Tag Archives: faster

My iPod #489: Daft Punk – Harder, Better, Faster, Stronger

Daft Punk know how to make a track out of the smallest things. By sampling the first seven seconds of an 80s funk song, speeding it up, making the pitch a few tones higher, looping it and throwing in their own lyrics – a total of nineteen words used altogether – they created “Harder, Better, Faster, Stronger”, the fourth track from the duo’s 2001 sophomore album Discovery and one of their most popular too.

Took me a while to find this song. Initially hearing it when I was quite young, a brief few seconds of it played on an advert on the Disney Channel. The robotic vocal sounded like nothing I’d heard before but the trouble was I had no idea what it was saying – it may not have been saying anything at all. But it remained in my head for a long time. I can’t even remember listening to the full track for the first time because it’s just been one of my favourites for a while now, but I’m glad I found it.

It’s groovy, it’s funky, it’s repetitive, but not in the way that it will bore you after many listens. It always remains fresh.

Kanye West sampled it for his own use too, but it’s not the same.

My iPod #361: Manic Street Preachers – Faster

‘I hate purity, hate goodness, I don’t want virtue to exist anyway, I want everyone corrupt….’

Er… huh?!

Could you imagine how it was for me, after all these years of listening to post-Richey Manics, to actually sit down and listen to “The Holy Bible” for the first time? That album is not fun. It is very good. But if seeing the absolute worst in mankind is your thing, then “The Holy Bible” will be the best 56 minutes of your life.

No lies, I listened to “The Holy Bible” for the first time nearing the end of last year when Manic Street Preachers came to mind for some reason. Before then I’ve only known of the ‘A Design for Life/If You Tolerate This/You’re Not Alone’ Manics. The ones with the radio-friendly, festival anthems. So to say “Faster” was a change is a definite understatement. It took me a few minutes to get over what I had listened to.

What are essentially phrases, sentences and a few proverbs coined by Richey Edwards and Nicky Wire (mostly Richards) are placed with some of the most ferocious music that James Dean Bradfield and Sean Moore have written. The drumming by Moore seems to never end right until that final note, being quick on the bass drum with constant fills here and there and Bradfield melodically shouts at you against a two-note riff that symbolises uneasiness, fast rhythm guitars and loud licks and a terrifying solo before the coda.

This song is a bit scary and disturbing. I give it 10/10, good work.