Tag Archives: help

#1343: The Beatles – Tell Me What You See

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Hey, everybody. Merry Christmas. Hope you all get what you want and have people around you for this time of year. This blog keeps rolling on, and today’s featured track is ‘Tell Me What You See’ by The Beatles. Not a very festive one in itself, but I don’t think there ever has been one whenever a post for this is up on this day. This and George Harrison’s ‘You Like Me Too Much’, both on the Help! album, are two songs that I honestly think are deemed as forgettable by a lot of Beatles fans with no sort of pushback to the opinion. The latter I’ve always thought was just okay too, personally. But I do remember hearing ‘Tell Me What You See’ and thinking it was really, really nice the first time I heard it. Paul McCartney himself described it as ‘not one of the better songs’, more or less saying it was good because it was needed to fill up the side of an album. And I get it, the guy’s done a lot of other stuff that you can unanimously agree trumps this one. But, I mean… it’s got less plays than ‘Dizzy Miss Lizzy’ on Spotify, and I know people hate that one. Make it all make sense to me.

I like the overall vocal dynamic that happens throughout the song. John Lennon sings the first line with McCartney’s harmony over the top. McCartney responds with the second line. This call-response occurs for the next two lines, and then they both sing the melody in unison for what Genius labels as the bridge, where the song’s title is mentioned. This is done again for the next verse, which then culminates in the “Telll meee whaaaat yoou see” refrain – very cathartic – which is followed by the resolving electric piano that brings everything back around and, eventually, closes out the entire song itself. What’s the song about? Another love one, no doubt. Looking deeper into it, I think it captures a relationship that’s just about starting and is a reassurance from the narrator that, no matter what happens, they will be there for the other person involved. There’s no need for them to be afraid and keep their eyes shut, because the narrator will be there to make them happy and take those doubts away when they open their eyes. It’s an uplifting sentiment. And I don’t think there’s an act behind it. So that’s a thumbs-up from me.

Well, uh, I guess that’s all I have to say about it, really. The track was mainly written by McCartney, both he and Lennon said so once upon a time, and we all know how good he is at getting a memorable melody down. ‘Tell Me What You See’ is filled with a lot of those. At least, I think it is. The people who don’t care for it as much would think otherwise. But I think people should start caring for it. There’s this video for a remix of the song done by the user who uploaded it. Says there’s a lost George Harrison harmony that’s revealed in it, referring to the middle “tell me what you see” vocal during the refrains. You can hear it pretty clearly in the original recording anyway. It also might not be George Harrison. So, you know, just think about that before going into that link. So those are my thoughts on this tune. This is probably the most anyone’s thought to written about it for a long time, so I hope this does some justice.

#920: The Beatles – The Night Before

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‘The Night Before’ was one of the first few tracks of the Beatles where I heard it and thought, “Wow, these Beatles people aren’t actually too bad.” It was 2009. Earlier that year I downloaded Sgt. Pepper just to see how it was the greatest album ever as I had read in a lot of places. I thought the songs were just all right. The mixing didn’t do them much justice. So I kind of left the Beatles aside and pursued other things. But later that year their whole catalogue was released alongside The Beatles: Rock Band, all on the same day, and VH1 Classic was showing a “Beatlemania” slot that dedicated about 30 minutes of air time to Beatles music videos. Seeing those pretty much sent me down a bit of a spiral. I haven’t stopped being a Beatles fan since then.

Representing ‘The Night Before’ was its little section cut out from the Help! movie. The closest I can get to showing you that clip is via the video below, which uses alternative audio and switches some camera shots around. But seeing the four members actually ‘playing’ together, seeing how happy they were alongside the general catchiness and upbeat tone of the music was a bit of a revelation. Before then I’d only ever properly heard of the Beatles through the news and “Oh, how great they were” and all that, so the usual reaction would be “Well, how good could they have been really?” And with ‘The Night Before’ I was swayed to the other side that little bit. Then in that “Beatlemania” slot, ‘Penny Lane’ played and that was that. Went to search for those songs on YouTube on the daily.

