Tag Archives: franz ferdinand album

#1330: Franz Ferdinand – Take Me Out

It’s tea time. That’s right. Back at it again for the ‘T’ section on a random Saturday evening (where I am, it could be morning for you somewhere or late night somewhere else). And it starts off strongly, I’d say. ‘Take Me Out’, I think, was the first song I ever heard by Franz Ferdinand. I think that might be the same for a lot of people. I have a memory of being slumped in a chair, guess I must have been either eight or nine, watching MTV2, and the “I know I won’t be leaving here’ section of the song was playing alongside the repeating visuals of the music video near its end. It left an impression. The band name showed up, ‘Franz Ferdinand’. Thought it sounded pretty cool. ‘Matinée’, the next single, was where I really became interested in them. ‘Darts of Pleasure’ was the band’s first single officially. But with ‘Take Me Out’, the band became a household name in that British post-punk revival scene in the ’00s and the track became one of the biggest indie dancefloor anthems.

And, I think again like many others, when I heard the song in full for the first time, I was wondering how its beginning worked its way into sounding like it did at the end. Because the track begins in a totally different direction. Well, according to singer Alex Kapranos, he and fellow guitarist/bandmember/songwriter Nick McCarthy, who isn’t in the band anymore, were working on the song for sometime. They were trying to work out the structure and found that the verse/chorus/verse type structure wasn’t working. They would have to change tempos when going from one section to the next, which just didn’t sound right. Eventually they decided to lump all the faster verses at the beginning and put the slower choruses at the end, transitioning them together with that gradual slowing down in tempo around 50 seconds in. Or rallentando for you music theorists out there. That’s probably the best part of the song there. That tempo decrease marks that build in anticipation for what comes next.

What comes next is hook after hook after hook, as I sort of said earlier, usually accompanied by that widely recognisable guitar riff. They play it live, everyone sings the riff. It’s just how it goes. As to the lyrics and what it’s about, well, there’s a nice little podcast where Kapranos and bass guitarist Bob Hardy discuss these topics. I listened to it a while back, so I can’t remember exactly what was said. But I seem to remember Kapranos saying he took inspiration from a film of some kind, or a certain type of film made by a certain director. You’d better listen to the thing yourself. But just on the surface, without going too deep, you hear the words ‘Take Me Out’, I’d say you’d either there’s a romantic sentiment or a violent one. Like an assassination or something. And that would be neat with the band being called Franz Ferdinand and everything. I think it’s a little bit of both.

#837: Franz Ferdinand – Michael

Franz Ferdinand’s ‘Michael’ is a song about a guy wanting to make out with the titular character. The chorus gets quite descriptive about how he wants to do so. I could see why people could get turned off by it, because some people are just like that. They don’t like the gay. I’ve always enjoyed just because… I mean, it’s just a good song. It’s hard not to sing along to even knowing what it’s about. A lot of times for me the subject of the song is irrelevant initially, but the delivery always matters. And the delivery here is killer.

Those guitar lines that start the track straight away will grab anyone’s attention.Hook’s good, those verses are sweet. Great vocal take by Alex Kapranos, he’s got that sensual thing going at some points with a more direct approach during the choruses. And former guitarist Nick McCarthy sings this countermelody during those; I can’t tell what he’s singing. “Hey yooou/Heyy ???”. Still trying to figure it out to this day. More often than not, I sing along to that more than Kapranos’ bit.

Some time last year I found myself repeatedly watching its music video. I went on a little Franz Ferdinand binge for a bit after the band had a Twitter listening party for their first album. Now, I was alive and kicking when this track was released as a single back in 2004 and its video was being shown on MTV2 and stuff. But I was never as creeped out by it as I am now having properly watched it. Why does Michael have his arm yanked off near the end? Why do the band grow all these extra limbs? Which head of Nick McCarthy’s am I meant to be looking at? The one on the left looks lifeless, but for split seconds it raises its eyebrows and mimes the lyrics. A really random ending to a video that seemed quite harmless for the majority. It still manages to capture the manic delivery of the song’s ending itself, which is probably my favorite part. Kapranos goes crazy in that last minute.

My iPod #242: Franz Ferdinand – Darts of Pleasure

This is no mistake. I have no song by another artist between this one and yesterday’s, so here’s Franz Ferdinand again. This time with “Darts of Pleasure”, another track from their debut album. It was actually their first single, months before anyone would know about “Take Me Out”, and just missed out on a Top 40 place reaching #44 in the UK singles chart. The song itself is about the use of words to seduce somebody. The words are the darts of pleasure.

I can’t exactly remember when I first saw the video for “Darts”, but I have a feeling that the other singles from the album had already been released before I saw it on MTV2. It seems to be on a low budget compared to their later videos which is standard as it was their first single. In it, the viewer sees life from the point of view of Alex Kapranos’ mouth where various antics occur. It’s funny or icky depending on how you look at it.

The best part is definitely the coda with the German lyrics during the final minute, why the band chose to use it we’ll never know but I’m not complaining.

My iPod #241: Franz Ferdinand – The Dark of the Matinée

 

“The Dark of the Matinée” was the second single from Franz Ferdinand’s debut album, released in February 2004.

According to Kapranos, or what I could make from him before he introduced this song at a festival, the track is about skiving off school and hiding away in the shadows of the matinée. Every music channel showed the song as simply “Matinée” which is (I’m guressing) what everybody generally calls it. Maybe even some Franz Ferdinand fans if they’re too occupied to say the full title. Either way it is the same song, but it is the darkness of the matinée which is being specified that is being established as the hiding place, and not just the building itself.

Whatever.

It is remarkable to think it has been ten years since I first heard this. This was one of my favourite songs at the time. I thought the video made the song even better. The ‘robotic’ choreography, Alex Kapranos’ fringe and the huge painting of Terry Wogan during the final verse. I had daydreams of being in a band and making a video like it. I wanted Looking at it now makes me want to that eight years old who would wake up early in the morning to watch MTV2, actually watch music videos and discover bands for the first time all over again.

It wasn’t as successful as “Take Me Out”, which I’ll get on to ages from now, but to me it certainly brings back some good memories.