Tag Archives: funeral

#901: Arcade Fire – Neighborhood #3 (Power Out)

With all that I said a couple days ago about ‘Neighborhood #2’, ‘Neighborhood #3 (Power Out)’ is a complete banger, for lack of a better word. Was the first Arcade Fire song I ever heard. Though it was with some hesitance. There was some time in 2005 when its video was playing almost every day on MTV2, and me being nine/ten at the time would usually change the channel whenever that first shot of the video came on the screen and the music started playing. I’d usually try and find other videos to watch instead. But a day came when I decided to see what ‘Power Out’ was all about and why it was taking so much airtime. I pretty much understood after that.

The animated music video shows a bunch of hooded youths cutting the power lines in a city, who are then chased by a group of smartly dressed men. One by one, the men are taken out by the youths culminating in the final man who dies quite brutally by electrocution. The movement of the characters and shot changes match the rhythm of the track, which made the experience of both watching and listening all the more thrilling. But overall, the music just sounded so dramatic and forceful. It begins with all the momentum of a freight train on the tracks and doesn’t really let up until its final chord. Win Butler’s vocals are off the wall. I’ve always liked his delivery in this one. I had no idea what he looked like because the band don’t appear in the video, but it sounded like someone who knew how to put their all into a vocal performance. Funeral had been out for months by that point, so I’m sure a lot of people figured out how good the band were already. But as the introduction to the band that it was for me, it did more than enough to show that the music required attention.

The track’s lyrics were inspired by an actual ice storm in Montreal that left the city out of power for weeks, and the verses depict these of people worrying, celebrating or not caring so much while in this situation. But it brings it down to this real human, emotional level with the “something wrong in the heart of man” sections. I couldn’t tell you what those sections are referring to, but they always make me feel a bit sad inside. Like a lot of songs that I was introduced to around that age, I’ve never gone out of the way to look too deep into the meaning of it. It’s been one of those songs that’s just always been there and existing. I’m very sure though that the core meaning of this track comes in those sections, where it’s all meant to come together. It’s beautiful stuff.

#900: Arcade Fire – Neighborhood #2 (Laïka)

As a casual Arcade Fire fan and something of a follower of reception to indie albums, I think I’ve picked up the general feelings about the four “Neighborhood” songs that are on the group’s Funeral album. A record that I think I read changed the shape of indie upon its arrival in 2004. ‘#4 (7 Kettles)‘ is the one no one talks about that much. Many people may like it, but it’s not seen as the best. ‘#1 (Tunnels)‘ and ‘#3 (Power Out)‘ are the classics, with the former generally regarded as the better of the two. So that leaves ‘#2 (Laïka)’ as something of the middle child. The dark horse. It’s appreciated, but probably doesn’t get the attention it deserves. In my case, it’s my personal favourite out of all four.

The track tells a story of Alexander, the oldest brother in a family who leaves home, goes out into the world and purposefully erases his memories of his loved ones who still wish him the best out of that unconditional love that comes with being a family. From the perspective of the younger sibling who acts as the narrative voice compares their brother’s disappearance to that of Laika, the dog that was sent into space by the Russians and died while own its own great adventure. It carries on the themes of family and the idea of ‘the neighborhood’ introduced in ‘Tunnels’, but takes a darker turn from that by touching upon abandonment too.

There are just a lot of musical moments that happen here that draw me to it more compared to the other three ‘Neighborhoods’. Coming straight after ‘Tunnels’ which ends on a beautiful, somewhat strident note, ‘Laïka’ sets the tone with an omninous tom-tom driven drum pattern that’s then joined by jangly guitars, I want to say a xylophone (it’s one of those percussive instruments), and that short melody on the accordion that’s pretty much the anchor of the whole song. A double-tracked Win Butler sounds like he’s singing through a megaphone, like he’s some big announcer telling this story to us. The violins in the choruses add this tense urgency and add to the chaos when the vocals become more intense in the “Older brother, bit by a vampire” verse and culminate in a yelling delivery from Régine Chassagne. Overall, it’s one of those tracks where you can pick out new things each time you listen to it. Like those whistles during the ‘police disco lights’ section. What are those all about? Didn’t need to be there, yet I can’t imagine the song without ’em. A non-‘Neighborhood’ track follows this one on the album, and probably for good reason. Those first two really take it out of you.

My iPod #523: Alexisonfire – “Hey, It’s Your Funeral Mama”

The video isn’t really eight and a half minutes by the way. Someone messed up on their part.

I think this song is awesome simply because it is about go-karting.  I have never heard of another song which touches upon the subject, even if there was it would never come close to topping this one.

“Hey It’s Your Funeral Mama” is a song from Alexisonfire’s second album Watch Out!, released in 2004. Why that’s the song’s title I couldn’t tell you. I have the feeling it may be taken from a film, or may have sprung up in a conversation between a band member and their friend. We’ll probably never know. The hilarious music video has nothing to do with the subject matter either. Alexisonfire hold auditions for Alexisonfire clones so the real band can take a break while the clones do their shows for them. It’s a good watch.

Alexisonfire songs always get me pumped up and motivated even if I’m not planning to do anything active. “It’s Your Funeral” is no different. Straight from the beginning, the alternate muted and power chords give off the sound of engines revving up before racing off as soon as the lead guitar line enters the mix. Overall, the guitar playing is sick. And slick. Kudos to Wade MacNeil and Dallas Green. But the highlight throughout the whole track is the interplay between MacNeil, Green and lead screamer George Pettit’s vocals. One guy will be singing their heart out in one line before the other abruptly comes out of nowhere to scream the next. A very hard to sing along to by yourself, for sure.

A really enjoyable song in the long run. Something to thrash your arms about and go wild to.

My iPod #449: Eels – Going to Your Funeral Part I

Going to Your Funeral Part I is the second track on Electro-Shock Blues, the second album by the alternative band Eels. Recorded during a period in which several friends and members of frontman E’s family passed away, the album is regarded to be the band’s best work because of the brutal honesty and sincerity within each of the sixteen tracks on it.

Preceding this song is “Elizabeth on the Bathroom Floor“, a lullaby-like track with lyrics taken from E’s sister’s personal journal before she unfortunately ended her own life some time after. “Going to Your Funeral Part I” depicts the scene bluntly stated in the title after the tragic event. You’d think that coming right after it, it would only concern the funeral of his sister and that’s what we’re made to believe for the first and second verses, but it is only until the final verse which has E almost screaming into a megaphone about remembering an old friend he used to hang out with behind their old school.

Beginning with an ominous drone that pans from left to right and quickly fades out, the track then gets to a crawling start carried by an unsettling groove led by an intense but very slack bass line that oozes from one note to the other. E comes in with a light falsetto vocal after, but over the dark bass line and overall atmosphere still isn’t able to to make the track less dissonant than it already is. The style changes during the choruses where cute xylophones and backwards slide guitars enter the mix; those only appear for a short time before returning to the grungy sound again.

Only five minutes into the album, the listener is already provided with two tracks that sound the complete opposite to one another. Though the first hints at the unsettling feel with light music and heavy lyrics, “Going to Your Funeral Part I” really hits it home.

If you want to know why it’s specifically labelled as “Part I”, here is “Part II”.