Tag Archives: gun

#1349: Pixies – There Goes My Gun

I have a feeling this song has the same sort of rep as the last one I wrote about a couple days ago. ‘There Goes My Gun’ isn’t the shortest song on Pixies’ Doolittle, but it’s pretty close to being so. It looks more like something to warm you up before getting into the meat of ‘Hey’ that follows. Might be considered something of a track of low importance. I’m not sure, I’m not within many circles who have Pixies in their listening radar who could verify whether that last sentence is the case or not. On Spotify, it does have the second lowest number plays on the album, so I’ll have to take that as some kind of consensus. But when it comes to me, I enjoy the hell out of it. Again, one of my favourites on this particular album, which some reading may find peculiar. Maybe not. I don’t know what to tell you. Sometimes it’s those short, unassuming numbers on certain albums that turn out to be the standouts for me.

The track is one of very few words/lines. They are as follows: “Yoo hoo”, “There goes my gun” – which as a chorus is repeated a number of times – “Look at me” and “Friend or foe”. Very economical, indeed. A prime example showing you don’t need much into order to make a song. Least in terms of the lyrics. According to frontman Black Francis/Frank Black/Charles Thompson, the song is a scene where the narrator is yelling each verse into a sort of dark abyss/expanse of space before proceeding to shoot their gun as they continue to get no kind of response. That’s certainly a unique situation for inspiration of a song. I like the track for its minor-keyness, which doesn’t make it sound sad but more threatening like something’s about to jump out the shadows and strike, and for its heavy swinging motion. I feel like I’ve written a lot about swinging feels in songs lately. What’s this one in, 12/8? That can be the best time signature.

Doolittle is an album full of unhinged vocal performances by Francis. ‘There Goes My Gun’… actually might be one that comes a little lower on that spectrum. Maybe in the middle. But he does provide a great contrast of yelling in the verses and switching to the melodic singing for the choruses. And then in those, Kim Deal responds to Francis’s ‘there goes my gun’ line… by repeating the same phrase, but with that sweet tone of hers in comparison. Those Francis-Deal vocal back-and-forths the highlight of many a Pixies song. It’s no different here. David Lovering’s pounding those drums, feels like there’s an extra oomph in those toms. Joey Santiago’s bending a string to make for an unusual guitar riff. And I don’t think I truly appreciated this song until I watched a video where I saw what Francis was doing on the rhythm guitar, particularly during the choruses. I’m sure it was the video, below, of them at Glastonbury in 1989. He goes on a run down the guitar neck before sliding up again and resolving into the minor-chord of the verse. Just adds that extra movement in the music. Thumbs up, thumbs up.

#1245: The La’s – Son of a Gun

The shimmering notes from an acoustic guitar are the first things you hear if you were to press play/lay the needle on the record after obtaining The La’s self-titled/debut/only album from 1990. First time I heard ‘Son of a Gun’ the opening reminded me of Rusted Root’s ‘Send Me on My Way’, even if though that song was released some years after. Maybe there’s some influence there, I don’t know. But it goes to show, if you can get the right tone on the strings of an acoustic guitar, people will start falling at your feet. Even before Lee Mavers started singing, I was really into the rhythm and the sound of that sole acoustic, so even when he did, I was already under its spell.

“If you want, I’ll sell you a life story” are the first words Mavers delivers on the microphone, and that’s what ‘Son of a Gun’ is. It’s a tale about a man who lives with his demons, but also recognises that he’s not like a lot of other people out there and takes great pride in that aspect. With Lee Mavers being the ever elusive, reclusive man he is, I think ‘Son of a Gun’ is the one song by him that provides an insight into how the guy felt about life. There might be another La’s tune that does it better, please direct me to it. But for me, it’s the clearest ‘song about myself under the guise of someone else’ that I can think of right now as I’m writing to you. Lifts the haze on that sense of mystique, which I think is quite cool.

Lee Mavers didn’t like the sound of The La’s when the album eventually came out in 1990. The band had spent a couple years trying to get the album down, but Mavers was never happy with any of the results. There are many different versions of the songs from the record that you’ll be able to find online. Personally, I think the final version we all know mixed and produced by Steve Lillywhite showcased the best treatment any of those tracks got as recordings. It is interesting to hear other producers’ takes though. ‘Son of a Gun’ by Mike Hedges is in a higher key, utlises more electric guitar and has a bounce to it via added bass drum. A John Porter version has a monoaural mix. I could go through them all. It’s a lot to explore.

My iPod #312: The Kooks – Eddie’s Gun

The Kooks are coming back. In fact, they are back. They’ve announced an album “Listen” which is due for release in early Autumn this year, and the tracks unveiled from this upcoming release “Down” and “Around Town” show that the group from Brighton have definitely taken a new approach in their music. Sounds pretty similar to Arctic Monkeys’ change on AM with those R&B vibes going on on both tunes. But whatever. It is a good time to be a Kooks fan.

“Eddie’s Gun” was the first track I ever heard by The Kooks. It was their first single almost ten years ago. The video appeared on MTV2’s new music section/programme thing the channel would do when there was a new band that was on the rise, or if new music videos were out in general. I think I saw the full video once that time, and then a second of it appeared in an advert or something. But I liked it, thought it was cool. Then time was getting closer towards the release of “Inside In/Inside Out“; “Naïve” and “She Moves in Her Own Way” were becoming popular tracks and the band were gaining more and more popularity. The album came out, “Eddie’s Gun” was on there…. but the band had re-recorded it to make it sound better. Understandable…. but it wasn’t the same.

The album version’s alright, but it’s the original/demo version that I have on my iPod. Just because it reminds me of when I first saw its music video and introduced me to The Kooks’ music.

It’s about erectile dysfunction. Just saying.

Here’s the album version, if you want to hear it.