Tag Archives: john lennon

#763: John Lennon – Look at Me

‘Look at Me’ comes at the perfect time in John Lennon’s Plastic Ono Band album. The last minute of preceding track ‘Well Well Well’ is him screaming the word ‘well’ until he physically can’t anymore. So when the acoustic guitar and soft electric that play throughout on this one come in, you’ve just got to admire the dynamics.

Lennon does a lot of soul-searching on this album. There’s a lot of pointing out how shit the world actually is on his part too. It’s on ‘Look at Me’ that he brings it all to himself though, asking the listener what they see and what they think of him as if he was standing right in front of them. Though giving it another listen, I think he’s singing to Yoko Ono. She is the only other person he believed in after all.

This is probably the only song that sounds remotely like a Beatles track, and there is good reason. He wrote the song at the same time he wrote many others when he was in India for the group’s meditation retreat. The same guitar picking technique he employed on ‘Dear Prudence’ and ‘Julia’, he uses here. The three note introduction is identical to the beginning of ‘I’m So Tired’. These don’t necessarily make the song better. Just thought some people may want to know. It’s a very meditative track, serene, and very easy to listen to. The melodies from both guitar and Lennon’s vocal never really change and repeat themselves so they’re never very hard to forget. I’m not sure it’s considered a highlight by many from this album, but it is to me.

#646: John Lennon – Isolation

Completely forgot to do this yesterday, I don’t know what happened. Lapse in concentration I’ll put it down to. Hopefully what I go on to say was worth the grueling wait.

My passion for the Beatles truly came into fruition at the beginning of this decade. Come to think of it, I’ve been a Beatles fan for ten years almost exactly to the day. Though it was 2010 when I began venturing into the members’ solo ventures. John Lennon/Plastic Ono Band was the most shocking out of them to me. Not ‘shocking’ in that it scared me, though those screams at the end of ‘Mother’ made 15-year-old me quite uneasy, but here was John Lennon – the funny guy from the group with the sharpest wit and cheek – full of rage and singing about how much pain he was in….. It’s a great listen though. One of the best albums ever, in my opinion.

I remember ‘Isolation’ being one of the songs that I warmed to straight away. It’s a slow blues-type number with a swing-feel to it. Like the other tracks on the album, the production is very sparse and dry but the instrumentation fills up the soundscape, particularly those climbing notes from the piano. Lennon, who plays the keys, is accompanied only by Klaus Voorman on bass and Ringo Starr on drums.

Just my own thoughts here but I think the song’s greatest strength is its tempo. The rhythm is just so perfectly timed that when the bridge comes in via Lennon’s elongated note, it makes every pound on the piano and cymbal crash hit so much harder. I feel like punching a hole into a desk when the very final chord of the track suddenly brings things to a halt, it’s all very cathartic.

#616: John Lennon – Imagine

This was meant to be posted yesterday. I knew that I had to do it and I was going to… just slipped my mind. Sorry if anyone was properly waiting for it.

This probably isn’t going to be a very long one though. We all know it. It’s ‘Imagine’ by John Lennon. One of the most iconic songs of all time, optimistic in its message, soothing with great vocal and piano melodies too. Or the most hypocritical ‘peace and love’ BS that gets played year in, year out depending on your level of cynicism. Here was one of the richest men in the world telling me to imagine having no possessions? Who does he think he is?

That seems to be a take that a lot of people have gathered. It’s a take that made a lunatic shoot and kill him years later. I think Lennon had good intentions all the way throughout writing the song. I think some people just like to complain. I do agree that can get tiring hearing it a lot of the time. It was definitely overplayed at some point in time but I don’t think I was around then. I haven’t heard it that much lately. Maybe that’s why I can listen to it without wanting to skip. Can’t deny – it is a true classic.

My iPod #549: John Lennon – How?

“How?” is a track from John Lennon’s second album Imagine. Coming after the scathing attack of Paul McCartney on “How Do You Sleep?”, “How?” brings the negativity down a peg and instead replaces that mood with a feeling of worrying uncertainty. Set to a sweet instrumental of piano, keyboard, smooth drums and various strings Lennon wonders how he can be expected to live, feel, and love when he doesn’t know the future holds for him.

Inspired by the primal therapy sessions he went through with Yoko Ono, “How?” is a contemplative and introspective track containing lyrics of a sentiment that make it indistinguishable from the tracks on John’s Plastic Ono Band album. Though with the aforementioned instrumentation the track exudes a warm and calming feeling that comforts the listener, even if Lennon sings of this anxiety that we can go through some time in our lives.

Placed between “How Do You Sleep?” and fan favourite “Oh Yoko!“, “How?” tends to be an overlooked gem on the album and in Lennon’s discography as a whole. Don’t know why that is. There is something very special about it.

My iPod #534: John Lennon – Hold On

John Lennon’s solo album John Lennon/Plastic Ono Band opens with “Mother”, a five and a half minute track that ends with him screaming his vocals to shreds as he pleads for his parents to come back into his life. For the first song of what was his first album since leaving The Beatles, it is heavy to say the least. “Hold On” follows it to make the listener feel a bit happier about themselves for a short time with Lennon singing about how everything is going to be alright for him, his wife and the whole world.

Featuring only Lennon on tremolo-filtered guitar, Klaus Voormann on bass and Ringo Starr on drums, the song is a relaxing listen – perfect to chill out to on those warm sunny days when everything is in its right place. The laid-back vibes underpin the track’s message of optimism and reassurance. John randomly imitates the Cookie Monster from Sesame Street in it too.

These good feelings only lasts for less than two minutes. John doesn’t get much positive than this for the rest of the album. You have to enjoy it while it lasts.