Tag Archives: fall out boy

My iPod #454: Fall Out Boy – Golden

“Golden” is the sixth track from Fall Out Boy’s 2007 album Infinity on High. The awkward de-tuning guitars during the fade out of “Hum Hallelujah” seem into the piano which plays the role as lead instrument in this track.

At two minutes and thirty-two seconds it is the shortest song on the album, though it is one of the more emotional ones on there being about the difficulties of living the glamorous lifestyle, being rich, having the fame, but still feeling worthless on the inside due to the inability to have a normal life outside of it all. It’s very sad. And Patrick Stump puts his heart and soul into his performance, aided by some soaring vocal harmonies during the last chorus.

The song songs very abruptly and unexpectedly giving way to a metronome that steadily ticks and ticks until it suddenly increases in pace. Then “Thnks fr th Mmrs” starts. That’s for another day.

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That’s me caught up then. Daily work will resume as of tomorrow.

My iPod #410: Fall Out Boy – Get Busy Living or Get Busy Dying

Honestly, I liked this track much more in the past than I do now. If I had the same attitude towards it like I did then, I would have provided the song’s full title, but that is just too much. I’m tired and burned out. Not to say that this track is bad, ‘cos I’m gonna write about it anyway. It has lost its effect on me, that’s all.

“Get Busy” is a very bitchy track. It appears to be from the perspective of a guy used for sex, and eventually dumped by a girl who he really had feelings for. The guy’s understandably pissed, but feels that justice is served when the girl’s ‘secret’ (what it is, we don’t know) comes out and rubs it in by telling her that the secret was shit anyway. He’s over her. She don’t matter no more.

I have always liked the music on this track. The palm-muted guitars add a very sinister tone to the song’s atmosphere, and the track also showcases Patrick Stump’s vocal talents. He doesn’t just sing on here, but he also (kind of) screams along with Pete during the bridge, adding a real harshness on his voice. It did take me a while that it actually was him who was doing that and not just a guest vocalist from another band they knew.

Pete Wentz also reads out a poem as the final chord is struck and fades out. To this day I don’t know what it’s about, but as he continues reading it his delivery rises in intensity as the guitar fades in again until coming to a sudden stop. That ending’s always made me feel a bit uneasy. But it’s a good lead in to “XO”. Very similar to what they did with “20 Dollar Nose Bleed” and “West Coast Smoker” on Folie á Deux.

A shame I don’t feel as excited by the song as I used to. But those were some good few years I had when I was.

My iPod #280: Fall Out Boy – Disloyal Order of Water Buffaloes

Fall Out Boy time. I listened to “Save Rock and Roll“. Wasn’t too great. And it was their first one after a four year hiatus. Disappointing. Everything sounded so manufactured and poppy, ironically. For me, “Folie à Deux” is the band’s best album. It’s their worst-selling one, which I don’t understand. If you haven’t listened to it, I suggest you should.

The album opens with this track “Disloyal Order of Water Buffaloes”, a song about imperfection with a title that is a reference to The Flintstones. I don’t get it either, but a lot of Fall Out Boy song titles are weird in that way. I’m not liking the way I’m sounding, I’ll get serious from now on.

The song is another great album opener out of all the ones I have on my iPod. It does use the same chord progression as “Baba O’Riley” albeit in a different key – that’s a random point I chose to throw in there. What I like about the track is how it never slows down or takes a breather for a bit. The track mostly revolves around the drums, played by Andy Hurley, changing in dynamics at various points like in the second pre-chorus where Patrick Stump continues to sing with sporadic multi-tracked vocals along with a noodling electric guitar, or near the ending when the “detox just to retox” refrain is chanted continuously. Plus, Patrick Stump absolutely kills it on the vocals. It seems like all the singing on the previous ones were all leading up to this particular one because here he is at his peak on every track.

“Water Buffaloes” is hard to describe if you couldn’t tell from my convoluted ‘summary’. It’s one of those that I knew was good on first listen. You can’t listen to it by itself though, it doesn’t have a proper ending. Listen to it along with the twelve other tracks that follow. That’s the best way to hear it.

My iPod #70: Fall Out Boy – Bang the Doldrums

Hi everybody.

Went and got my hair cut today. Looking fresh and clean. Ready for prom tomorrow. Can’t find my bow tie, but it’s okay. I’ll get through.

Today’s song is by Fall Out Boy. They recently released their new album entitled “Save Rock and Roll”, their first after a hiatus which started in 2009. I haven’t listened, but “My Songs Know What You Did in the Dark (Light ’em Up)” is a good one. Listen if you want.

“Infinity on High” is the album where “Bang the Doldrums”. That’s the first album of theirs that I bought too. Another one from Woolworths in 2008. “This Ain’t a Scene, It’s an Arms Race” was the first single released from it, and my sister went crazy about it when she saw that its music video was an exclusive on MTV2. She must have heard the song or something before the video was out, because I had no idea that Fall Out Boy were even about to release a new album, let alone a new song.

The band released three more songs from the album as singles, and I liked those sooooo much that I bought the album. I’m not being sarcastic, the songs are good.

I can’t tell you much about “Bang the Doldrums”. I have songs on my iPod where the melody and the beat is good, therefore making the song memorable and worthy for a listen when I’m not doing anything important. However, I will have no idea what the song is about because I haven’t learnt the lyrics but still able to join in with the chorus. “Doldrums” fits into that category.

From looking it up on the Internet though, the song is made up of phrases that were used in an old blog Pete Wentz wrote years ago, and quotes by a guy called Wesley Eisold.

Until tomorrow.

Jamie.