Tag Archives: if

#614: Arctic Monkeys – If You Were There, Beware

Leave a reply

‘If You Were There, Beware’ was always a highlight of mine from Favourite Worst Nightmare. Bought that album from Woolworth’s in about the first or second week it was released in April 2007. It was a big deal. A year and a bit had just passed and the biggest UK band of 2006 had come back with their second record. I think it’s always been my favourite album by the group. It was a bit like their first album but very beefy in its production. And the songs are good too.

Anyway, ‘This House Is a Circus’ seamlessly transitions into ‘If You Were There’ – one of the best moments on Nightmare – and the latter begins with an unforgettable riff that drew 12 year old me to it immediately. All the other instruments join in for the emphatic introduction which eventually give way to Alex Turner’s vocals for the first verse. All this time I’ve never put any thought into what the song was about; the vocal melody is so infectious that it just never came to mind. Though reading up on the lyrics (and just seeing fan interpretations) it’s somewhat agreed that it’s about the British tabloid press and the vulture-like manner in which they gather information from celebrities or the people they’re involved with.

Looking back on Arctic Monkeys’ discography now, it’s not so surprising that the band followed this up with Humbug a couple years later. I have a vague memory of people being slightly put off by the change in sound they undertook. Though evidence of what was to come was in this song all along. Matt Helders carries the track with some fantastic drum work, really leading the track’s rhythm when the song slows down just over a minute in. And overall the song’s direction changes so many times it’s as if there are four songs in one. It’s a mammoth of a song and maybe, just maybe, one of their most ambitious at that point.

#613: Jamie T – If You Got the Money

1 Reply

Sometimes this song will come up on shuffle when I’m on the underground and I’ll be tempted to grab my phone right out of the pocket and press skip. I was in Year 7 when Panic Prevention came out, very much into my NME/British indie music stage. Jamie T doesn’t really make music like that any more. He has grown, as have I. So when the track starts immediately with him singing the song’s title with his prominent South London accent, it almost makes me wince a little. It just reminds me of that time in 2007 when I was young and doing stupid things.

That all changes when the bass comes in and the track’s groove gets going. It’s hard not to at least nod your head to it. It’s all about that rhythm. It’s at that point when I begin to remember what attracted me to the song in the first place. It’s a song that covers two things in each verse. The first concerning potential love and the loss of it on the dancefloor while on a night out, and the second detailing basic frustration with having a low-paying job and drinking your problems away. It’s very relatable. Very British in its delivery and execution too. Quite easy to see why he was described as a ‘one-man Arctic Monkeys’ during his first few years.

It’s a playful track, one that you can have a laugh to when listening but still appreciate what Jamie talks about and the great music that accompanies his thoughts.

#612: The Beatles – If I Needed Someone

Leave a reply

George Harrison was listening to The Byrds’ take of the old folksong ‘The Bells of Rhymney’ one day and took particular interest in the track’s main guitar riff that starts it off and appears every now and again throughout. Liking it so much he decided to use it in one of his own songs that would appear on the next Beatles album. He did send the track to the Byrds thanking them; they were more than thrilled with the result. ‘If I Needed Someone’ was released alongside thirteen other tracks on Rubber Soul nearing Christmas 1965, and was another of Harrison’s compositions that showed his growing maturation as a songwriter.

The song’s prominent jangly guitars was further inspired by the sound The Byrds had pretty much created earlier in the year though the track has The Beatles’ stamp all over it, with soaring three-part harmony vocals and a strong rhythm section featuring a weaving bass guitar line courtesy of Paul McCartney. Harrison stated that the song was a simple love message to his then girlfriend Pattie Boyd who he’d met during the filming of A Hard Day’s Night. A lot of people think it’s about having a sidechick – to put it simply. There are a lot of valid reasons as to why by just reading the lyrics. It’s nothing to get too caught up about though. With the position they were in at the time, they could write about anything.

I assume that ‘If I Needed Someone’ was moderately popular within the group as it was the only Harrison song to be performed live by them before they stopped touring in 1966. George would obviously go on to write many more great songs but at that time… it was most definitely the best one he had put down on paper.

#611: The Beatles – If I Fell

2 Replies

‘If I Fell’ from A Hard Day’s Night – the third album by The Beatles – is the song to show people if they were to ask what was so great about John Lennon and Paul McCartney as a pair of vocalists. Their voices and their melodies are what carry this track for its duration. That wasn’t meant to be a slight at George Harrison or Ringo Starr because they do their thing too. But with Lennon and McCartney’s vocals being the main attraction, there’s no reason for the other two to do anything too fancy.

Paul and John harmonise throughout the entire track bar some parts where they sing the exact same melody and John’s double tracked lead at the start. I usually sing John’s part if ever the song comes into my head. I’ve always seen it as Paul singing the higher harmony and John taking the lead rather than vice versa. It is John’s song after all. Although there is a demo recording of him trying to sing what would become Paul’s vocal, so it may be that that is the main melody. It’s no big deal to be honest.

It’s a love song, similar to a lot of other songs the two wrote during those years in the band, but sees Lennon practically begging this new love to treat him better than the one who came before. He would do this again only five years later in “Don’t Let Me Down“. But in 1964 he was a lot more sweeter about in his approach.