Tag Archives: jay-z

#904: Kanye West ft. Jay-Z & J.Ivy – Never Let Me Down

Early memories I have of this track are hearing it play from my old computer’s speakers loudly as my sister ran through The College Dropout album. Would have been back in 2004 when the album was fresh and new, I think she got it for a birthday or something. But while she was watching MTV Base and into hip-hop and R&B, I was into bands and watching MTV2 and other channels of the like. As a result, ‘Never Let Me Down’ was never on my radar. It was always cool when Kanye came out with a new music video or something though.

Nah, it wasn’t until years later that I sat down and properly gave it a listen. I once had a YouTube channel where I would upload albums, back when copyright on there was a lot less strict. The College Dropout was one I put on there, and that allowed to revisit the tracks with new ears. I was 13 at that point, and when it came to ‘Never Let Me Down’ its hook came back to me straight away from those times I heard my sister singing it. Taking ‘Maybe It’s the Power of Love’ by 80s rock band Blackjack and pitch-shifting it to that iconic chipmunk tone that he was all over at the time, Kanye alongside Jay-Z and J.Ivy shift that song’s general message of ‘love conquers all’ to focus on their own respective personal perspectives on things they are thankful for and that have never let them down.

Now I could go all Genius on you and break down every line or whatever. But that’s what Genius is for. I’ll just make known some personal highlights for me from the track. I believe it’s said that when it comes to Kanye, he likes to use vocals as instruments. This isn’t just a new thing that’s arrived. He’s been doing it from the start. It’s clear on here yet again. There’s autotuned vocals, church choir vocals, ‘ooh’ backing vocals that follow the chord progression. It’s a vocal showcase. Then there’s spoken-word poet J.Ivy’s verse that he apparently got on the second take. Quite possibly the emotional centerpiece of the whole track. And although it was recorded for The Blueprint 2, the track was released after Jay-Z had “retired” from the music business, so I think people got excited when he appeared on here with not just one, but two verses. Years have gone on and I’ve seen that fans don’t really rates Hov’s verses ’cause they don’t match the overall tone of the track. I think they’re fine. The way he closes out the track with the sample looping fading out is cold stuff. And Kanye… well, he has a pretty heavy verse too. Pharrell Williams thought so too, judging by his reaction from the video below.

#782: Jay-Z – Lucifer

Welp, you’re gonna have to do with this live performance of today’s song; its studio version can’t be found anywhere online. Streaming platforms are the way to go here: Spotify, Apple Music, or preferably TIDAL in Jay-Z’s case. This appears to be the first Jay-Z song I’ve covered in this long, long seven year list I’m in the process of doing, so I’ll just give you my small and insignificant thoughts on the man. I’m not the biggest fan. He’s regarded as one of the best rappers of all time, that’s fine. What do people think of when Jay-Z comes to mind? Probably Beyoncé. But then there’s his voice. Again, one of the most iconic voices behind a microphone. When he starts rapping, you instantly know it’s him. Have I ever wanted to listen to that voice on a regular basis? Can’t say yes. But the man makes good music, I can see that.

‘Lucifer’ is the 12th track on The Black Album, a record released back in 2003. That album was promoted to be Jay-Z’s last before going into retirement, and there was this whole documentary on the making of the Black Album following Mr. Carter as he worked with Kanye West, Rick Rubin, Timbaland and many more producers to get the job done. Alongside fellow album track ‘Encore’, Kanye West produced ‘Lucifer’ taking a sample of Max Romeo’s ‘Chase the Devil’ and layering a piano riff and a whole lot of percussion on top. Jay-Z raps about sinning under the eyes of the Lord, and seeking revenge on the killers of his late friend and hip-hop legend The Notorious B.I.G. The final verse is also dedicated to Robert “Bobalob” Burke who was killed in 2003, and Jay-Z prays to God that Burke is allowed into heaven because, even though he may have sinned in his lifetime, he was an overall good man. The match of Kanye’s production with Jay’s vocal here is just perfect. It wasn’t the first time the two collaborated, but everything from the groove to Jay’s confident delivery works too well. Well, the kick drum may be a bit overbearing to some, I don’t know.

My sister got The Black Album, I want to say in 2004, and I have vivid memories of that ‘LUCIFER-LUCIFER SON OF THE MORNING’ sample blaring from the computer speakers as she played it on Windows Media Player. I think that’s just been ingrained in my head ever since. I also like the song ‘Change Clothes’ from the album; that song features the one and only Pharrell Williams. I would suggest listening to the album as a whole. Below is a clip from the aforementioned documentary, showing Jay-Z and Kanye West working on this song together in the studio.