Tag Archives: green day

My iPod #309: Green Day – East Jesus Nowhere

Watching the World Cup and then going on to do nothing but browse the Internet after almost made me forget that I had this to do. If you are watching the football, how’s your team doing? Both teams that I were supporting are both out now which smells, but I will of course carry on viewing the action.

So today’s song is “East Jesus Nowhere”, a track and a single from Green Day’s album “21st Century Breakdown”. Not my favourite of the band’s for reasons that have probably been covered in other reviews that you can read elsewhere. For me, the whole ‘concept’ is a bit too much; I still don’t really understand it now but I never tried to in the slightest. That’s just one thing; I won’t go much into the rest.

“East Jesus Nowhere” is an ‘anti-religion’ song inspired by Mike Dirnt’s displeasure on witnessing a baptism in a church filled with ‘hypocrisy and hatred’. Billie Joe himself said to The Sunday Times that “the never-ending hypocrisy of religion, all those snake-oil-salesman types, and that subliminal thing of threatening people and ripping away their individuality.” Can’t ask for more than that really.

It’s a track I don’t care for that much. Sounded good back in 2009, but now….. ehh. It’s alright.

My iPod #264: Green Day – Desensitized


The hours have rushed by, haven’t they?

I am now back from my venture to Liverpool for the weekend, and it is time for the first of two posts.

First up is “Desensitized”, a song by Green Day which was recorded whilst the band were working on “Nimrod“. Apparently, they didn’t feel as if it was the best to come out of those sessions. It wasn’t released on the album, but as a B-side on the “Good Riddance (Time of Your Life)” single. However, Australians and the Japanese are fortunate to have it on their versions of the album. It later got released on the bands B-side compilation “Shenanigans” which came out in 2002.

I’d never listened to “Shenanigans” before and one day decided….. that I should. Out of the fourteen tracks on there, I only really like four of them including this one. It isn’t amazing. You can tell why they didn’t make it onto their albums they were recorded for. “Desensitized” had the potential more than most of the others.

Mike Dirnt, the band’s bassist, completely beats the crap out of a lot of things with a baseball bat for the first twenty seconds or so. I don’t really understand why, but the sounds of various items breaking upon the bat’s impact segues into the song’s main riff – one that alternates between G and C (I believe) starting and stopping to allow Billie Joe to fill the silences with the vocals. That’s just the verses though. Listen to the song, if you like it then you’re welcome.

My iPod #253: Green Day – Deadbeat Holiday

 

“Deadbeat Holiday” is the seventh track on Green Day’s sixth album “Warning”, released in 2000. The album is one of Green Day’s ‘softer’ albums with less of a punk rock oriented sound and incorporating more acoustic elements (thank you Wikipedia). For this reason, it is not one of the band’s most acclaimed albums. But at a time when punk rock was not as big, it showed that the band were able to look in a new direction.

For myself, “Warning” was the last Green Day album I listened to. The Green Day:Rock Band had recently come out and the only albums of theirs I physically possessed (and still do) were “American Idiot“, “Dookie“, “Smoothed Out Slappy Hours” (which is quite a strange choice looking at it now) and the “International Superhits!” compilation, which I got way before realising that compilations are not the way to go. Buy original albums, people.

“Minority”, the title track, “Waiting” and “Macy’s Day Parade” were tracks that I had heard when I initially started listening to Green Day about ten years ago. They were singles, and their videos were available to watch on the band’s website. It was only the album tracks I had to go through now, and “Deadbeat Holiday” was another that was rather enjoyable. It’s about living an empty life and feeling miserable which isn’t so great, but the narrator’s knowledge that they are not alone in this situation is somewhat of a comforter. It is very poppy though, which does lighten the mood.

My iPod #186: Green Day – Christian’s Inferno

 

I thought “21st Century Breakdown” was a real bore of a first listen. Being available as an exclusive on we7.com, when the site was actually useful, I took the opportunity to hear Green Day’s new album. It was their first in five years, you know.

But I didn’t think it was too great. At least from what I can remember anyway. I already didn’t like “Know Your Enemy” – thought that was quite a disappointing first single – and I wasn’t amazed by anything much on the album. Everything sounded the same production-wise.

I did download it eventually later on in 2009. Feelings improved a bit. I still didn’t think it could be regarded as one of the band’s finest albums though. But the number of songs I was able to memorise did increase.

Then Green Day: Rock Band came out the following year, and that helped me a lot to work out the melodies and ‘guitar patterns’ of the whole album. It made me appreciate the album that bit more.

I am still very confused about what the concept of 21st Century Breakdown is. I probably mentioned this in a previous post. Still not quite sure who Christian and Gloria are, or what they are meant to represent. I am not sure why Christian is so full of wrath in this particular track either.

“Inferno” is a belter though. Not one of the best tracks on the album, with a repetitive chorus and theatrical, maniacal laughter by Billie Joe which doesn’t have any emotional effect on me whatsoever. But…. I don’t know, it’s just something to jump around and go crazy to when no one’s around.

My iPod #150: Green Day – Burnout

 

With two hits of the hi-hat and two quick rolls on the snare, “Dookie” explodes into life with its opener “Burnout”. The album was Green Day’s major label debut and the first words ‘I declare I don’t care no more’, however grammatically incorrect it may be, resonated with many a bummed out teenager of the nineties.

“Dookie” has been in my possession since Christmas 2005 but I never really appreciated it. I’d really only wanted it to hear the transition of “Chump” into “Longview” because I’d read on fan sites that the band liked to do that technique where songs seam into one another. I already owned “International Superhits!”, the band’s singles compilation, so why would I need to hear any more of their other stuff?

That was a bad mistake. In fact, it wasn’t until 2010 when I sat down and listened to “Dookie” the whole way through. The album’s inclusion on “Green Day: Rock Band” excited everyone, and it made me appreciate the instrumentation even more. I knew Tré Cool was a brilliant drummer, but I didn’t know he could do all those fills and rolls, and at such a pace as well. Overall, the songs were quite short but were satisfying in terms of their melodies, structure and quality.

“Dookie” is a fantastic album. Is it my favourite….? It’s up there. This song is one of the reasons why.

Also, next year celebrates the 20th anniversary of the album’s original release, so look out for any Green Day gigs near you. That might just start playing the whole thing in full!

Get Tré to sing “All by Myself”, people.

Jamie.