Tag Archives: kings of leon

#974: Kings of Leon – On Call

Two and a bit years on from Aha Shake Heartbreak, the time had come around for a new Kings of Leon album. The music video for ‘On Call’ premiered in the UK on Channel 4. If anyone from the UK remembers when Channel 4 used to premiere brand new music videos, shout out to you. But they always showed them at the latest times of the day. I was 11 years old at the time, and didn’t have enough energy to stay up until 11:45pm or whenever time they were showing it. It was some ungodly time, for an 11-year-old at least. My sister, however, did. When I asked her how it was the next morning, though I can’t remember the specifics, I do recall her making a comment on how the camera zoomed on Caleb Followill’s face every time he sang, “Be there.” I asked, “Kinda like Kurt Cobain in the ‘Heart-Shaped Box’ video?” She said, “Something like that, sure.” It wasn’t too long until the video started regularly playing on MTV2. Followill isn’t as unhinged as Cobain was in that music video. But the similarity was there.

Gotta say, ‘On Call’ is quite a strange choice for a single. Especially the first one for an album that fans would have been eagerly anticipating. In a lot of ways, it shouldn’t work. There’s no guitar-led introduction like the other typical KoL singles. Instead, in came these slow ghostly keyboards, with which Caleb Followill joins in not too long after. Even he delivers his lines, one after the other, quite shyly with spaces in between to really make those keyboards heard. Then that ominous tape-echoed bassline comes in with that chugging guitar line on the right by Matthew Followill. All these elements make for quite the mysterious introduction to a song. Then Caleb really starts singing. The “I’m on call to BE THERE” line is one that has a melody that, again, should not work in any way. But then the band properly fall in at 1:18 and everything comes together, it all starts to make sense. Then by the time the guitar solo comes in, you’ve got yourself another classic KoL track.

Think I’ve made it clear in other posts concerning Kings of Leon, but after Because of the Times, things were just never the same. The video for ‘On Call’ sort of marked an end of an era. It was the last video of the band’s in which Caleb Followill had his long hair, something of a remainder from the Aha Shake era. The band released the track ‘Fans’ as a single, but the next music video they would make would be for ‘Charmer’, where those locks were chopped off. Amazing how he looked almost like a completely different person through that act. But I’m not afraid to say I’m one of those fans who think it all went wrong from ‘Sex on Fire’ onwards. I don’t cry and wish they’d go back to their old style though. No point. By this point I’ve made my peace with the matter. But for a while Kings of Leon had us all going.

#850: Kings of Leon – Molly’s Chambers

“Molly’s chambers, oh, the chambers of Molly” is how I used to sing the chorus to this track when I first became aware of it many moons ago. The video played quite frequently on TV, and this would have been years after Youth & Young Manhood was available to the public. Then I found out that that wasn’t what Caleb Followill was singing. But really, the way he mumbles his vocals throughout you wouldn’t be able to really know until you looked it up.

So, ‘Molly’s Chambers’ is a track from Kings of Leons’ first album. It was released as the second single from there, way back in 2003. My personal experience, I don’t think I knew this song existed until maybe after the release of Aha Shake Heartbreak a year later. All I knew was ‘Red Morning Light’ and that was because it was the opening track on FIFA 2004. But as I explained I saw the ‘Chambers’ video, thought that was all right, and as a result came to like the song by association.

It’s one of those songs about mysterious girls who make men want to drop to their knees and be close to them just because of how cool they seem to be. I think there’s a gun reference in the song title too. Like the chamber in a gun? Maybe the effect this Molly has is like a bullet to the brain. Or maybe it’s chambers as in a bedroom. I’ve never thought about all this until now. Maybe it’s deeper than I ever thought it was. Best to not think about it too much though. Might start a run of sleepless nights.

#818: Kings of Leon – McFearless

Kings of Leon released a new album quite recently. Their first in five years. As nice as that might be, I’m one of those who thought they were never the same post Because of the Times. To me it was the last record of theirs where they were a bit daring at the least, and had a bunch of songs on there that were exciting to listen to. I got my copy of The Times, quite soon after it was released actually. Came out three days before my 12th birthday, and ‘On Call’ was on there and to be able to hear that whenever I wanted to, I needed the CD.

‘McFearless’ comes straight after ‘On Call’ on the album. Caleb Followill sings the ‘be there’ lyric on there, and then ‘McFearless’ enters which this massive fuzz bazz in the centre, followed by this erratic, high-hat heavy drumming pattern by Nathan Followill and wah-wah drenched guitar riff. To an erratic 11 soon to be 12-year-old, these sounds were quite awe-inspiring. Because of C.Followill’s vocal delivery and cadence, I don’t think I’ve ever sang along to this one correctly. Except for the chorus. And even then. But I’ve looked at the lyrics. My interpretation is that the song is just about a man who’s trying to live his best life, keep on the straight and narrow and maintain their sanity in a crazy world. I think that’s fair.

Time’s gone by and sometimes I wonder whether the chorus to this is actually good. Caleb Followill’s clearly giving it his all, his voice is at the point of breaking many times during those repetitions, but I can’t help but find it funny sometimes. You might not feel the same, but that’s fine. I’ll still listen to this with great joy whenever it comes on.

#700: Kings of Leon – King of the Rodeo

This is another one of those songs where I was actually alive and could remember its video showing on the TV as opposed to finding it years later. One thing I remember about this track is that I, somehow, always managed to change the channel to MTV2 when the video for this song was almost finishing. I don’t think I ever saw the beginning until YouTube came along. Or maybe it was on the band’s official website when bands used to have their music videos on their in a .wmv format back in the day.

‘King of the Rodeo’ is on Kings of Leon’s second album Aha Shake Heartbreak, released in 2004. It was the album’s third single. I still don’t really know what Caleb Followill is saying throughout this thing. It’s never come to mind that I should find the lyrics and truly understand what he’s singing. I’ve always appreciated the sound of his voice here. The coarse tone, the breaks when he’s reaching for the high notes. It’s a characteristic that made the Kings of Leon those days very exciting to listen to. Yes, I’m one of those people. I think the real main highlight in the track is the guitar work of Matthew Followill. While Caleb pretty much plays two chords for the whole song, Nathan keeps the momentum going with the crunchy riffs and string bends. It’s in the left speaker if you’re using your headphones. Or the right, if you’re watching the video.

Now, I have read the lyrics. Apparently, there are a few references to the film Withnail and I in the track. I wasn’t expecting that. Other than that, there’s not much meaning to the lyrical content. I’ll take it that about they’re about some relationship between a guy and a girl in the South.

My iPod #388: Kings of Leon – Four Kicks

It has been ten years since “Aha Shake Heartbreak”, Kings of Leons’ second album was released. And in that time we’ve seen them change from those skinny-jeaned, long haired Southern scruffs who were appreciated more in the UK than their native country to well-groomed Southern bosses who fill stadiums wherever they go. I won’t be speaking about any songs from their last three albums, so you can guess which of those two I prefer.

“Four Kicks” was the album’s second single released in 2005. I remember hearing this song for the first time very well, because it’s accompanied with a very hectic video. A lot of people proceed to beat the shit out of each other, whilst the band play the song unfazed by what is happening around them. Pretty awesome stuff. Of course, the word ‘shit’ was censored in it. But I didn’t know there was an uncensored version of that video until it came on late at night a few times. In that one you see a woman take a fire extinguisher to the face, and blood fall from a person’s chin. The word ‘shit’ was aired too. It was so cool.

So this song is a bit nostalgic for me, I guess. Known it for almost ten years, that’s crazy. Great stuff.