Tag Archives: guerrilla

#1341: Super Furry Animals – The Teacher

Guerilla was the first Super Furry Animals album I ever checked out. One time, when I was about ten or something, I was watching MTV2 when the video for ‘Do or Die’ came on. That is the second song on Guerrilla and was released as its final single. And I thought it sounded cool. That was in 2005 or something. But life happened, and it wasn’t until seven years later that I remembered the song existed. I revisited it, it sounded as good as I remembered, and I went on to listen to the rest of the album as a result. I have this headcanon that, with the new millennium fast approaching and a little uncertainty in the wind, some artists were compelled to just do some of their most out-there work in the last couple years of the ’90s to leave a mark before the world possibly ended. You check out what albums were coming out around ’98 – ’99 and you might see what I’m saying. Well, Guerrilla always gave me that kind of feeling in that, up to that point, it was certainly their most experimental effort.

On the album, you’ll get a song in the style of calypso (‘Northern Lites’), another made to be one of those novelty hits in the charts that are a little annoying but can’t help but love (‘Wherever I Lay My Phone’), a little dip into electronic, downtempo music (‘Some Things Come from Nothing’). There’s a whole lot of variety. So when ‘The Teacher’ comes along in the album’s final legs, it kind of throws you off just because, since ‘Do or Die’ many tracks earlier, the album hasn’t offered a lot of straight rock and roll, but here it is again with ‘The Teacher’ just in case you forgot that the band could still rock out from time to time. And how well they do it too. With a melody that’s sounds very much like one you’d hear in the school playground back in the day, Gruff Rhys and co take on the perspective of a teacher who wants to quit their job, run away from home and just write songs and be in a band. Until now, I thought it was from the point of view of a young student. It could still very well be both.

Now, this track is a lot of undisputable fun. Gruff Rhys starts the track off by screaming alongside the keyboard, screaming that continues underneath the song while it’s going on, and that energy is matched and never lets up as soon as the rest of the band join in for the first verse. Someone, I think Rhys himself, sings along the main melody an octave higher. There’s generally a lot of high-pitched harmonies and vocal deliveries all around, adding to the manic hyperactivity of the proceedings, which I think is summed up in the “La-la-la-la” refrains. Slotted in between the trippy ‘Door to This House Remains Open’ and the balladry of ‘Fire in My Heart’, ‘The Teacher’ continues the eclectic mixture of styles the entire album builds its ground on. It is a straight rock-n-roller, but in the context of the album it arrives as a sort of refreshing moment. I’m all for it. Listen to Guerrilla, everybody.

My iPod #282: Super Furry Animals – Do or Die


After coming downstairs in the early hours of the morning, switching on the television and changing it to MTV2, the video for “Do or Die” – the last single from “Guerrilla“, the third album by Welsh band Super Furry Animals – came on. It was over quickly because the song’s only two minutes long, but even afterwards I could slightly remember the melody of the chorus, even though I had no idea what Gruff Rhys was singing apart from the title phrase. That was in 2005 or so. I didn’t hear it again until roughly seven years later.

“Do or Die” wasn’t even supposed to be a single. Originally the band had chosen the album track “Wherever I Lay My Phone (That’s My Home)” for release, but the label meddled around and promoted “Die” instead. The band weren’t very pleased. I am though, “That’s My Home” annoys me a bit; it’s very repetitive and doesn’t really go anywhere. It one of those tracks that I think I would have liked when I was four, and then listened to it later on in life thinking “What was so good about this again?”.

The track’s cool, man. It’s got funny lyrics about riding camels and eating tomatoes and a simple, catchy riff that alternates between two chords. The track becomes louder and louder from the instrumental part onwards before coming to a complete stop whilst synthesizer noises carry on and eventually fade out.  Plus it has a really bubbly intro, helped along with those keyboards, that sounds like background music to the start of a Saturday morning children’s television show.