Tag Archives: goes

#1232: The BPA ft. Olly Hite – So It Goes

It’s been a while since Norman Cook, mostly known to you and me as Fatboy Slim, released an album. The producer’s fourth LP Palookaville was released back in 2004, and that’s still his most recent one to this day. Under the Fatboy Slim name that is. What I don’t think a lot of people know is that in 2008, he and good friend Simon Thorton got together, recruited a number of artists and musicians and made an album with ’em entitled I Think We’re Gonna Need a Bigger Boat, under the moniker of ‘The Brighton Port Authority’. The BPA for short. But to make the whole affair a little more interesting, the story was invented that the album was actually a compilation of recordings made in the ’70s that had been long-lost until they were found in a box next to a warehouse that was in development. Quite funny when you realise most of the guests on there probably weren’t born until a decade after.

…Bigger Boat is bookended by two covers. As it begins with Iggy Pop singing The Monochrome Set’s ‘He’s Frank’, it goes on to end with ‘So It Goes’, a take on the Nick Lowe original, sung by Olly Hite. While that Lowe original contains more of a rollicking, swinging ’70s power pop feel, the ‘So It Goes’ by the BPA and Olly Hite goes for the warm and intimate approach, similar to that you’d find in an NPR Tiny Desk concert or something. Hite sings alongside a tastefully played Rhodes piano that mirrors the chord progression of Lowe’s guitar in the original. The idea that it’s being performed live is reinforced by the cheering, handclaps and adlibbing by various people in the background, who then go on to applaud Hite as he sings the final words and steps away from the microphone. Other Norman Cook/Simon Thornton production tricks occur throughout, but not so much that they get in the way of the bittersweet end-of-the-night, time-to-go-home mood the track gives out.

According to Lowe, the song isn’t about anything much and is just a bunch of interesting words strung together, though was influenced by Thin Lizzy’s ‘The Boys Are Back in Town’. Though if you want to try and get something out of it, the three verses respectively describe scenes at a music show, a political meeting in the Twin Towers, and I think the embrace between a couple of some kind. With the chorus stating “And so it goes, but where it’s going no one knows”, maybe the whole track’s a comment on how these things happen in life, life goes on until you die, and what happens after death is anyone’s guess. Whereas the original fades out on the lyric, here Hite turns the words from “no one knows” to “I don’t know”, switching the perspective around to leave the album on a sweet, personal note. It looks more and more unlikely that Norman Cook will make another album again. But if this were to “his” last song… for the time being, I wouldn’t be too mad at it.