Tag Archives: let

#727: Wings – Let ’em In

So I’d got through The Beatles catalogue very quickly around 2009/10; the only logical way was to explore the band member’s solo material. I’m not on my house computer so I’m not able to tell you which albums I went to first and who out the four I listened to the most. As if you would want to know that anyway. From what I remember, Imagine and Band on the Run were instant downloads because I’d always heard just from television that they were must-hears. All Things Must Pass followed along the way. Other songs arrived here and there, including ‘Let ’em In’, which I either heard for the first time via a live Paul McCartney performance or on we7.com where the track played randomly. It was 10 years ago; the mind’s going.

‘Let ’em In’ begins Wings at the Speed of Sound, Paul McCartney’s fifth album with his band Wings from 1976. It’s a comforting track, made to welcome the listener to the record and what’s to follow. McCartney hears people knocking on his door and ringing the doorbell, including his brother and aunt, the Everly Brothers and German professor Martin Luther, and implores everyone to let them into the house to have some good times with some glorious harmonies courtesy of himself, Linda McCartney and other members of the group. All this done with a military-style drum beat that takes over at some points of the track and some tasteful horns during the instrumental break. I enjoy how the verses are basically anchored by one note on McCartney’s piano and Jimmy McCulloch’s bass. Builds a sense of tension that way. And as you think it’s going to fade out to silence, the final two notes of the whole track suddenly jump back to normal volume to properly close it out.

It’s a real song for the family, you know? Just one saying “Hey, good to see you, come inside, we’ve been waiting for ages.” Very sweet.

My iPod #292: The Beatles – Don’t Let Me Down


Let me make it clear that this is the “Naked” version of “Don’t Let Me Down” that I’ll be talking about. Why is this? Because I much prefer it to the original released back in 1969.

Both recordings were made during a period when the four members barely wanted to be in a room together. The thing is you can really tell this when listening to the original. The performance is slow, lethargic and so loose that it sounds like it could collapse at any moment. Paul’s a bit full on with his harmony, and it’s not John’s greatest vocal either. Maybe that’s why Phil Spector dropped it from “Let It Be”, although it would have been a better option than “Dig It” and “Maggie Mae” for sure. I can’t get into it – it lacks that tight-knit delivery and closeness that we all associate The Beatles with.

But the “Naked” version…….. Ah. It’s beautiful. If only the technology of 2003 existed back in the 70s. “Let It Be…. Naked” was Paul McCartney’s vision of what the album should have been had Phil Spector not put on his choirs and various orchestras into some of the tracks. “Maggie Mae” and “Dig It” were taken off and replaced with this wonderful version of “Don’t Let Me Down”, made up of two performances of the song the band did during the infamous rooftop concert.

The track is given a lift by a subtle change in tempo and a higher key, but what makes it so much better than its 1969 counterpart is how brighter it sounds. You can sense that the atmosphere whilst performing this version was a lot less tense. George’s lower harmony vocal in the chorus is a nice little addition, the instrumentation is tighter, the singing is terrific…… Everything sounds better.

Oh, and that bass playing by Paul after the final iteration of the title until the end of the song. Absolutely glorious. I’m very sure John looks at him as if to say “Damn…..” in appreciation, but he can’t because he’s still singing. Oh well.

Watch them perform it, by clicking on thiiiiiiiiiis.

My iPod #68: George Harrison – Ballad of Sir Frankie Crisp (Let It Roll)

Another song from “All Things Must Pass”.

“Who is Sir Frankie Crisp?” You may ask.

Well, the video above is a black and white picture of George Harrison sitting in a huge garden with four, quite large, garden gnomes. This was the original artwork for his debut album in 1970, before it was colourated for its 2001 remaster release.

It turns out that garden is the main lawn of only one of the gardens at his home, Friar Park, which he bought in the winter of 1970. Friar Park was originally owned by Sir Crisp, and this song is a tribute to him and to the estate.

Did you know that the song contains part of the melody of an original song of his called “Everybody, Nobody”. That song was about motoring and travelling on the road, but Harrison rewrote the words to make “Let It Roll”.

This song is one of my favourites. It’s very descriptive. It’s almost like reading a movie script: ‘Let it roll across the floor/Through the hall and out the door/To the fountain of perpetual mirth/Let it roll for all it’s worth …’

This song is quite a whiplash in mood on the album; after listening to “Apple Scruffs” which is one of the happiest songs on there, this song comes up with quite a dark tone to it. The reverb on the snare drum and the repeats of “Oh, Sir Frankie Crisp” in the background reinforce the mysterious atmosphere. It’s not sad though, in fact he throws in a reference to a Monty Python in the midst of it.

Listen to it. You might like it too.

Until tomorrow.

Jamie.