Tag Archives: happy

#595: The Beatles – I’m Happy Just to Dance with You

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So when George Harrison wasn’t too confident in his songwriting in the earlier years of The Beatles’ musical reign in the 60s, John Lennon and Paul McCartney would write songs for him to perform the lead vocal on. They did that on Please Please Me with ‘Do You Want to Know a Secret?‘, and two albums later did so again with ‘I’m Happy Just to Dance with You’.

The song is the fourth track on A Hard Day’s Night and is the only song Harrison takes lead vocal for on the album. Both Lennon and McCartney didn’t think much of it. Lennon was quoted as saying he never would have sung it himself. Still what is considered a throwaway by the two main songwriters has always been up there for the best songs on the album in my eyes.

It lasts for just under two minutes but it sure has a melody that can stick. Paul McCartney plays a bassline that never seems to stay in one place; John plays an unusual rhythm guitar pattern in the verses that jolts along with the rhythm. Harrison’s voice suits it perfectly and it was probably for the best that neither Lennon nor McCartney sung it. Though their backing vocals – aided by hefty natural reverb – are greatly utilised. They add a sense of mystery I feel. Especially along with those chord changes in the chorus.

It’s a track about wanting to dance with a girl and blanking anyone who tries to interrupt. Not a lot of depth to it, but it doesn’t sound dated one bit.

My iPod #485: Small Faces – HappyDaysToyTown

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Ogdens’ Nut Gone Flake would be the last album the English rock band Small Faces released during their original stint from 1965-1969. It utilises different styles from bass-heavy psychedelia to full-on hard rock, but it is the second half of the album that separates it from many, many other albums out there. On top of providing the listener with six unrelated, memorable songs the following six are based on a fairy-tale on a boy named Happiness Stan, who goes on a journey to find out where the other half of the moon has gone after seeing only the other half of it during the night. You think I’m making this up? It has to be heard to be believed.

“HappyDaysToyTown” concludes the story, as well as the whole album, with a good ol’ Cockney knees-up about the meaning of life. Sung by both lead singer Steve Marriott and bassist Ronnie Lane, the track teaches us that “life is just a bowl of all-bran” and to generally enjoy every moment you have in this world as best you can. Have a sing, a dance, and give a happy-days-toy-town-newspaper smile. What does that mean? It means a lot actually, despite the nonsensical phrasing.

And with that ended one of the most unusual albums to come from the 60s, as well as one of the most influential mod and psychedelic acts of the time too. They would (kinda) reform in the 70s, but no one talks about that so much. Good song.

My iPod #484: Röyksopp – Happy Up Here

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So it was one day when I was listening to the radio on an old Nokia mobile phone that the station (what it was I can’t recall) was frequently reminding the audience that they could vote to hear the exclusive premieres of two brand new singles to be released from their respective upcoming albums. One was by Calvin Harris (that turned out to be “I’m Not Alone“) and the other being Röyksopp’s new song “Happy Up Here”. Calvin Harris was the popular pick. Not really sure a mainstream audience would have really known who Röyksopp were, and Harris was already known for songs like “The Girls” and “Acceptable in the 80s“. “I’m Not Alone” got played to death and reached number one. Though it “Happy Up Here” that I started to like, maybe a few days/weeks later, when its video started showing in various places.

The track was something of a comeback single by the Norwegian electronic duo, released four years after their then most recent album The Understanding in 2005, and appeared as the first song on its album Junior. Its melody is driven by a sample of a twinkling keyboard riff taken from the song “Do That Stuff” by the 70s soul group Parliament alongside various electronic blips and swooshes, a steady beat, synthesized strings at some points and calming, airy vocals which come together to make a relaxing, uplifting, and comfortable two minutes and fourty-five seconds of your time. Another song about being happy, but in the case of feeling content with where you are at certain moment in time.

After hearing it the first couple of times I was sure that I heard that keyboard part somewhere in the past. It had the same sound, though it wasn’t the same note pattern. Turned out I was thinking of “Eple“, coincidentally another song by the duo. Quite funny.

My iPod #483: The Maccabees – Happy Faces

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Orlando Weeks implores you to ‘run, boy, run’ throughout the ninth song on The Maccabees’ debut Colour It In, and it is hard to not follow his demands due to the sheer positivity and good vibes the track exudes. You ever have one of those times when you feel so happy that you have to show it by running through a field and embracing the vast space ahead, behind, and around you? This is very much the song that plays whilst that situation is happening.

Whilst the final notes of the previous track are in the midst of fading out to silence, the guitars of “Happy Faces” quietly start playing and slowly make themselves heard until the rhythm section begin and really give the track its momentum that is maintained for its duration. Lyrically, there’s not much to say. It’s about being happy for no particular reason at all. Just one of those days when that feeling comes to you. Well the first verse is. The second ones concerns the days when things aren’t going so well, the ones on which you reflect on what could have been different in the past. The serious tone is gone by the last line and from then on it’s back to the all-out excitement that was playing beforehand, climaxing in an almighty yelp of the song’s title by Weeks before the closing moments.

It’s cute. Very enjoyable.

My iPod #482: Larrikin Love – Happy as Annie

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You want to listen to a band who wore folk/country/indie influences on their sleeves but still pulled off a decent album of enjoyable and exciting music? Larrikin Love is the band for you. Too bad that they haven’t been a band for almost ten years now. “The Freedom Spark” was the only album they released during their short spell in 2006 before the members went their separate ways the following year; the good thing is that it is worth a listen if you have the time.

With an upbeat tempo accompanied by sprightly violins and banjos, the lyrics concern a narrator who takes an innocent stroll in the fields on a summer’s day, where the birds are singing and flying through the skies, to get away from the city. But he wails that he is ‘choked with fear’ in the cathartic choruses in which, after a split second of feedback, the roaring guitars kick things into another gear. Why does he feel like this? Well, things take a dark turn in the final verse. I’ll leave it at that.

I haven’t listened to this song in a long time. It’s a song that I was very much more into when I was eleven. The music doesn’t sound dated (at least not to me), but there’s something about it that takes me back to that age. It is still a knee-slapper after all this time.