You could definitely argue that it’s very difficult for a Beatles track to be considered ‘under the radar’, but I think in this case this song might just go under that category. There’s not a lot of people out there who you could say “Ah, man, “The Night Before”, that’s song’s great,” and expect a reciprocated response from. Except Beatles fans, and even then they might not listen to anything before Rubber Soul. I’ll always hold it dear though. For that sentimental value as described above, and because it’s just a good song. Paul McCartney belts out his lines, George Harrison and John Lennon harmonise in response. There’s an electric piano which makes it sound a lot smoother. Ringo Starr’s banging away on the drums. I think there’s meant to be a sense of sadness to the song, but I can’t help but feel good when it’s on.

#654: The Beatles – It’s Only Love

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‘It’s Only Love’ was written by John Lennon sometime during 1965 and ended up on the Beatles’ first album to be released that year – Help!. He went on to claim that he thoroughly disliked this song calling it ‘lousy’ and particularly taking umbrage with its ‘abysmal’ lyrics. Lennon said he hated a lot of Beatles songs during his lifetime…. though it can be agreed that he definitely wrote a better set of lyrics than those on display here.

“I get high when I see you go by, my oh my, when you sigh my my inside just flies, butterflies” are the words of the first verse. Laughable to those who take lyricism very seriously. But I don’t think ‘It’s Only Love’ is supposed to be a totally serious song. That’s probably what saves it from being disgraceful in the end. Plus Lennon delivers them with such a wilting energy to them that they pale in comparison when that fantastic chorus comes in.

There’s not much to say here. It’s a short, mainly acoustic number that lasts for just under two minutes. Due to the retro mixing of the 60s, it’s quite hard to pick out what each instrument is doing. The emphasis is on George Harrison’s descending guitar riff at the beginning and end of the track. So, to recap, Lennon’s vocal performance and that guitar are the best parts of it all. I still like this song quite a bit though. Not the best track on the album but it does the job.

#607: The Beatles – I’ve Just Seen a Face

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‘I’ve Just Seen a Face’ is the twelfth track on The Beatles’ fifth album Help!. When nearing the end of the album, the listener is provided with two mainly acoustic numbers sung by Paul McCartney. ‘Yesterday’ is the second of them. But while that song mourns the loss of a relationship, ‘I’ve Just Seen a Face’ captures the promising outlook of one that has a great chance of being successful.

It starts off with an intricate oscillating 6/8 timed intro of guitars that rise and fall before changing into the driving standard time verse where McCartney starts his vocal. His vocal take consists of very wordy lyrics, phrases that fall into the next with some internal rhyming and syncopation that help the track maintain its propelling momentum throughout. Chorus is good too. The “Falling, yes I am falling” line is one that is delivered with so much joy – it’s hard to not to feel just a bit happier from listening to it.

It’s quick and really easy listening to the ear. That seems to be a bit of motif throughout Help!. It’s an album that’s made of a lot of songs where the structure and instrumentation are very simple and straight to the point. ‘I’ve Just Seen a Face’ isn’t necessarily a major favourite of mine on there but when it starts playing it’s hard to skip.

#577: The Beatles – I Need You

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It was the sixteenth anniversary of George Harrison’s passing this last week, so it’s very fitting that today’s song is one by the singer/guitarist/overall cool guy that he wrote during those hectic years when he was in The Beatles. ‘I Need You’ was the second Harrison-written composition to make its way onto a Beatles album, appearing on the group’s fifth album, Help!, in 1965.

His first try ‘Don’t Bother Me‘ made its way onto With the Beatles, which Harrison more or less described as an exercise to test whether he could actually write a song. It wasn’t too bad. But of course with John Lennon and Paul McCartney writing their stuff, it was always hard to get a word in. Another song of his entitled ‘You Know What to Do‘ was worked on in 1964, though no one seemingly liked it….. It would be two years until Harrison would get his own song on a Beatles album. On Help! he got two, along with ‘You Like Me Too Much‘. Because Apple are a bunch o’tight poops I can’t link those songs for ya, but you can find ’em yourselves.*

I like ‘I Need You’. Simply another love song that The Beatles were so good at doing in that Beatlemania phase. It’s a track of thoughts and feelings when a relationship ends and you’re just left with the weight of the world on your shoulders. It’s not emotionally heavy at all. It’s all upbeat. Has a simple melody that doesn’t take too long to remember. That volume pedal guitar is possibly the musical highlight of it all as it echoes Harrison’s lines. It feels like a brisk bike ride in a park. It’s very easygoing. It’s always good to here George’s voice once in a while.

*Apple aren’t a bunch o’tight poops anymore.