be. The paint balls do sting upon contact, and I’ve got a few bruises here and there. I’m fine though. It was all good fun.

This is the first of the two I’ll do today. So here’s another by a favourite band of mine. Yeah, TMBG.

“The Bells Are Ringing” is the final track on the band’s last album from Elektra Records. “Factory Showroom” is the album’s name.

I first heard the song due to the LAUNCHcast radio/website that Yahoo! owned years ago, it came up randomly one of the genre-assorted radios that were available. I heard it that one time, and so forgot about it pretty quickly. YouTube didn’t exist that time, so to listen to a song in full for free on the Internet was a pretty hard thing to do.

I’m not a Malcolm in the Middle fan – I’ve never really watched the show before – but this song also featured in one episode called ‘Christmas’. For that, I just assumed that the song was a Christmas tune, but that’s only because of the mentioning of bells. Bells are something that are common at Christmas time, right? It’s doesn’t have anything to do with Christmas though. The subject of the song, in my opinion, is about this fad that’s caught on by everyone, with the fad being represented as the bells in the song. The bridge brings light upon ‘a girl with cotton in her ears’ who is oblivious to it, but people go on about it and then begins to appreciate it. It’s got a real ‘1984’ theme about it.

At the end of the song, everybody’s happy and those ‘bells’ (which are sung) keep on ringing amongst an increasing volume in marching drums.

I think it’s a happy song, but with They Might Be Giants I can never really be sure.

Coming back soon.

Jamie.