“Gold Soundz” may just be Pavement’s poppiest moment ever to be recorded and released. Found in the middle of the great Crooked Rain, Crooked Rain, it is positioned after the wild rocking of “Unfair” and precedes the jazzy and experimental “5-4=Unity” but finds the perfect middle ground to provide one of the band’s most lighter, softer and easy listening tracks in their wide catalogue of astounding music. I am a Pavement fan, so I might have a bit of a bias opinion on this stuff.
In terms of the mix, the track is very treble heavy. The bass guitar and drum pedal are present are audible but are pushed back putting the focus on the guitars and various cymbals with Stephen Malkmus’ voice right in the middle of it all. Malkmus sings continuously, his lyrics roll right off the tongue from the first verse and straight into the chorus without any sign of effort, though they may not mean anything in particular they still manage to make a lot of sense in a way coming off quite confusing but beautiful in the process.
Took me a while to get into “Gold Soundz” though. Not really sure why. But I can’t help but feel happy when I hear it from time to time.
I also remember the first time I heard “Gold Lion”, and the second time, the third, the fourth and so on….. The music video for it was repeated upon every hour one day in 2006, because Yeah Yeah Yeahs were back and it was the group’s brand new single from the forthcoming album Show Your Bones. At the time, the band hadn’t released an album since their cool 2003 debut Fever to Tell. Of course I didn’t know that. As a result, “Gold Lion” is the track that properly introduced me to Yeah Yeah Yeahs. (Though I have a feeling I might have heard “Maps” somewhere before.)
And so “Gold Lion” starts the album off with a lone “We Will Rock You” drum pattern that lasts for seconds before Karen O’s vocals and acoustic guitar of Nick Zinner enter the mix. The song carries on and builds as electric guitars and keyboards are introduced, the drums become more free-flowing with busier execution leading into the track’s wordless refrain and the following instrumental breaks. All in all, it sets the tone for the rest of the album and was a good way to mark a return of a killer group.
The track’s okay. Never thought about its meaning. But I like it. Reminds me of being in Year 6 again.
With “All Day” circulating the Internet in its official form and the forthcoming album So Help Me God over the horizon, it seems like 2015 is gonna be another busy year for Kanye West. “All Day” is hot fire. Gets me pumped hearing it. Looking forward to the album too. But today’s song comes the rapper’s second studio album Late Registration, released ten years ago this coming August. What the hell.
I remember hearing “Gold Digger” for the very first time. And this isn’t me just saying it, this is something I can vividly recall. Coming back from London Heathrow after the holiday to Belgium, the ‘premiere of Kanye West’s brand new song’ was the main subject on Radio 1. It played. I didn’t think much of it. I was ten, I wasn’t really focusing on it that much I just wanted to get home. My sister, on the other hand, loved it. She was ecstatic. What excited her more was when the music video (as can be seen above) was eventually played on MTV Base weeks later. Those were good times. She then went to Woolworths to buy Late Registration due to boredom when a power cut occurred in our local area. Life went on from there.
“Gold Digger” is one of Kanye’s most popular songs, though you won’t see him performing it anytime soon. He’s very serious about work at the moment. More so than usual. If you haven’t heard the track I dunno where you’ve been in this life. Unless you were born five years ago or something.
Memorable lines are spat, Jamie Foxx imitates Ray Charles, the song is filled with the humourous wit he displayed in his first two albums. Overall, it’s just catchy and funky as anything. Honestly, I don’t know what else to say.
Well, it may have lost its touch due to being replayed immensely over the years. But you still can’t deny its greatness.
I am going to say something that will irk a lot of Pavement fans. But “Terror Twilight” is my favourite Pavement album. I said it, what.
The record gets a lot of scepticism by the majority of Pavement fans for many reasons. Reasons that I would try to list here, but would end up typing them very vaguely so you probably won’t understand. Basically this is the band’s last album, made at a time when relationships within the band were deteriorating. I think a lot of people sense that from the album’s sound. Stephen Malkmus’ vocals sound quite lacklustre and lack conviction, there wasn’t an “Unfair” or a “Two States” type song on there. In fact the writer of the latter, Scott Kannberg the guitarist and other songwriter in the band, didn’t get one song on this album. He had at least one song on the previous four albums. Thing’s weren’t looking good. Would Pavement split up? Their split later in 1999 answered that question.
Despite all that, I simply adore this album. It has such an airy, dream-like atmosphere about it. No doubt that is due to the production of one Nigel Godrich, who you may or may not know as the producer of most of Radiohead’s albums. Nothing sounds rough; all the songs are very soothing and pleasing to the ear. Yes Malkmus wrote all the songs, the songs sound too polished, Malkmus sounds bored but you know…. GET OUT OF HERE. I DON’T CARE. “Terror Twilight” forever.
That’s my album review. Now for the song.
So, “Cream of Gold” is the fourth song on “Terror Twilight”. It did take a while for me to eventually like this song enough to put it on my iPod. I didn’t just put it on there because “You Are the Light” segues into it when you listen to the album. I did grow to appreciate the song for its coolness.
I have no clue what the song is about. The lyrics are very abstract. Even the song title is just a longer way of saying “Beige”, which I only figured out a few weeks ago. I think it’s about some sort of bad relationship of a couple, and the narrator knew from the start but he still suffers through it.
Musically, it’s very gloomy. It rocks, don’t get me wrong. This isn’t some emo, goth type song or whatever. The songs starts to play when you’re outside, it’s really dark and you beginning to worry about your own safety. That happened to me some time ago when I was walking back to my house….. But the track just suits that type of atmosphere. It has quite a threatening tone to it.
The guitar tuning is not the ‘standard’, which Pavement were known to do for many songs from their albums. After two verses, two choruses and a few repeats of the last line of the chorus, Malkmus busts out a solo and repeats a phrase about six times before the track falls apart with some feedback. Not in a bad way to end. Good stuff.
The Music in My Ears 