Tag Archives: heart

#991: Neil Young – Only Love Can Break Your Heart

After discovering Nick Drake’s Pink Moon when I was about 17 years old, I went on a bit of a folk trip and tried to find albums that had sort of the same vibe. Some good came out of it. Some not so much. But through that journey I stumbled upon Neil Young’s After the Gold Rush. That album’s the first of his that I ever listened to. I don’t think I’d ever sat down and listened to a single one of Young’s songs before. Upon research, it seemed the album would be a good place to get a feel of what he was about. And upon listening through, I picked up on two basic things. He could write some great songs, and he had a really high singing voice.

‘Only Love Can Break Your Heart’ is the third song on After the Gold Rush. Whoever sorted out the tracklist knew what they were doing, I’ve come to conclude. ‘Tell Me Why’ starts it all off with its inviting acoustic tone, then the title track arrives as the slow contemplative statement of the ’70s. So it’s only right that ‘Only Love…’ comes as the first track on there that sounds like it’s meant to be the obvious single. And it was, released a month after the album had been available. The song’s a sweet one, bit melancholy too. One about how innocent life when you’re young, naive and single before you fall in love and have a relationship with someone, and how when that relationship ends it’ll probably be the most painful experience you’ve had in your life up to that point. Nicely emphasised by the change from major key to a minor key during the transitions from verses to choruses, signifying the bright, optimistic youthful outlook before heartbreak comes and ruins it all.

I feel like if I was to tell someone that ‘Only Love Can Break Your Heart’ was my favourite Neil Young to someone who’d been listening to the guy for years, I’d probably be met with a scoff and a “Yeah, it’s all right, but really?” kind of answer. “Everyone knows that.” I’m sure they wouldn’t be that judgemental, but every artist/band has those type of people. Even so, I don’t think I’ve listened to enough Neil Young to really confirm what that favourite track is. Going through the 1001 Albums You Must Hear Before You Die book has helped introduce me to more of his albums. Young taking them off Spotify has hindered that process. Still very much a beginner here 10 years later. But if it turns out that ‘Only Love…’ and ‘Cripple Creek Ferry’ are the only Neil Young tracks I discuss on here, then you’ll probably be able to guess how much of a fan I am of his.

#640: Morrissey – Irish Blood, English Heart

This is the only solo Morrissey song I actually like. I’m not so much a fan of The Smiths either. Never been much into Morrissey’s lyrics nor him really as a person. He’s a bit melodramatic. Possibly racist too, I heard? He’s a character for sure.

This song was on the soundtrack for FIFA 2005 which is how I got to know it. Surprisingly so, seeing how unapologetically political it is. The line about Oliver Cromwell was censored though. Don’t think EA would have the balls to put a song like this in one of their games today. In the song, Morrissey rallies on about how proud he is to be of both titular nationalities, how people shouldn’t be ashamed to be patriotic without feeling like they’re being offensive, and throws some shade at those in the House of Commons and the Royal family for good measure.

Like I said, I’m not too keen on Morrissey’s dramatic lyrics or vocal delivery – but it’s on this track in particular where his voice and the music matches to great effect. The quiet verses lurk along with his signature baritone vocal and the flickering slick guitar riff and defiantly rise into the louder choruses where everything is kicked up a notch. That specific dynamic in a song has been done to death but when it’s done right, it can never go wrong.

If ya didn’t know, the music for the track – written by former songwriting partner Alain Whyte – had already been used in a song but was reworked for Morrissey’s purposes. I’ll link it below. It’s clear that Morrissey’s version is better.

My iPod #560: Wilco – I Am Trying to Break Your Heart

The story goes that Wilco were going through some inner turmoil during the making of Yankee Hotel Foxtrot, particularly between lead singer and guitarist Jeff Tweedy and fellow guitarist and composer Jay Bennett. Their original record label weren’t so impressed with the final result of their work, rejected it and told the band to get out of their faces, leaving them with an album to provide but no label to release it. Eventually things all fell into place. Wilco got signed again. The album, originally slated for September 2001, was physically released to the masses months later in May 2002. Critics ate it up, fans loved it. Still do to this day. It has gone down as one of the best albums of the opening decade of this century.

‘I Am Trying to Break Your Heart’ is the album’s opener. It’s seven minutes long. It takes about a minute of that time for the song’s main chord progression to make itself known after a sort of instrumental prelude of pianos, percussion and organs. Tweedy’s mellow voice comes in with the album’s first (and possibly most quoted) lines “I am an American aquarium drinker/I assassin down the avenue/I’m hiding out in the big city blinking/What was I thinking when I let go of you?”, and it all goes on from there really. You have to listen to it for that full experience.

Tweedy doesn’t have the greatest singing voice. Not soulful, or belting from the stomach or whatever. But it’s just perfect for the whole mood of the track. And the album in general. The vocal melody is the most simple thing. But it’s great. It will get in your head. And accompanied by the very full mix provided by Jim O’Rourke, it’s an enrapturing listen. It’s hard to not find yourself in a bit of a trance when hearing this. You probably won’t feel it on your first listen. It’ll sink in.

Above is the supposed demo of the tune, as recorded by Jay Bennett before it went through remixing for the album. Some prominent smooth Rhodes(?) piano in there, but not quite the same.

My iPod #503: be your own PET – Heart Throb

“Heart Throb” is from be your own PET’s second album Get Awkward, released two years after the band had been on the radar for a while and unveiled their debut album to the masses. The second album exhibited a slicker production and precise style to the band’s music, but the change did not take away from their ecstatic performances and juvenile subject matter.

The third track “Heart Throb” is a fast-paced, in your face slammer about a girl who, despite having a boyfriend already, can’t help but get weak in the knees when she catches another boy – possibly the ‘heart throb’ the song is titled after – looking back at her when she tries to catch his glance. She has major feels for the guy, but realises that it’s probably for the best that nothing could happen between them, because she already has someone who will take of her.

It is an exciting listen. Over just after two minutes, but a balls-to-the-wall performance nevertheless.

My iPod #502: The Strokes – Heart in a Cage


“Heart in a Cage” was the second single released from First Impressions of Earth, the third album by rock band The Strokes released on New Year’s Eve 2005, or New Year’s Day 2006 depending on where you lived.

It’s good to be able to recall the memories of a certain time when an album was about to be released and there was a certain hype around it. First Impressions was the comeback of the band who symbolised the return of indie rock in the 21st century, and whilst “Juicebox” was somewhat the wild ride – to put it lightly – with its action-flick sounding bassline and controversial music video, “Heart in a Cage” was the straight comedown with its black and white video and depressing subject matter.

Before being released officially, I had already heard the song when The Strokes performed it at an exclusive live show in London which was aired on MTV2 during December. Just a side note. Check it out if you want.

But the official video came out a few months later, and features the band members performing the track around various locations in New York City. Most notably, Julian Casablancas mimes to the track whilst lying on the ground and avoiding being trampled on at the same time. You can’t help but feel sorry for the guy as he sings about feeling abandoned, unmotivated, and restricted. He’s not allowed to feel free. His heart beats in its cage.